Second Edit: Professor of Poetics
#1
Professor of Poetics
For Richard Marchand

Just a memory now,
part of a cruel dream;
forever far,
yet always close.

He would lecture
about the clumsiness
of clichés,
“Grey leaden sky is meaningless.”

he would talk
of how poems were like candy
(so sweet sounding
in our mouths),

and he would also scare away
young poets
by dissecting their lines
like a mad surgeon.
His plain pencil
a scalpel,
most of his surgeries
unwanted.

Still, he taught me,
and prolonged my dream of poetics:
a cruel dream,
forever far, yet always close.




First Edit:

Professor of Poetics


He is just a memory now,
part of a cruel dream;
forever far,
yet always close.

He would lecture
about the clumsiness
of clichés,
Grey leaden sky
is meaningless,” he would say,

he would talk
of how poems were like candy
(so sweet sounding
in our mouths),

and he would also scare away
young poets
by dissecting their lines
like a mad surgeon,
his plain pencil
a scalpel,
most of his surgeries
unwanted.

Still, he taught me,
and prolonged my dream of poetics:
a cruel dream,
forever far, yet always close.

Original:

Professor of Poetics


he is just a memory now-
part of a cruel dream
forever far
yet always close

he would lecture
about the clumsiness
of clichés:
Grey leaden sky
is meaningless,” he would say

he would talk
of how poems were like candy
so sweet sounding
in our mouths

he would also scare away
young poets
by dissecting their lines
like a mad surgeon
his plain pencil
a scalpel
most of his surgeries
unwanted

he never made steel
like my father
he never waited a table
like my mother
but he influenced me

he taught me
and prolonged my dream of poetics:
a cruel dream
forever far

yet always close
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#2
(05-11-2017, 02:22 PM)Richard Wrote:  Professor of Poetics <<< Like "Poetics" instead of "Poetry"

he is just a memory now-
part of a cruel dream
forever far
yet always close

he would lecture
about the clumsiness
of clichés:
Grey leaden sky
is meaningless,” he would say <<< I like that he taught you well.

he would talk
of how poems were like candy
so sweet sounding
in our mouths <<< I like how this evokes the danger of a poet thinking what was in his mouth was necessarily sweet sounding.

he would also scare away
young poets
by dissecting their lines <<< I like how these 2 lines work together
like a mad surgeon <<< I like how these 2 lines work together
his plain pencil
a scalpel
most of his surgeries
unwanted

he never made steel
like my father
he never waited a table
like my mother
but he influenced me

he taught me
and prolonged my dream of poetics:
a cruel dream
forever far
yet always close <<< Like how the conclusion wraps back to the beginning.

What I didn't like is that I didn't write this. No butter dish job here. That's the truth.
Reply
#3
(05-11-2017, 02:22 PM)Richard Wrote:  Professor of Poetics

he is just a memory now-
part of a cruel dream
forever far
yet always close

he would lecture
about the clumsiness 
of clichés:                                 i think metaphor would fit better than cliché
Grey leaden sky
is meaningless,” he would say

he would talk
of how poems were like candy
so sweet sounding                   
in our mouths                             interisting here would be what the subject thinks about this piece of poetics education.. otherwise i don´t know what that verse does in the poem.

he would also scare away
young poets
by dissecting their lines
like a mad surgeon
his plain pencil
a scalpel
most of his surgeries
unwanted             yes, but when you go to school you kind of expect to write tests and have the flaws "dissected".

he never made steel
like my father
he never waited a table
like my mother
but he influenced me                  that´s not a contradiction, so the "but" does not fit.

he taught me
and prolonged my dream of poetics:     can one really dream of poetics? sounds so sterile..
a cruel dream
forever far
yet always close               maybe some description for the subject´s motivation and the source of that dream would make the message clear.

i think you have more to say than what is expressed in the poem so far.
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#4
(05-11-2017, 02:22 PM)Richard Wrote:  Professor of Poetics

he is just a memory now-
part of a cruel dream
forever far
yet always close

he would lecture
about the clumsiness
of clichés:
Grey leaden sky
is meaningless,” he would say

he would talk
of how poems were like candy
so sweet sounding
in our mouths

he would also scare away
young poets
by dissecting their lines
like a mad surgeon
his plain pencil
a scalpel
most of his surgeries
unwanted

he never made steel
like my father
he never waited a table
like my mother
but he influenced me

he taught me
and prolonged my dream of poetics:
a cruel dream
forever far
yet always close
Hi vaga...sorry, richard,
 as you know I follow you with unconcealed interest because you conceptualise with abandon...you abandon punctuation, rhyme, meter...in fact, you poetry IS concept. Now, this is not entirely a bad thing BUT it takes you absolutely nowhere along the road to betterment. You will find a lot of support amongst those who read words like cornfalkes coming out of a packet and tell you it's a serial story. I could say carry on and go to bed happy BUT something tells me that you have had enough of the platitudinal praise for what is, after all, the outpouring of a thought stream that once was bottled up. So where is this going? Well, and I put this mildly, just for once try reading your work out loud...preferably to your milkman not your mother. You will note his response and be slightly embarrassed that you read it to him but you will also note that even YOU, the writer, may stumble now and then because you give absolutely no road signs along the way. No stops, no slow downs, no bends ahead...
I advocate punctuation...I like some poetry  without...I like some with. Skilled poets can indicate just how the piece should be read by subtle and selective word meaning, line length and unavoidably clear "intonation". I  just do not get the warm feeling that I should fom the skill in execution. Help me. Try punctuating to clarity...it is worth it.
As an enjoinder, prose is slowly taking over from rhyming poetry. This is, I believe, almost symptomatic of the times. Easy peasy, slap it down...except when YOU write you have something to write about. For the sake of discipline and improvement overall, just try it as an exercise.
Best,
tectak
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#5
Hey Szczepan, vagabond and tectak,
Thanks for the feedback. It all gave me something to think about with this poem. This is a piece I've struggled with for a while. I was never 100% happy with it, so I welcome any suggestions.

