Posts: 67
Threads: 18
Joined: Sep 2025
09-16-2026, 12:39 AM
one shot echoes
Like a doe in headlights
my car approaches me
flowers are the only faces
I accept
still
a uniform evicts me
from my property
he asks my name, I say
“I don’t know”
segue to night
when my blood was beeswax
honey dripping from both wrists
hand swelling like a berry bush
it was too dark to see
to take risk after risk
until the porch light met my features
then I slipped gloves on
and went into wind folds again
tonight, one by one
I am in horror, real
can’t run away
can’t want to wake
when I do I
Don’t know
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for
if my mouth was flat
I am just a husk
my mom left town
the stress too much
the sun grew up
our barn warm enough
papa fell in love
but not with us
tonight, one by one
I am horror reels
run out
of tape
can’t want to wake
when I do I
Stop dead
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that
"please don't approach me"
flowers the only faces
as uniform evicts me
my poverty, my poverty
asks my name, so I say
“I don’t know”
and he calls me
one shot echoes until my thoughts don't anymore
You Spend To Much Time On Being Right
Posts: 220
Threads: 55
Joined: May 2026
(09-16-2026, 12:39 AM)Deor Ana Log Wrote: Like a deer in headlights
the car approaches me
flowers are the only faces
I accept
yet a uniform evicts me
from my property
he asks my name, I say
“I don’t know”
and he calls me
segue to night
when my blood was beeswax
the honey that dripped from wrist
hand swelling like a berry bush
it was too dark to see
any of this
until the porch light met my features
then I slipped gloves on
and went into wind folds again
tonight, one by one
I am in horror reals
can’t blink away
can’t want to wake
when I do I am
John Doe
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for
if my mouth was flat
I am just a husk
my mom left town
the stress was too much
my son grew up
our barn was too warm
papa fell in love
but not with us
tonight, one by one
I am in horror reels
can’t blank away
can’t want to wake
when I do I am
John Doe
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that
the car approaches me
flowers are the only faces
a uniform evicts me
my property
asks my name, so I say
“I don’t know”
and he calls me
Wtf this is fire
Will digest more and attempt notes after work
Posts: 16
Threads: 6
Joined: May 2026
(09-16-2026, 12:39 AM)Deor Ana Log Wrote: Like a deer in headlights
the car approaches me
flowers are the only faces
I accept
yet a uniform evicts me
from my property
he asks my name, I say
“I don’t know”
and he calls me
segue to night
when my blood was beeswax
the honey that dripped from wrist
hand swelling like a berry bush
it was too dark to see
any of this
until the porch light met my features
then I slipped gloves on
and went into wind folds again
tonight, one by one
I am in horror reals
can’t blink away
can’t want to wake
when I do I am
John Doe
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for
if my mouth was flat
I am just a husk
my mom left town
the stress was too much
my son grew up
our barn was too warm
papa fell in love
but not with us
tonight, one by one
I am in horror reels
can’t blank away
can’t want to wake
when I do I am
John Doe
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that
the car approaches me
flowers are the only faces
a uniform evicts me
my property
asks my name, so I say
“I don’t know”
and he calls me
This certainly drew me in and made me want to keep reading. An evocative use of images. How much is biographical and how much fictional, I don't know. But I get a sense of strength conveyed from a place of vulnerability.
Posts: 67
Threads: 18
Joined: Sep 2025
(09-16-2026, 08:37 PM)Bruce V Wrote: (09-16-2026, 12:39 AM)Deor Ana Log Wrote: Like a deer in headlights
the car approaches me
flowers are the only faces
I accept
yet a uniform evicts me
from my property
he asks my name, I say
“I don’t know”
and he calls me
segue to night
when my blood was beeswax
the honey that dripped from wrist
hand swelling like a berry bush
it was too dark to see
any of this
until the porch light met my features
then I slipped gloves on
and went into wind folds again
tonight, one by one
I am in horror reals
can’t blink away
can’t want to wake
when I do I am
John Doe
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for
if my mouth was flat
I am just a husk
my mom left town
the stress was too much
my son grew up
our barn was too warm
papa fell in love
but not with us
tonight, one by one
I am in horror reels
can’t blank away
can’t want to wake
when I do I am
John Doe
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that
the car approaches me
flowers are the only faces
a uniform evicts me
my property
asks my name, so I say
“I don’t know”
and he calls me
This certainly drew me in and made me want to keep reading. An evocative use of images. How much is biographical and how much fictional, I don't know. But I get a sense of strength conveyed from a place of vulnerability.
It is 80% fictional (I don't have son, live on a farm ect) and 20% real, since I do feel like John Doe much of the time.
