Nocturne for Violin and Cello
#6
Lizzie got this right on the micro level.

I wrote this, which is wrong, about the macro level. But still maybe you can use it: 
Lizzie spotted, but didn’t highlight, your macro problem. Your macro problem is this, and bear with me: a cello can fuck a violin metaphorically, a cellist can fuck a violinist literally, and a cellist can fuck a violinist simile-ly, if the musical act is like a sex act.

If you don’t/aren’t doing that last one, then you and your poem displease me and everyone on earth. But if you are doing that last one, and I think you are, where a cellist and a violinist are having sex via music during a performance, then I love this poem, and need you to change moan to groan or to make it longer or to something.

What if the violinist gets quieter and the cellist won’t? Do I care that the audience likes it? Stuff like that.

If this is the boring thing where you want a cello and a violin to have sex as a metaphor, it would have to be really good to interest anyone who hasn’t played in a string section. 

But I think the violinist is telling the cellist to get naked during a performance. I think this is a simile, where two things are alike—sex is like music—and not a metaphor where things are the same, sex is music. This would be the rare case where a simile has more power than a metaphor.
A yak is normal.
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Messages In This Thread
RE: Nocturne for Violin and Cello - by dukealien - 10-16-2023, 10:35 AM
RE: Nocturne for Violin and Cello - by Lizzie - 10-16-2023, 12:38 PM
RE: Nocturne for Violin and Cello - by crow - 06-11-2024, 12:25 PM



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