guitar
#1
v. 4

(same as V. 3, only cut off the -ing on leanne's suggestion. additionally, added "little guitar" to S.4. to make the subject more clear)
changes:

-removed first line

S. 8 removed "the" and "its"
Final stanza: edited last lines



A mane of cobwebs
wrapping a head of pegs that turn
like the hands
of an unwound clock;

your hollow body
abandoned by vibration
and the spiders that called you home, only
to starve beneath your ribs,

you sit with the patience of
a river
in a torn canyon.

Does the stairwell
remember your songs,
little guitar,

how they would course
up and down the banister
like an usher in a hall,

trebles floating to the mirror
watching themselves
as basses slog around
the lower shelves
of the bookcase?

Would walls inch closer
the moment a string stirred from sleep,

or floorboards beg
to carry your bag
when brought on display,
a fire
trapped in a maple cage?

Or has everyone forgotten your voice,
as some forget faces
after years of distance; did you notice
even my surprise when I found you here

put your neck in my arms
and heard a note as it tumbled
down your throat?



v. 2
changes: too many!
- first few stanzas were erased, as well as the Jane character.
- changed treble notes to trebles (billy!)
-changed completely stanza on "tracing"
-last few stanzas erased
+ added stanza 3
+ new concluding stanzas

Reserved to
a mane of cobwebs
wrapping a head of pegs that turn
like the hands
of an unwound clock;

your hollow body
abandoned by vibration
and the spiders that called you home, only
to starve beneath your ribs,

you sit with the patience of
a river
in a torn canyon.

Does the stairwell
remember your songs,

how they would course
up and down the banister
like an usher in a hall,

trebles floating to the mirror
watching themselves,
basses slogging around
the lower shelves
of the bookcase?

Would the walls inch closer
the moment a string stirred from its sleep,

or the floorboards beg
to carry your bag
when you were brought on display,
a fire
trapped in a maple cage?

Or has everyone forgotten your voice,
as some forget faces
after years of distance; did you notice
Even my surprise when I found you here

ran to your side,
put your neck in my arms
and tried to squeeze one more word
out of a body
already splintered dry.



-------------------------------------
Original


Guitar

opening the door to a friend’s house
we saw you,
Little Guitar,
sulking in the sunlight
of that tiny, aged, white room.

My friend creaking upstairs for her wallet,
I returned to you,

your mane of cobwebs
wrapping a head of pegs that turned
like the hands
of an unwound clock;

your hollow body
abandoned by vibration
and the spiders that called you home, only
to starve beneath your ribs.

I wondered
if this house
remembered your songs,

tracing, with my hand, the route
they would have glided through the room—

treble notes floating to the hallway mirror
watching themselves
as basses slog around
the lower shelves
of the bookcase.

Their footprints I could almost see,
but before I could stir one string,
Jane had returned with the bus fare
and I could think
of no reason to stay

to convince her the house was no tomb,
but an audience, sentenced to the silence
of a song without a voice.
Written only for you to consider.
Reply
#2
If you believe in 'show not tell', then there are little passages here which could be excised -'I wondered' e.g. I am not like that, though I do think it a useful way to look at things, to make sure all is really right, and tight.

It is a mini-narrative, with Jane /my friend making an appearance, but without being important to the development of the thing. I am a little awkward with that --I think I would either expand a bit, so that it would be more of a story, or more probably, cut that out.

Having been suitably critical, I love the nostalgic tone ---- a kind of dusty rocking-horse in the attic situation. I also appreciated being able to understand without having to do a kind of poetic cross-word!
Reply
#3
i never got chance to reply straight away.
the opening of the poem feels too convenient
and i kept asking myself; why was creaking upstairs for her wallet, why was it left there in the first place?
but those two points aside. the imagery is excellent.

to starve beneath your ribs was clever and good. the 3rd stanza (which for me should be where the poem started) also worked really well in that it wove time, or should i say the lack of time, which is a major part of music into the guitar poem.

tracing with yout hands feels a bit hard to do. would 'eye' work better than 'hand' though it may be considered a little cliche.
would 'trebles' work better than 'treble notes'?

the last 2 stanza work, but i think they feel a bit forced. they feel off key with the rest of what i think is a good poem. jmo
thanks for the read.

(10-29-2011, 09:03 AM)Philatone Wrote:  opening the door to a friend’s house
we saw you,
Little Guitar,
sulking in the sunlight
of that tiny, aged, white room.

My friend creaking upstairs for her wallet,
I returned to you,

your mane of cobwebs
wrapping a head of pegs that turned
like the hands
of an unwound clock;

your hollow body
abandoned by vibration
and the spiders that called you home, only
to starve beneath your ribs.

I wondered
if this house
remembered your songs,

tracing, with my hand, the route
they would have glided through the room—

treble notes floating to the hallway mirror
watching themselves,
basses slogging around
the lower shelves
of the bookcase.