You Spend To Much Time On Being Right
Posts: 220
Threads: 55
Joined: May 2026
(09-16-2026, 11:40 PM)Deor Ana Log Wrote: Like a deer in headlights a feint at cliche...
the car approaches me ...immediately and provocatively subverted
flowers are the only faces
I accept great line that has me searching for the implication
yet a uniform evicts me nice metonymy. I would prefer "but" to "yet" because I'm super duper American + a stickler for avoiding even a whiff of anachronism.
from my property subtle work with it being "my" property despite being evicted
he asks my name, I say
“I don’t know”
and he calls me nah you gotta save this for the end!! plus I think the segue (hehe) into "segue to night" is smoother with a caesura here
segue to night
when my blood was beeswax
the honey that dripped from wrist "from wrist" = poemy syntax, blech
hand swelling like a berry bush
it was too dark to see
any of this
until the porch light met my features
then I slipped gloves on
and went into wind folds again I think this is by far the weakest stanza. some interesting tone/mood of botanical dread eventually develops, but overall it feels dangerously loose, a bit too much unmoored abstraction maybe.
tonight, one by one
I am in horror reals not sure exactly what this means but it's scary and visceral
can’t blink away
can’t want to wake
when I do I am
John Doe not sure what this means in the context of the poem
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for this stanza is really immersive. again I feel kinda lost in terms of literal interpretation, but I don't mind too much. there's a strong through line of emotion: disorientation, confusion, wrongness, misalignment
if my mouth was flat
I am just a husk
my mom left town
the stress was too much
my son grew up
our barn was too warm
papa fell in love
but not with us interesting run, almost too much fragmentation? wants to be dramatic but I can't help feeling it becomes almost comical by the end of this stanza, since each couplet is so parallel in structure (if my mouth was flat, my son grew up, you put your left hand in, put your left hand out...)
tonight, one by one
I am in horror reels
can’t blank away
can’t want to wake
when I do I am
John Doe wait are these song lyrics? I don't think the refrain is effective.
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that very luminous verse moments here
the car approaches me
flowers are the only faces
a uniform evicts me
my property
asks my name, so I say
“I don’t know”
and he calls me can't say I have much use for these repetitions, except for the last one
Overall this has a lot of very compelling language. I struggle to find a consistent sensibility, but mostly I'm okay with that. Sometimes I think the poem tips its hand, and sometimes it seems to get maybe a bit more carried away than is productive. Good bones. Prune and shape, methinks.
Posts: 67
Threads: 18
Joined: Sep 2025
(Yesterday, 10:53 AM)matsunosuperfan Wrote: (09-16-2026, 11:40 PM)Deor Ana Log Wrote: Like a deer in headlights a feint at cliche...
the car approaches me ...immediately and provocatively subverted
flowers are the only faces
I accept great line that has me searching for the implication
yet a uniform evicts me nice metonymy. I would prefer "but" to "yet" because I'm super duper American + a stickler for avoiding even a whiff of anachronism.
from my property subtle work with it being "my" property despite being evicted
he asks my name, I say
“I don’t know”
and he calls me nah you gotta save this for the end!! plus I think the segue (hehe) into "segue to night" is smoother with a caesura here
segue to night
when my blood was beeswax
the honey that dripped from wrist "from wrist" = poemy syntax, blech
hand swelling like a berry bush
it was too dark to see
any of this
until the porch light met my features
then I slipped gloves on
and went into wind folds again I think this is by far the weakest stanza. some interesting tone/mood of botanical dread eventually develops, but overall it feels dangerously loose, a bit too much unmoored abstraction maybe.
tonight, one by one
I am in horror reals not sure exactly what this means but it's scary and visceral
can’t blink away
can’t want to wake
when I do I am
John Doe not sure what this means in the context of the poem
The farm is pigs and sheep and
syllables
corn season is almost upon - me
the tractor is brown instead of
blank red
the field is empty instead of
brown cement
there are times I ran in circles
when I was eight
breathless
now when I have too much
breathe
it is never enough
to wait for this stanza is really immersive. again I feel kinda lost in terms of literal interpretation, but I don't mind too much. there's a strong through line of emotion: disorientation, confusion, wrongness, misalignment
if my mouth was flat
I am just a husk
my mom left town
the stress was too much
my son grew up
our barn was too warm
papa fell in love
but not with us interesting run, almost too much fragmentation? wants to be dramatic but I can't help feeling it becomes almost comical by the end of this stanza, since each couplet is so parallel in structure (if my mouth was flat, my son grew up, you put your left hand in, put your left hand out...)
tonight, one by one
I am in horror reels
can’t blank away
can’t want to wake
when I do I am
John Doe wait are these song lyrics? I don't think the refrain is effective.
my friends went to
a school I don’t know
if they ever were true
some dreams are indigo
some aren’t even that very luminous verse moments here
the car approaches me
flowers are the only faces
a uniform evicts me
my property
asks my name, so I say
“I don’t know”
and he calls me can't say I have much use for these repetitions, except for the last one
Overall this has a lot of very compelling language. I struggle to find a consistent sensibility, but mostly I'm okay with that. Sometimes I think the poem tips its hand, and sometimes it seems to get maybe a bit more carried away than is productive. Good bones. Prune and shape, methinks.
thank you for the feedback, I will go back through a revise it with some of your notes. Thank you for reading! ps. yes it could be a song
I have revised this poem based on constructive feedback, and it is ready to be read.
You Spend To Much Time On Being Right
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