The Captain
#1
Music 
I recently wrote this poem for a creative writing class workshop and would love to get some feedback before I submit it for review. Thanks!

*Edited 3/10/15 after reading critique from Billy.


The Captain

Ocean spray upon his face,
White wisps whirl overhead,
Setting course at rapid pace,
Beneath a sapphire spread,

Navigating open seas,
Led by mermaid figurehead,
Black flag whipping in the breeze,
Seeking destiny ahead,

Voyagers from distant shores,
Salt upon their brows,
Buoyant in the great outdoors,
Steady tracks the prow,

Awash with dreams of glory,
Seduced by golden greed,
The crew takes inventory,
Of supplies stockpiled in need,

Grape shot, grog, and powder chest,
Cutlass, grapple, guns,
All aboard with crew abreast,
Blackbeard’s favorite sons,

Spirits high, the flag unfurls,
The rowers start to chant,
Legends sung of gold and pearls,
Distract from rations, scant,

Through many nights of toil,
Dark whispers slowly grow,
Tempers bubble, swell and boil,
In cabin decks below,

A tide rising against him,
The Captain must decide,
Itching at his phantom limb,
His spyglass cast aside,

Grasping a ragged paper,
Bold red X marks the spot,
He draws his cold steel rapier,
To sever the serpentine knot,

He weaves a lofty story,
Of wealth beyond all count,
Saying “all shall share the glory,
Or be held to account!”

A corsair king, he then became,
Commanding loyal crew,
With avaricious hearts aflame,
The mutiny subdued,

Gliding over arcane waters,
He checks starboard, bow and stern,
Snubbing romps of sprightly otters,
The Captain’s scrutiny upturned,

“Land ho!” came shouts from crow’s nest,
As the ship approached a reef,
The first mate offered no protest,
Erroneous belief,

Dropping anchor in the bay,
Behind the scowling cliffs,
He called upon his bravest men,
To pack gear in the skiffs,

Oars dip to the rhythm,
Heave, and ho, and heave,
The soothing repetition,
Gives Captain no reprieve,

Docking boat on golden shore,
Surveying rock, tree, sand,
His company could not ignore,
The shadow on the land,

From that fateful moment forth,
They stood guarded, superstitious,
Adhering strictly to true north,
The Captain stayed ambitious,

Prevailing winds blowing in,
He focused on his map,
Seeking out a safe haven,
Avoiding booby-traps,

Hidden by cruel men of leisure,
Run aground in dire times,
To guard their hidden, buried treasure,
Hard-earned through wicked crimes,

At sunrise, crew embarked on foot,
Past strangled jungles thick with vines,
Trudging, tracking, all hard put,
Oppressed by jade confines,

A tribe of wild spider monkeys,
Jeer from web-like branches,
Chattering like demon junkies,
On, the crew advances,

Carried by corrupted breath,
Echoes clear a macaw call,
“Tread not here lest ye seek Death,”
Omen shot like cannon ball,

The men began to howl and quail,
A ghastly fear cast on them,
But Captain, grim, refused to fail,
Eyes gleaming, emerald gems,

Their tattered nerves were fraying,
Yet, the company endured,
Landlocked sailors, close obeying,
Captain’s orders like a lure,

At length they reached the clearing,
Scouting skull-like stone ahead,
As one, they started cheering,
But the Captain’s thoughts turned red,

So close now to the prize he sought,
A spark flashed in his mind,
Suspecting every face of plots,
And devious designs,

The Captain reached a swift conclusion,
Brain flowing with evil plans,
Deceiving crew with false illusions,
Leaving him, last man to stand,

At last, he reached the destination,
Between two shark-tooth crags,
There he saw, to his elation,
A Jolly Roger flag,

On the ground below the staff,
Rest a pair of crossed white bones,
The Captain, there, let out a laugh,
His caution overthrown,

At once he started digging,
At a feverish, frantic pace,
Wits tauter than the rigging,
Holding vessel’s mast in place,

Thud! His shovel struck hard wood,
He dropped to hands and knees,
Mustering what strength he could,
The Captain gave a mighty heave,

Excavating antique crate,
With a rusty iron lock,
The Captain didn’t hesitate,
Tick tock, tick tock, tick tock,

He reaches for his blunderbuss,
Then, steadying his aim,
Boom! Lock cracks without a fuss,
Now, the Captain stakes his claim,

Black heart beating like crow’s wings,
Shaking hands grope for the chest,
Tarnished hinges moan and sing,
Convulsing like a fiend possessed,

As the lid swung open wide,
The Captain sat there puzzled,
Only dusty tome, entombed inside,
And a flagon of rum half-guzzled,

The book was black, leather bound,
All pages empty at first look,
Turning and turning, the Captain found,
An image that can’t be mistook,

On page thirteen sat a jet black spot,
An obsidian whirlpool to hell,
Knowing his dark designs lay in rot,
The Captain’s courage quelled,

Chased by phantom apparitions,
Night suffocates his hope and reason,
Undying retreat from his own condition,
The Captain’s punishment for treason.