Their footprints I could almost see,
but before I could stir one string,
Jane had returned with the bus fare
and I could think
of no reason to stay

to convince her the house was no tomb,
but an audience, sentenced to the silence
of a song without a voice.
Reply
#4
thanks for the input, certainly very helpful. have posted a revision that, while not hitting the mark exactly, has brought me much closer. it's a process..
Written only for you to consider.
Reply
#5
i think the last revision is really good.
could squeeze something other than words out of it?
is the 1st line needed? love the 2nd line.
in the lone;

or the floorboards. (is 'the' needed) check for any other small bits of carry on luggage Big Grin
check the enjambment does it wall work well when read aloud? (L8 and at least one more ) which also has an excess 'the in in there. i like the feel of the piece. the age of the guitar feels like an OAP. beyond redemption. i think the last verse feels a little tell. but i still like it. i think it was a brave and good strong effort that certainly works in polishing it.

all in all a good read, thanks.
Reply
#6
I've had a quick read of this thread (top to bottom)........I liked all the changes except for the loss of the first verse....I read the completed poem in total bewilderment (especially as I suffer with an amnesiac handicap of never managing to read and remember a poem's title)


I thought it was about a spider under the stairs at the beginnng and then lost the plot entirely as the poem developed.

I know...I'm stupid. But, I am your reading public and sometimes we need a little more not a little less.
Reply
#7
I find this a truly beautiful piece of personification -- and one hell of an impressive edit! The cobwebs and spiders in the first stanzas straight away build a haunted mood that continues right through to the penultimate stanza, where the volta brings it back into the present, but with great subtlety.

My one suggestion is the possible excision of an -ing in S6, perhaps:

trebles floating to the mirror
watching themselves,
as basses slog around
the lower shelves
of the bookcase?
It could be worse
Reply
#8
Hi Philatone,
I'm coming in late on this one but I wanted to give you my thoughts anyway. I have had a love affair with guitars for a long time now and so my interest was piqued when I saw the title. Having said that, I might change the title to something alittle more descriptive of the content. jmo

(10-29-2011, 09:03 AM)Philatone Wrote:  A mane of cobwebs
wrapping a head of pegs that turn
like the hands
of an unwound clock; --if this old guitar never gets played then when do the pegs turn? Or are you saying something else?

your hollow body
abandoned by vibration
and the spiders that called you home, only
to starve beneath your ribs, -- I like everything about this stanza especially 'ribs'. It gives the guitar a personality by comparison to human anatomy

you sit with the patience of
a river
in a torn canyon.

Does the stairwell
remember your songs,

how they would course
up and down the banister --all this time I thought it was 'bannister' Smile
like an usher in a hall,

trebles floating to the mirror
watching themselves,
basses slogging around --it's a small thing but I just don't like 'basses' as much as I like 'trebles' possibly because it seems a little predictable to me that you would hit the bass notes next. Maybe just say 'bass notes slogging around . . .'??
the lower shelves
of the bookcase?

Would walls inch closer -- my favorite phrase all told. Not exactly sure why. Something about the phrase makes me really see the walls straining to hear
the moment a string stirred from sleep,

or floorboards beg
to carry your bag
when brought on display,
a fire
trapped in a maple cage?

Or has everyone forgotten your voice,
as some forget faces
after years of distance; did you notice
even my surprise when I found you here

put your neck in my arms
and heard a note as it tumbled
down your throat

The last bit is awesome to me and the humanization of the instrument is flawless IMO.

Great work. Thanks for sharing.
Reply
#9
hey!
granny- I added another mention of the subject (besides the title), though it does occur slightly later in the piece. I hope it is strong enough to make the topic clear! your input was truly valuable.


leanne- noted the -ing and removed. thank you for the kind, positive words!

mark- thanks for the input! I understand the predictability of basses and trebles, yet I guess I don't feel that that has to detract from the poem necessarily. i played with adding "notes," but i felt that it might take away from the ending with the repetition of the word. I might just have to live with it for now; I hope that the rest of the stanza makes up for its predictibility. also, with regards to the turning of the pegs, i hoped to compare it to the hands of grandfather clock that needs to be wound to function. without it, everything stops. it may not have come out strongly enough. I appreciate you drawing my attention to it

Written only for you to consider.
Reply
#10
'Notes' was just a suggestion and not a very good one but I just thought something needed to change there. If course, it could just be me.
Reply
#11
As I know now what this poem is referring to it is difficult for me to fully assess the impact of the words 'little guitar' im your amended poem...but, I reckon if I had read this version rather than the previous re-write I don't think I should have had the difficulty I experienced first time around.

(........of course, if I had read the thread the right way up, there wouldn't have been any problem at all....that'll larn me!)

I think this poem will stay in my mind for a long time.
Reply




Users browsing this thread: 1 Guest(s)
Do NOT follow this link or you will be banned from the site!