v3. Delicates
#1
Delicates


We blinked like sleep could be denied,
when bedtime surfaced from the ocean floor
and lavendered with dreams the sky we wore.
As our sand castles crumbled to the tide,
the grit in bathing suits could not abide
beyond the bloodshot vigil of a chore.
A cycle churned in rhythm to restore
the stale and saltsteeped hues returned inside.

Clouds dissipated to the parting air
of chimes. The fading moon, a bleach mark cast,
at dawn was spotted in a backseat daze.
Though raiments lost to oceans turn threadbare
as castles are reshaped, the windswept past
recalled us: an unburdened clothesline sways.


Draft 2: Moment Cycle Wash

We blinked like sleep could be denied
while bedtime surfaced from the ocean floor
and lavendered with dreams the sky you wore,
rinsed sand away, as castles by the tide.
Sidereal then and lunar now collide,
unseen by us; we heard it as the roar
of laundry drowning out a nascent shore,
where vivid shades of blue could not abide.

Clouds dissipated in the gentle song
of chimes, revealing the bleach stain of moon
that you had shown me from your backseat gaze.
And would that I could watch you play along
the seagull's span a little longer, noon
forgets us as an untaut clothesline sways.


Draft 1: Moment Cycle Wash

We blinked like sleep could be denied
while bedtime surfaced from the ocean floor
and lavendered with dreams the sky you wore,
rinsed sand away, as castles by the tide.
Sidereal then and lunar now collide,
unseen by us; we heard it as the roar
of laundry drowning out a nascent shore,
where vivid shades of blue could not abide.

Clouds dissipated in the clement song
of moving chimes, revealing last night's moon
through questions sprouted from your backseat gaze.
And would that I could watch you play along
the seagull's span a little longer, noon
forgets us as an untaut clothesline sways.
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#2
We blinked like sleep could be denied
while bedtime surfaced from the ocean floor


While/when are big deals. You chose correctly as far as I can see. 


and lavendered with dreams the sky you wore,
rinsed sand away, as castles by the tide.
Sidereal then and lunar now collide,
unseen by us; we heard it as the roar
of laundry drowning out a nascent shore,

The titular subject matter, in this case: laundry related things, are always right on the the cusp of plus and minus in things/poems like this.



where vivid shades of blue could not abide.

Clouds dissipated in the clement song


These two lines, and the space between, are well done. 
Some things need no explanation.



of moving chimes, revealing last night's moon


The chimes are right. The blue and the clouds. The ocean. No mention of wind or any circulating quality is wise here.

The moon, and I made a space in my critique on purpose, is better left absent here, too, as the wind. The noon
in its offrhyme takes the moon's presence here.

through questions sprouted from your backseat gaze.

And maybe I'm the only one who attests that the unmentioned moon is obvious in the halfrhymed noon and the backseat gaze.  



And would that I could watch you play along
the seagull's span a little longer, noon


I', not you, but me, d take out the word noon here
and leave the last line as it is. The whole stanza, except for that word. 

forgets us as an untaut clothesline sways.
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#3
(06-18-2022, 02:43 AM)Velasco Wrote:  We blinked like sleep could be denied
while bedtime surfaced from the ocean floor
and lavendered with dreams the sky you wore,
rinsed sand away, as castles by the tide.
Sidereal then and lunar now collide,
unseen by us; we heard it as the roar
of laundry drowning out a nascent shore,
where vivid shades of blue could not abide.

Clouds dissipated in the clement song
of moving chimes, revealing last night's moon
through questions sprouted from your backseat gaze.
And would that I could watch you play along
the seagull's span a little longer, noon
forgets us as an untaut clothesline sways.

How can a song be “clement”? 
“Moving chimes” seems redundant, like “breathing leopard”
The moon is revealed from a sprouted question from a gaze? The metaphor is quite confused there

I can make sense of the individual lines - I think - and that’s about it

My suggestion would be to tell the story first, and worry about how to make it rhyme, later
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#4
busker, rowens,

Thank you for the feedback. Rowens, I wasn't too sure about what your comments on the noon/moon rhyme meant and how noon implies the moon through its rhyme, so I kept those rhymes for this draft at least. I can make changes in future rewrites if you clarify and I happen to agree with you.

Best,
Alex
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#5
I was making a joke.
The backseat gaze is the moon.
So backseat rhymes with noon in a reality that is jovial.
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#6
(06-21-2022, 08:03 AM)rowens Wrote:  I was making a joke.
The backseat gaze is the moon.
So backseat rhymes with noon in a reality that is jovial.

Ohhh Hysterical  my fault, stuff like that just goes over my head sometimes
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#7
Video 
I think this poem had an idea worth revisiting. After a couple years of not touching it, it called for some hard edits. bump
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#8
I don't often "live tweet" a poem but damn, those first three lines are very convincing, I'm in

the internal rhyme of "lavenDERED with DREAMS" is so smooth and justifies, for me (along with the precision of image) the lofty tone

aw mannnn the rest of S1 is markedly less awesome
"sand castles crumbled to the tide" is a cliche invoked without enough obvious subversion for my taste


"could not abide beyond, bloodshit vigil"... I'm now annoyed with the speaker, who sounds pretentious and opaque

"a cycle... returned inside" I gots no clue what we are on about but it feels laborious and hyperromantic in a way I resist

the clothesline is a cool image, I like the gesture at the end - though I still mostly just can't vibe with the tone/language

dissipating clouds, fading moons, dawn, raiments, oceans... this is "wake me when it's over" lexicon, for me. I'll need a lot of convincing for such a vocabulary to come alive. 

"the windswept past recalled us" is the kind of line that only lands if you've just shot the fucking moon. bravo for ambition. it's a strong line floating in a lot of weak gestural cruft.

I think you're just following the associative impulse too faithfully. A good problem to have. 
What if after the first three lines, instead of drilling down on unmoored vagueness only remotely intelligible to themselves, the speaker sets some concrete context? 

We blinked like sleep could be denied,
when bedtime surfaced from the ocean floor
and lavendered with dreams the sky we wore.

You fold yourself into the tide as if the grit
in bathing suits is never enough. How many times
I looked at you and wanted to say anything. 
--

idk I'm just blabbing but you know what I mean? Instead of just launching us into this stream of context-free symbolism and generalized action ("a cycle... clouds dissipated..." which cycle? which clouds? where what when why how?)
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