6 hours ago
My living is what ifs in connection with apparencies. What is apparent is what is gauged, and what is gauged is enhanced through what ifs, and through what ifs becoming what is.
I sense that yawning soothes more than breathing, so I yawn instead of breathe; I feel that daydreaming flows with more precision and less sharpness than thinking, so I daydream instead of think: For purposes, here: I find creation more valuable and effective than criticism or attacks, so I speak everything with the same monotone and deadpan expansion of my own creativity. It seems to me that people tend to find problems with other things more when they have problems with their own things, so, as with all things that I can go without, such as having pride, I don't need respect, and having no need to be correct, as gauging situational apparencies is enough, I don't need truth: I don't separate other people's things from my own things, and everything is done creatively, yawningly, daydreamingly, incorrectly and irreverently, with 0 problems and 0 resentment or shame.
All writers can be useful. Everything is useful. I need bad things to write good attacks. Hence, I love my enemies, even when my enemies find me so beneath them that using them as inspiration would make them laugh.
I like my masters sloppy so I can be sloppy. Or messy, rather? I like my masters great so maybe I can.
I feel Maddie might be my favorite Euphoria character.
No one else has posted yet, this isn't a bump.
Am I weak if my masters are a lower bar? Can weakness be a strength? Who's keeping score, and where do they store It?
I sense that yawning soothes more than breathing, so I yawn instead of breathe; I feel that daydreaming flows with more precision and less sharpness than thinking, so I daydream instead of think: For purposes, here: I find creation more valuable and effective than criticism or attacks, so I speak everything with the same monotone and deadpan expansion of my own creativity. It seems to me that people tend to find problems with other things more when they have problems with their own things, so, as with all things that I can go without, such as having pride, I don't need respect, and having no need to be correct, as gauging situational apparencies is enough, I don't need truth: I don't separate other people's things from my own things, and everything is done creatively, yawningly, daydreamingly, incorrectly and irreverently, with 0 problems and 0 resentment or shame.
All writers can be useful. Everything is useful. I need bad things to write good attacks. Hence, I love my enemies, even when my enemies find me so beneath them that using them as inspiration would make them laugh.
I like my masters sloppy so I can be sloppy. Or messy, rather? I like my masters great so maybe I can.
I feel Maddie might be my favorite Euphoria character.
No one else has posted yet, this isn't a bump.
Am I weak if my masters are a lower bar? Can weakness be a strength? Who's keeping score, and where do they store It?