My name is Felicity Bloodcock.

[rowens]

I have no respect. And I feel that criticism can be exploitive. Functioning as a critic, it is my job to validate your poetry whether you want validation or not.

[Deor Ana Log]

I completely understand your prespective, but I want Tun to understand what respect looks like, so he can recipriate it to others. Also I believe that criticism (good and bad) is necessary to improve any art, and that I why I am on this website.

[tun]

I have no respect. And I feel that criticism can be exploitive. Functioning as a critic, it is my job to validate your poetry whether you want validation or not.

But this is meaningless. I can find no sense in the things you say. You are commenting without communicating or presenting any material petrinent to the development of a conversation.

[rowens]

I'm playing by ear. When someone wants to function a certain way, and there is a medium like poetry, I worm my way into that mode until it is broken by the poet. The poet is in control. I'm the worm. This is how criticism works. The finished product is a dead thing, animated by worms, to keep it relevant.

[tun]

I'm playing by ear. When someone wants to function a certain way, and there is a medium like poetry, I worm my way into that mode until it is broken by the poet. The poet is in control. I'm the worm. This is how criticism works. The finished product is a dead thing, animated by worms, to keep it relevant.

Look you need to get a lot better at it - whatever it is.

---

I completely understand your prespective, but I want Tun to understand what respect looks like, so he can recipriate it to others. Also I believe that criticism (good and bad) is necessary to improve any art, and that I why I am on this website.

How are you going to teach him respect then? I bet you can't.

[rowens]

Disrespect is something that comes natural to me.

[Deor Ana Log]

I have no respect. And I feel that criticism can be exploitive. Functioning as a critic, it is my job to validate your poetry whether you want validation or not.

But this is meaningless. I can find no sense in the things you say. You are commenting without communicating or presenting any material petrinent to the development of a conversation.

Well then I am interested in what material important to the conversation would be, coming from an outsider who has read the entire discussion. Also I love the dead art symbolism Rowen!

[tun]

I have no respect. And I feel that criticism can be exploitive. Functioning as a critic, it is my job to validate your poetry whether you want validation or not.

But this is meaningless. I can find no sense in the things you say. You are commenting without communicating or presenting any material petrinent to the development of a conversation.

Well then I am interested in what material important to the conversation would be, coming from an outsider who has read the entire discussion. Also I love the dead art symbolism Rowen!

Look I don't see how he can learn respect from you like that? What is your theory of pedagogy here?

[Deor Ana Log]

I was not talking about Rowen, I was talking about you. You need to learn respect. You should be nicer to the poets on this website. Do not take this as an attack, but my opinion of your actions.

[tun]

I was not talking about Rowen, I was talking about you. You need to learn respect. You should be nicer to the poets on this website. Do not take this as an attack, but my opinion of your actions.

What did I do wrong? What actions? I don't know what you are talking about?

[rowens]

It's rare that anything can be wrong for long. Why worry about what you can't know?

[tun]

It's rare that anything can be wrong for long. Why worry about what you can't know?

Look I didn't say that there is anything I cannot know did I?

[rowens]

I don't know.