11-19-2013, 12:43 PM
(11-17-2013, 04:27 PM)trueenigma Wrote: Suppose I said the colors do not blendI love the third edit.
together like they did with you around;
the blues don't match the breakers in Hobe Sound,
the ocean's unrealistic.-- would you then
return to hold my hand, to paint the sand?
My fingers shake and bristles scrape the ground
beyond the palms, the fields, the church, the town.
I cut a jagged scar into the land.
You could paint the music in the pines,
and birdsong in the skies, suppose I said
it is impossible to shade these lines!
They dry too fast, and chip away. Instead
I wonder which are yours entwined in mine,
while I engrave the stone above your head.
Second edit:
Suppose I said the colors do not blend
together like they did with you around --
there's too much grey, the way it boils down,
this ocean's unrealistic -- would you then
return, and guide these hands that paint the sand?
My fingers shake and bristles scrape the ground
beyond the palms, the fields, the church, the town.
I cut a jagged scar into the land.
You could paint the music in the pines,
and birdsong in the skies, suppose I said,
it is impossible to shape these lines!
They dry too fast, and chip away. Instead,
I wonder which are yours, entwined in mine,
while I engrave the stone above your head.
Edit per milo
Suppose I said the colors do not blend
together like they did with you around --
there's too much grey, the way it boils down,
this ocean's unrealistic -- would you then
return, and guide these hands that paint the sand?
My fingers shake and bristles scrape the ground
beyond the palms, the fields, the church, the town.
I cut a jagged scar into the land.
You could paint the music in the pines,
and birdsong in the skies, suppose I said
to you, this is impossible! The lines
made by the brush just chip away. Instead,
I wonder which are yours, and what are mine,
while I engrave the stone above your head.
Original Post:
Suppose I said the colors do not blend
together like they did with you around --
there's too much grey, the way it boils down,
this ocean's unrealistic -- would you then
return, to teach me how to paint the sand?
My fingers shook and bristles scraped the ground
beyond the palms, the fields, the church, the town.
I cut a jagged scar into the land.
You who could paint the music in the pines,
and birdsong in the skies, suppose I said
to you, this is impossible! The lines
left by the brush just chip away. Instead,
I wondered which were yours, and which were mine,
while I engraved the stone above your head.
For me the slow down was just what I needed. While it got to me in its other forms, this one just whacked me. I think maybe the addition of a location grounded it for me, too. Great job, great editing lesson. Thanks.
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