03-24-2012, 02:18 PM
ok! quick notes on what I found. take what you will; I'm not going to discuss meter (at least for the first one), Leanne beat me to some of the points I was going to raise
(03-24-2012, 12:20 AM)Roy Hobbs Wrote: Following are four sonnets-- a kind of Cliff Notesit wasn't what i was expecting, but that was more than welcome. enjoyed the read; hope the little bits can help
for those who have forgotten their days in American
lit class ...
"The Ambassadors"
Lambert Strether took a boat to France
in order to convince his nephew, Chad,
that the woman he was sleeping with was bad-
that he should tend to business, not romance.
But later, when he'd had a second glance ...the "but later, when" strikes me as a little redundant
at the way Mme. de Vionnet was clad,
Strether thought anyone would be a cad...these rhymes felt a little barred by the form
to let her get away under any circumstance.
The plot is structured like an hour-glass
turned on its side- the men just trade places. ..."just" feels extra
Chad goes back to the states (the silly ass!),
while Strether enters a state of sexless stasis....this and line above are fun...actually, the entire closing four lines are great, especially using end words I wouldn't normally consider
The novel's theme is clear and unassailable-
never turn down pussy that's available.
"The Rain King"
Tormented by a voice that said, "I want,"
Henderson left his fiddle, pigs and wife ...last three objects are great
and sought to solve the riddle of his life
in Africa, that darkest continent...hm
Eager to serve, but heedless in his hurry,
he bombed a well, blew some frogs ker-flooey-
doing in the well, as well. Whereat the Arnewi...realize intention, but not sure how I feel about the 'wells'
sent him off to visit Where The Fug Are We?
As Rain King, Hendy made water for a nation;
and so, they gave him fifty wives to service.
But one Fugggy custom made him nervous-
failure to perform meant strangulation.
So back he fled home, to farm and fiddle,
where he'd have but a single wife to diddle.
"The Sun Also Rises"
Jake and Bill and Robert, Mike and Brett
are all expatriots who spend their days
screwing, drinking and fishing-- in many ways
they aren't a responsible or sober set. ...felt a bit telly, would like it to be a little less direct
Jake's problem is that he cannot beget
children; Brett Ashley's that she lays
too many men. A general malaise
of post-war blues besets the whole quintet.
Jake and Cohen are steers who shoot the bull;
Mike and Bill are bulls who cannot steer
a straight path from bed to bar and beer....OK!
The sun arises, sets, sets and rises--
a man's life, at best, is truly conditio-null;
at worst, it's 'nada' at the Last Assizes.
"The Leatherstocking Tales"
In the first book, Natty slew a deer
and earned the name of Hawkeye; in the next
he stalked the forest, shedding a dry-eyed tear
when Uncas fell and vanished from the text.
In the third novel, Natty blazed a trail
for a scouting party on Lake Glimmerglass;
in the fourth, he broke the law and went to jail--
in the fifth he died, on Bighorn's mountain pass....felt the rhymes worked very well in this stanza; liked the line breaks and continuations
Cooper's novels always have two plots--
one of adventure and one of pure romance.
He freely mixes love and rifle shots,
blushing girls, corset and buckskin pants.
He does so well with the scout and indian part,
but those sentimental plots?-- not worth a fart.
##
Written only for you to consider.

