03-25-2019, 04:17 PM
hi blueprint, at present some of the longer poems in intensive tend to time before getting feedback. i'll give it a go. [i removed a few posts that had nothing to do with the poem.
i like the triple sonnet you've gone for. it rhyme scheme helps it reads as Shakespearian sonnets. the volta's give it a Petrarchan feel. the format does work and i do like that all the sonnets have an octave and a volta.
the rhymes read well enough .
love the originality am struggling a bit with the ambiguity. the form works well [though i'm no expert] and the use of a good few poetic terms add to an interesting read. good alliteration,
i like the triple sonnet you've gone for. it rhyme scheme helps it reads as Shakespearian sonnets. the volta's give it a Petrarchan feel. the format does work and i do like that all the sonnets have an octave and a volta.
the rhymes read well enough .
love the originality am struggling a bit with the ambiguity. the form works well [though i'm no expert] and the use of a good few poetic terms add to an interesting read. good alliteration,
(08-25-2016, 12:21 PM)UselessBlueprint Wrote: 1
A holy road is black with bloody pools.
The prophets bled to stand beside the throne;
their corpses cut according to the tools
that carve a priceless proverb on this stone:
a satellite in orbit is arranged
but shatters as it falls from steady state.
The stars and planets turn without a change –
prograding to the promise of their fate.
If telescopes don’t help the blind to see,
then I must lead this city from its dark
and dreary days. They feebly follow me
like beasts of ev’ry kind into my ark.
But only one remains in Herald Square:
a poet which a diamond can’t compare. i know of a poem called macy's in herald square but that it., the volta reads really well and i can take your word for the poet within the volta. the octave left me stumbling a little. while there's a fair bit of info there; i was lost by the 3rd line and also by the italicised lines. i do get the feeling this one's about the grave/gravestone
2
She writes her poems in pencil, sharply pressed –
each word a silent poison on her lips.
A selfish swipe – her sorrow – won’t divest –
that carbon chisel from her fingertips;
and while she writes of Armageddon’s breath,
it whispers, hanging low in hopeless air
where cigarettes, extinguished, promise death
for bodies that, not broken, self-repair.
The waves of warmth exhaust from swollen throats a great image of smoker
with gaseous glow of neon embers, bright.
As fatal floods ascend the poet quotes
a fool who gently slid into the night.
Her final song was written with a pen
and she apologized for dying then. for me i get a picture sylvia plath, i think it was the smoking lines and the poison in the second lines. there's a lot to like about sonnet 2. i'm loving the originality of it. not of the idea but of the execution of this part of the piece.
3
Though crystal waters quickly ebbed to sea,
they couldn’t wipe the stain of mortal sin.
An asterisk was set. And what was she?
A line before the curtain-closing spin. this line is hard for me to comprehend.
The mass had reached a point of full decay
and softly passed on through a silent sky,
while I – a guilty man – had run away
and begged her gracious God to let me die.
But life, he said, was worth the pain of loss,
and I, he said, had best accept the fall.
His wisdom slowly grew on me like moss
that decorates a couplet on her wall:
Formaldehyde will not preserve for long – for me this is a great couplet. i'd love to know who she is.
Eternal stars alone will hold her song.
