Hi Aish,
I've been reading this since you first put it up though I haven't been ready to comment on it till now. This is good love poem. It is original. It has some common touch points but then it reaches for some truly original takes (which ends up personalizing the piece).
Normally, I prepare to cringe when I even see the word love in a poem--I'm very pleased that that wasn't the case here. Here are some comments for you:
I've been reading this since you first put it up though I haven't been ready to comment on it till now. This is good love poem. It is original. It has some common touch points but then it reaches for some truly original takes (which ends up personalizing the piece).
Normally, I prepare to cringe when I even see the word love in a poem--I'm very pleased that that wasn't the case here. Here are some comments for you:
(07-09-2011, 06:06 PM)Aish Wrote: You asked me once
gently, in the dark--The specific word choices here really sold me on this. I like once mostly because it implied that the answer given satisfied and wasn't reasked. The word conveys a lot. I also loved the addition of gently, in the dark. This implies intimacy. It also implies a bit of trepedation. It's the sort of approach and question someone asks when they feel that looking to close at something might ruin it. I found this to be a great subtle lead in.
why?--I'm not a fan of this change. While the original line carries with it the possiblity of being too sappy (only if they stop reading at this point) I think this doesn't direct the reader well enough. I can appreciate that the other partner may be able to fill in the gap, but the shortened why lacks the power and intensity of the previous question. It also undermines the it is part later in the revision which I think would work quite well with the original question). I do think you want to limit the number of times you say love in a love poem, but this isn't where I would do it
Your quiet earnestness
and soft pleading broke my heart.--I can live with broke my heart, but it's right on the line. If it were my piece I'd steer away from the predictable. Even broke me would probably be better.
I didn't answer very well.--beautiful line. Honest
Unexpected vulnerability stole my breath
and sinuous words slumbered in the void.--these two lines were the first that I truly had problems with in the poem. I get where you're going with it, but an image might bring these ideas together better. I like the idea of stole my breath and sinuous words
It is--even if you restore the earlier question you may want to consider pulling because up a line. I just don't know if it is can carry the line the way you need.
because you've always been with me.--This feels like the narrator beginning to reach for the answer and while this is true it's not enough
You are the disseminator dancing,
licking and stinging uninitiated ears
with every waltzing breeze past youth.--some interesting stuff here though it doesn't feel as strong as the next two strophes. Which is actually okay because I still think the narrator is discovering the answer while speaking.
You're beautiful and wild,
and the roots of your soul
anchor thick in the ore of chaos.--love the exhuberance that comes through here. The metaphor feels a little off though with roots and ore. Maybe the veins of your soul. Love where this is going though
I bury my dead in you,
and watch God take form in your eyes ---gorgeous writing
as we conquer one another
cracking our communion rib,
and you know the worth of my intimacy.--and again this entire sequence is just beautiful
I love you because in the spiral
our bodies are the place where power combines
and there is ambition in our blood, to mingle
and be set free. and then the answer comes in a rush. This is a payoff and I can fully believe that the question never had to be asked again.
I very much enjoyed this. I hope some of the comments will be helpful to you.
Best,
Todd
Quote:original;
You asked me once
gently, in the dark
why I love you so much.
Your quiet earnestness
and soft pleading broke my heart.
I didn't answer very well.
Unexpected vulnerability stole my breath
and sinuous words slumbered in the void.
I love you
because you've always been with me.
You are the disseminator dancing,
licking and stinging uninitiated ears
with every waltzing breeze past youth.
I love you because you're beautiful and wild,
and the roots of your soul
anchor thick in the ore of chaos.
I bury my dead in you,
and watch God take form in your eyes -
as we conquer one another
cracking our communion rib -
and you know the worth of my intimacy.
I love you because in the spiral
our bodies are the place where power combines
and there is an ambition in our blood, to mingle.
The secret of poetry is cruelty.--Jon Anderson
