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Let's be honest, hearts are dull.
The soul is a whiteboard filled with sums
few of us can hope to solve.
To say I write from my gut
doesn't mean a great deal.
What matters is the metaphors,
the beauty of the images:
why need a soul when hell is hot,
burning with the endless skin
of those who once through cities walked,
looking in a window here,
checking their laces there.
All this is much more thrilling than
the simple arrogance of graves,
the emptiness, the silent rot
no poem can justify.
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
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The gut is a place for worms and last night's dinner turning into excrement -- which, coincidentally, is just what a lot of poetry ends up as
I think your second stanza would be strengthened by removing the first person, eg:
What matters is metaphor (or It's metaphors that matter)
the beauty of images
These are the only lines when the first person makes a direct appearance, and it detracts from the universality of your statements.
In your penultimate line, would you consider backing up the sounds from the preceding lines with:
the emptiness, the silent rot
The second stanza gives the poem a bit of an Ozymandias feel -- I like it a lot.
It could be worse
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The first person also makes an appearance at the end of the first verse ("To say I write from my gut"); would it help if I changed "I" and "my" to "we" and "our", and replace the "my"s in the first two lines of the second verse to "the"s?
I like your suggestion for the penultimate line. I'll make the edit in a mo.
Thanks for the feedback
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
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No, that's not direct first person, it's more of a quote, ie 'To say, "I write from my gut" ' -- as in, that's what some other idiot is telling you
It could be worse
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Ah okay then. I think will change the "my"s to "the"s in the second verse. Thanks again for the feedback, Leanne.
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
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Splendid work Jack. i had a couple teeny nits but this is certainly an excellent read
(07-28-2011, 12:33 AM)Heslopian Wrote: Let's be honest, hearts are dull. good opening
The soul is a whiteboard filled with sums
few of us can hope to solve. would it be stronger to straight-out say that no one can solve it?
To say I write from my gut
doesn't mean a great deal.
What matters is the metaphors,
the beauty of the images:
why need a soul when hell is hot, great line
burning with the endless skin
of those who once through cities walked,
looking in a window here,
checking their laces there. i'm lukewarm about this last line... very specific, yet it doesn't seem to say a great deal
All this is much more thrilling than
the simple arrogance of graves, I've never heard of "arrogant graves"... I love it
the emptiness, the silent rot
no poem can justify. I really like this, the turnaround that, in fact, the human condition is so ineffable and powerful that though you praise poetry and brimstone, there is a glibness to it in comparison
PS. If you can, try your hand at giving some of the others a bit of feedback. If you already have, thanks, can you do some more?
Jack,
I cannot add to the good feedback you already received but I had to say I really like what you have begun here.
Some very good writing. I especially like that last stanza.
Sid
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Thank you for your great feedback Addy, and your kind words ICSoria
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
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(07-28-2011, 12:33 AM)Heslopian Wrote: Let's be honest, hearts are dull.
The soul is a whiteboard filled with sums sums makes me think of maths and not poetry
few of us can hope to solve.
To say I write from my gut
doesn't mean a great deal.
What matters is the metaphors, would it read better as; What matters is metaphor,
the beauty of the images: is 'the' needed?
why need a soul when hell is hot,
burning with the endless skin
of those who once through cities walked, once feels redundant
looking in a window here,
checking their laces there.
All this is much more thrilling than
the simple arrogance of graves,
the emptiness, the silent rot
no poem can justify. apart from a couple of nits
i thought it a good write.
better than most poems that try and capture what poetry is
the last verse is my fave the comparison work really well for me.
thanks for the read
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