-Jeremy G.
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#2
hi Jeremy; first off let me say thank you for some solid feedback elsewhere. it's what the site aims at.

may i say, some of your own feedback would apply to this piece of poetry. (the feedback on friend or foe; which i totally agree with)
in general it lost me after a fairly short while. a poem needs to hold the reader. i felt that some of the metaphor/ simile were cliched and at times the metaphors were mixed.
Drifting with no time to lose,
Countless sea lanes yet to tread,
Off the beaten path they cruise,
the 1st line contradicts the 3rd, the, 2nd line contradicts the 3rd, also tread/path refer more to land than ocean/sea.
verse' like;
Shovel striking hollow solid,
He dropped to hands and knees,
Resolute and ever-stolid,
Entranced voracity,
what is the above saying, whatever it is, it's saying it badly.
what is a hollow solid? what is entranced voracity.
there are a few verses like the above. make them original and make them actually say something that holds the reader's attention for the right reason.
Alone, he reached his destination,
Between two shark-tooth crags,
There he saw, to his elation,
A Jolly Roger flag,
has some merit. with a small amount of work it would work. use this verse to ground all the others, build on it though a suggestion would be to trim down the poem to a manageable size to start with.
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#3
Hey Billy, thanks a lot for your quick feedback, I found it very helpful. I went back and edited the original posting with the changes I made to stanza #2 (contradictions) and #31(just bad)... I also tried to iron out the rhythm a little better in some other parts. I'd love to hear what you think of the adjustments and any other critique you might have since your initial response was so helpful. Thanks again and looking forward to posting more poems and critiques of my own.
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#4
the meter still needs a lot of work, [if you want to use meter[ i'd say use it] see here]

at present i personally think you have to many verses. start with a bout 5 or 6.  after that you could inject extra verses in between the ones you already have.
also try and put the edit above the original like so:

edit:
this area for the edit


Quote:original

jfh;ajf;akjh
djf;jdf;kjh
jf;jdf;k

it helps see how the poem was edited.

i took a few verse from the poem:

The Captain

Ocean spray upon his face,
White wisps whirl overhead, this sounds awkward. the 3rd w cocks it up i think, a suggestion would be; [and white wisps over head]
Setting course at rapid pace,
Beneath a sapphire spread, this has 3 feet the (see the link) sapphire blue contradicts white wisps.

Navigating open seas,
Led by mermaid figurehead,
Black flag whipping in the breeze,
Seeking destiny ahead, this line has 3 and a 1/2 feet the same as the lines above, while the content is a bit weak the meter reads reasonably well, [well done] this is what you're aiming for to start with.

Voyagers from distant shores,
Salt upon their brows, [only 3 feet]
Buoyant in the great outdoors,
Steady tracks the prow, [this has only 2 and a 1/2]

i'd say pick every third verse and fix them best you can. then work from there. think hard about meter [see the url above] ask if you're not sure about something in poetry discussion] we'll admire you're attitude to knowing the craft all the more, milo or leanne will probably help you most on the meter side. also think hard about cliche. good to see you editing. don't be scared to slash and burn if needed Big Grin
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#5
Poem is written (mostly) in common meter, alternating lines of iambic tetrameter and iambic trimeter, with an ABAB rhyme scheme.
This pattern hods true for the first three stanzas.
The 4th Stanza (S4) is 4 lines of iambic trimeter, with 1 and 3 having an extra unaccented syllable at the end of the line:
glory
inventory

The next stanza S5 has the correct feet number per line, the problem it is written in trochee.
S6 is back in iambic, except L1 and L2 are headless.
S7 L1 and L2 are iambic trimeter, L3 is trochee tetrameter and L4 is iambic.

As this is in mild, I'll stop the line by line there and there is very little use to look at the content until solutions to the meter is found which could drastically change the content.

Welcome to the site,

Dale
How long after picking up the brush, the first masterpiece?

The goal is not to obfuscate that which is clear, but make clear that which isn't.
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#6
Wow,
I was struck by the length of this monster. Agree with Billy...shorten it up and work on smaller pieces.
My first read was spent forcing the rhythm which I suspect you did in the writing.
This also appears to be based on an existing story...one that I have not read or seen.
The references to the black book and page 13 are confusing. Can this be written with more clarity?
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