04-21-2021, 08:50 AM
Thanks Tmanzano,
This is a slightly revised version. Can't really bring myself to cut the other bits of the reliquary, but I get your idea and it's not a bad one.
I was going through your books, the ones I didn’t keep,
to trade them into a strange world that never knew you.
I came to Rayuela*;
it looked as if it had been left out in the rain,
or fallen into a toilet, swollen, warped, stained,
I started to toss it into a garbage can
but instead thumbed through it
to find dozens of dime-sized pressed flowers
hiding every 50 pages or so.
They are all the same flower, now almost transparent white
more like bizarre squashed insects
but I recognize them from the photos,
the pictures composed of dried flowers that you made in Spain:
a seahorse, a goldfish, two lovers,
a death mask for Day of the Dead.
Now this book is a relic of your passage,
the touch of your fingers
preserved one hundred times over:
I’m thinking I will enclose Rayuela
inside a cedar box sealed with copper nails,
to add to my reliquary of your touch:
pens found when we cleaned out your car,
and the sun-faded Topo Chico bottle found in your garden.
Our last photograph of you shows those beautiful hands
sewing buttons on a red hoodie.
What will you do, now that your fingers fill a universe?
*Spanish edition of Julio Cortazar’s Hopscotch
This is a slightly revised version. Can't really bring myself to cut the other bits of the reliquary, but I get your idea and it's not a bad one.
I was going through your books, the ones I didn’t keep,
to trade them into a strange world that never knew you.
I came to Rayuela*;
it looked as if it had been left out in the rain,
or fallen into a toilet, swollen, warped, stained,
I started to toss it into a garbage can
but instead thumbed through it
to find dozens of dime-sized pressed flowers
hiding every 50 pages or so.
They are all the same flower, now almost transparent white
more like bizarre squashed insects
but I recognize them from the photos,
the pictures composed of dried flowers that you made in Spain:
a seahorse, a goldfish, two lovers,
a death mask for Day of the Dead.
Now this book is a relic of your passage,
the touch of your fingers
preserved one hundred times over:
I’m thinking I will enclose Rayuela
inside a cedar box sealed with copper nails,
to add to my reliquary of your touch:
pens found when we cleaned out your car,
and the sun-faded Topo Chico bottle found in your garden.
Our last photograph of you shows those beautiful hands
sewing buttons on a red hoodie.
What will you do, now that your fingers fill a universe?
*Spanish edition of Julio Cortazar’s Hopscotch

