The onset of winter
#21
(12-13-2012, 09:09 AM)Leanne Wrote:  @ billy: As this is a critique forum, and the critique guidelines say It is possibly best to avoid giving “life advice” in a critique, other than as a direct requirement for interpretation of the piece, let's try sticking to the poem shall we? Thanks/ admin

Oooow Billy's in trouble.. Why am I saying this, I'll get myself in troubleHuh Now we don't want any fighting big hugs everybody>Big Grin<. These little faces are greatSmile

Anyway thanks to all of you for the help I really do appreciate it and I am taking it all in. I was kinda thinking on both point of views and kinda thought that maybe a balance of both could be the key. Of course this must take a lot of practice which I do not have so I won't comment to much.

As for the poem I have come up with another review and would love to hear what you think. I think I will post it in the serious thread so people can be more indepth if they wish. Thankyou again for the help.
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#22
(12-11-2012, 11:12 PM)Jae Mc Donnell Wrote:  Her beauty stood pale against the cold dead grey
His presence looming ever closer
His huge expanse besieged her
Casting hope into silhouette
I told you did I not Quotation marks around the speech might help. I grew confused as to who was saying what. Then again, Cormac McCarthy doesn't use them and his books are masterpieces...
His venomous lips spit as he spoke
With frost bitten hands he gripped at her throat
I am your great castigator
A malignant instrument set from on high "sent"?
Not even heaven can turn my chiding eye
I swear it now you will die
But as he spit and raged her slender beauty stood poised
Her hope seemed viscous
Even as he squeezed tighter
Draining the last of the air from her life giving lungs
She knew that after all this death would come life
So with elegant grace she gave up the fight
And the world watched on in silence to the death of a flower

I must admit, when I read the first line I thought this would be another generic tortured love poem, but on reading further it reveals itself as something much more troubling and strange. The woman's submission to her evil assailant for the sake of transcendance has a religious quality to it, in the way an action which destroys also somehow creates. I guess you could also read sadomasochism into this narrative.
The poem's presentation is sometimes clumsy, but shot through it is a haunted vein of darkness, cruelty and redemption. It's very good. All critique is JMHO, of course. Thanks for the read.
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
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