Thanks again,
Richard
Reply
#6
[quote="Richard" pid='228434' dateline='1494480125']


Professor of Poetics -Although 'Poetics' is a lot more original  than 'Poetry', I still think that poetry is a much nicer word to use.

he is just a memory now-
part of a cruel dream
forever far
yet always close I find this a very effective and strong opening- You incite the reader to want to find out about this 'cruel dream' very well

he would lecture
about the clumsiness
of clichés:
Grey leaden sky
is meaningless,” he would say

he would talk
of how poems were like candy:
so sweet sounding
in our mouths

he would also scare away
young poets
by dissecting their lines
like a mad surgeon 
his plain pencil
a scalpel
most of his surgeries
unwanted As tecktak has said, I do think that this well written line will carry a lot more weight if it were punctuated. Knowing when to stop, knowing how quickly a word should be read, is in my opinion vital for a goodman poem.

he never made steel
like my father
he never waited a table
like my mother Are these chores deemed more honorable then teaching? The meaning is slightly obscure here I think
but he influenced me .

he taught me
and prolonged my dream of poetics:
a cruel dream
forever far
yet always close I very much like this closing line. 

In terms of what you are trying to say, I thouroughly appreciate this poem. You seem to be discussing the early stages of writing poetry, and how crushing yet yelpful it is to have a experienced person to criticise your work, for it is the only way one can progress. 'Yet always close', is the line I like the most. To me, it is an encouragement to pursue your dream, regardless of how 'forever far' away it may seem. 

In terms of techique however, I think the poem needs some revisiting. To present these ideas in a much more flowing, and aesthetic way, you should really think about sprinkling this poem with punctuation; commas to allow the reader to breathe and absorb what is is that he's reading. I would also suggest that you layer these ideas with more literary techniques, such as metaphors and similies.
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#7
Hi Richard. I am riding on the edge of what you are really trying to say. Maybe I can help, I don't know. But I was thinking:


 Professor of Poetics                                                       

he is just a memory now-                                since the title leads, why not 'just a memory now'          
part of a cruel dream
forever far
yet always close

he would lecture                                            * perhaps eliminate the pronoun in the other stanzas, and work through the verse:
about the clumsiness                                       * 'talking of how poems', 'scaring away young poets'
of clichés:
“Grey leaden sky
is meaningless,” he would say

he would talk
of how poems were like candy
so sweet sounding
in our mouths

he would also scare away
young poets
by dissecting their lines                                      maybe remove this prep.
like a mad surgeon
his plain pencil                                                   this is really good metaphor
a scalpel
most of his surgeries
unwanted

he never made steel                                          'never making'
like my father
he never waited a table                                      'never waiting'
like my mother
but he influenced me

he taught me                                                      'still, he taught me'
and prolonged my dream of poetics:                    'prolonging'
a cruel dream
forever far
yet always close


Thank you for the opportunity to critique.
I certainly understand about faraway/close dreams.
I hope you get the poem to go where you want it
to go. Today I am worried I am too forward
in my suggestions, but tomorrow I may boldly
critique without a care, who knows?
I hope my suggestions have been a help to you.

have a wonderful blessed day
janine



* I edited a few of my comments after going over it again.
there's always a better reason to love
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#8
Hey all,
I decided to take some advice and do a revision that involved adding punctuation. I experimented a bit here with that, so please let me know if the poem is better or worse for it.

Thanks everyone,
Richard
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#9
Hey all,
Decided to return to this one after some time and did an edit. Feel free to let me know what you think.

Thanks again,
Richard
Time is the best editor.
Reply
#10
.
Hi Richard,
enjoyed the read, though was left wanting to know
more about his impact on N. The steel/table elements
in V1 were intriguing. Where it falls down, for me,
is the final four lines. Not following how ‘he taught me’
leads to ‘prolonged’ and the two dreams in two lines is
unsatisfactory (do you need the repetition of ‘a cruel
dream’? The reader might fill in the gap for you).
I think a better title might help, something relating to
the ‘mad surgeon’ perhaps?

Just a little cut n pasting.



Professor of Poetics

For Richard Marchand

Just a memory now,
forever far,
yet always close.
part of a cruel dream;

Lecturing on the clumsy:
“Grey leaden sky
is meaningless” cliché

(of how) poems were like candy
(sounding so sweet)
in our mouths,

scaring away young poets
dissecting their lines
like a mad surgeon.

most of his amputations
unwanted. bloody. Still,
he taught me

and prolonged my dream,
forever far, yet


Best. Knot

.
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#11
Hey Knot,
Thanks for the feedback. Your suggestion for the ending got me thinking a bit. Need to do some more thinking before attempting another edit.

Thanks again,
Richard
Time is the best editor.
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