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You’re a smile on the lips, I’m a tear moist in the eye
When sadness comes, I fall down, and you catch me when I cry
When we make love you kiss me away, your lips glisten with my dew
I melt into your virile form and sip the nectar that is you
And once inside my teary depth, your moves will don a watery grace
And I submit my quivering tear to your staunch and steady pace
Until smiling tears and tearing smiles explode within a shower
Intermingle, you and I, I your depth and you my power
Thus into your grounding smile my supple teardrop coalesces
As your soul and mine in God are woven with caresses.
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I like that you took 2 effects of emotions and connected them to 2 people. Tears that represent pain and smiles that represent joy and made it original. I also like that you stuck to it throughout the poem.
Intermingle, you and I, I your depth and you my power
That line is really good, I take it along with the metaphors as literal because tears is liquid so it represents depth and smiles is using your muscles so it is powerful. Although, I don't think you need "you and I"
What I noticed is that the 2nd line is a long cliche that doesn't do anything for the rest of the poem. I get that when tears fall they fall on the lips, but the line itself is over used not the idea or meaning itself
Comma after "thus"
I like the "when we make love you kiss me away" I take that as the kiss taking away the "tear self" but it's generic and doesn't stand out.
This is a sweet love poem that has a lot going for it with original lines and it's realistic, it doesn't have that fairy-tale mushyness to it. This poem to me progressed as I read further, it got better with the idea and the metaphors. It just has long lines that can be shortened and still have that same intensity.
Posts: 39
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Hi. Wow, thanks for the replies. I thought this thread was history; I was just coming back to delete it.
I think I have the same answer for a comment both of you made--not the same comment I think, but I have a feeling the cause for the comments is the same.
The question of "intermingle/explode" and "you and I" after intermingle.
"You and I" are the subject of "intermingle," so they are necessary. I think that answer might also satisfy the issue Rowens brought up with "explode," but I wasn't sure if I saw what he was referring to.
I had taken a 2nd look at that "intermingle" there before when I originally wrote it, but I have since realized that it is not an infinitive, but the 1st person plural form of the verb with "you and I" being the subject.
Quote:This is a sweet love poem that has a lot going for it
Thanks.
Tragically, the relationship I wrote it about didn't have a lot going for it...