10-10-2019, 06:00 AM
Hi, there are parts of this I like. I think I'll spend my time focusing on elements you might consider editing.
Best,
Todd
(10-09-2019, 02:06 AM)jt_lewis Wrote: Finding Solace in a WoodJust a few thoughts to consider.
Slowly ambled a forest path, --This reads slightly off to me. First off ambled already contains the idea of slow. I also want ta word like "along" or some such after it because it sounds slightly choppy.
soft earth beneath his feet, --Third person is fine and reasonable though it might have more immediacy as first person.
winding past ancient trees.
Grand buck across the trail.--There are moments where I question your modifier choices. Words like Grand, and Splendid and Delicious below are really abstract and don't add any sensory or concrete touchpoints. I think you would be well served by going a bit deeper and choosing words that do more for you.
Splendid antlers, frozen
in a moment, then gone.
He picks a berry. Prickly vine,
a bramble true, but delicious fruit,--to my point above prickly and bramble do good work here. You could cut delicious and trust that juicy conveyed a sense of good tasting fruit.
purple black and juicy.
From a rugged crest he spies a lake.
And, longing to feel the water’s chill, he—Not sure this hitch buys you anything though I can see what you're attempting.
He stumbles, shackles fling him to the ground.--The first point of true surprise is the shackles.
Here, only his prison cell exist. --Should this be exists?
The forest, a lie. Captive. Worn to devastation.
living life behind his eyes.
Oppressive walls bear hard.--Oppressive is too telling. Minimize the exposition here perhaps.
Chains bind. Shuffled off to receive his dole,
finally, he sinks into that lake as last he dines.
Best,
Todd
The secret of poetry is cruelty.--Jon Anderson
