On The Tree That Was Cut Down; and, Guest Room At The Old Persons' House
#1
On The Tree That Was Cut Down

The tree that shaded the window at night,
Between the shaking light that told me whether the aliens were coming,
As sometimes I lay on my cot, or stand by the heater;
They cut you down. They cut you down, and took you as wood
Somewhere else. Why? Because your leaves were falling on someone's truck.

I'm not a tree-lover, but I loved you. Just as I love
The forests in my town, and the other trees in my yard.
Forests everywhere prove that I am right, and they are wrong.
They that don't know what trees are about.
Those that forgot what people are, too.

But your roots are alive. And I will wait for you.
Like I say to the people here, if I leave I'll come back
More and more, and stay and stay.

There's truth that there's a reaper in the field, only at night
And only if you don't look; a real kind of ghost
That would appear to do more than what a ghost does
If you were allowed to see it when you look,
How it appeared. But I'm not afraid of it.

I'm too tired to be afraid tonight, my lonely friend, divorced
Of yourselves. But tomorrow I'll promise and be afraid, for
They'll chop me down, just as dead as I can't see you anymore,
And that makes me sad, oh that makes me sad.

But who cares about being sad: I guess they don't.
Don't realize what you were about, never a question
That I'd feel about you, but I feel.
And you do, too; all alone without you anymore.
You without yourself, still there enough to know.


........................



Guest Room At The Old Persons' House

Hold on, stay back.
I leave the gate open
So the demon will creep into me
And I can have my way with it,
On my own turf.

When younger, and even now:
I'd run across the night, from one door
To the other door, as if they were after me.
I'd slam it with a deep breath;
Would I have the second it takes to lock it
Before they start to turn the knob?

But like a true unbeliever, I never feared the windows.
No. They were out there, all right. That I could feel.
The windows just weren't their thing. I felt that.
Now I can read. Now I can watch TV.

But the movie of the night.
What happened to the profound melodrama
Of the '70s 'Salem's Lot?
Those were real movies. I can feel them
When I walk the streets.
The road by the church, beneath the crosses,
Down the hill, or through the woods.

Where are those video game Eternal nights,
And Dorito days of the '90s gone?
The room proved nothing outside but the future.
When magazines filled the floor
And the Atari wizard magic of the '80s,
Puppets galore and faded psychedelic shades
Of Dungeons and Dragons' last reality
Outside of gloss,
Sailed under the comic book bridge of its varied Ages.

How many times I lay awake at night,
Knowing this place is haunted,
Under the strange blankets in this cozy fear,
I know will be safe in sleep.

Where did my illusions go,
Because I knew they were true.
I ate the soup when I came out of the snow,
Back inside I watched sitcoms, promptly,
On Friday night. And ate the
Keebler Tato skins
Out of sight.

I loved many women in my dreams,
But none one made a bigger mess in my sheets
Than a truth I still wait
Makes of my life.

I still wait in strange hours,
Biding my time.
Hoping for the day I'll hear the starting gun.
I'm so tired of waiting, the waiting,
By far, is the hardest part.

The Great Grand Canyon Rescue episode,
Weekday afternoons, getting off the bus;
I remember cartoons. I remember us,
When we will one day, again.
I think storms between it.

Laying awake at night, I knew I was never,
Would never!
Be weak willed enough to be possessed
Like that girl in The Exorcist.
I never worried about that.
But that I could be a stump,
Like De Niro in Awakenings.
And grow into a tree,
I once was.

I put these two together so not to crowd this section. And they both share similar syntax inversions for that choppy effect.
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#2
on the first poem;

i enjoyed this more than any other poem of yours i've read so far Smile i got a sense that the tree was a person. possibly themselves. possibly not. it's got an alzheimer's feel about it
thanks for the read.

will have good look at the other poem later (just post them in separate posts rowen, people have a habit of not bothering if there's more than one poem; usually due to time constraints. Smile )
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#3
All right. They do play off each other though. It's been a few weeks since anyone else has put anything new in this section.
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#4
i'll get to the 2nd one after breakfast Smile some sections are like the girls or boys you wouldn't take to the dance Big Grin
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#5
about;
Guest Room At The Old Persons' House

the stream of film references made me think of what was being said in the film forum Smile
the narrative and images work really well. i like how the 3rd stanza contradicts the bravado of the 1st and 2nd. it has a very upbeat but nostalgic feel about it. all the iconic memories. i thoroughly enjoyed it. felt close to it in many ways.

the stanza below didn't work so well for me, did you mean no one in the 2nd line?

I loved many women in my dreams,
But none one made a bigger mess in my sheets
Than a truth I still wait
Makes of my life.

thanks for the read.
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#6
I pulled these out of my 2007 notebooks when the movie thread brought them to mind. The 'none one' is me playing with dialects again, for tone value. Is there more about the stanza you don't like? The mystery muse woman finds her way into many of my poems. Actually, the poems I write when I've been with her tend to be more coherent to others. Though she's rarely coherent to me.
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#7
no, basically it was the none one that jilted my stream of thoughts as read it. it sort of threw everything off.
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#8
I guess in a workshop it's hard not to be sensitive to odd usage. Or in general, even. I guess I try to force awkwardness to flow, to intensify the isolation and alienation of even the clear and relatable things. The way someone speaks, and looks. Lots of guessing games uncomfortably performed.
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#9
it can work well in the real world. a raised eyebrow or curled lip can give what we say, the emphasis for better understanding. often all it takes is a glance for stuff to flow. here it's doubly hard cos we don't have eyebrows to raise Big Grin
that said, and i say this a lot; others may not have the same trouble as i do with something in a poem. i think a consensus is always a good indicator as to if you succeed or not. sometimes that can be hard to come by on a poetry poetry site so we tend to use the odd piece of feedback the best we can.
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#10
In your opinion, is a poem weak if coming to it as written doesn't allow the same effect as hearing the poet read it out loud?
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#11
(10-01-2012, 10:05 PM)rowens Wrote:  In your opinion, is a poem weak if coming to it as written doesn't allow the same effect as hearing the poet read it out loud?
it's different. for instance a book that's been read as text and one turned into a film are two separate entities. and while one can argue "but they're not the same" i just watched much ado about nothing and realised the settings do make a difference.. of course it was an adaptation but the bones of the piece were solid enough. (michael keaton was excellent in it)
i think when you bring an extra dimension to something, it's often improved
but it's still different. the written word is something we can lose ourselves in; much more so than a film or play. it's apples and oranges.

i suppose i could have simply said no, but it does need quantifying Smile
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