02-23-2019, 05:52 AM
I like the use of Ayn Rand as a false icon and over-rated, one-time controversy turned into industrial print capital, her story of escape from eastern europe, apparently, giving her no insight into many of the pitfalls and problems of western style . She brought no peace here, only favored an alternate form of machine terror, inhumanity and corporate fear aggrandizement.
Yet the poem takes this for granted, and places her on the back shelves of literary history, as a has been, a useless and empty prophet of a brave new world that never came to be. It accomplishes this extraordinary rating and judgment by revealing the essential superficiality of Rand's incomplete and convenient political fiction.
That's how I understand the poem. Let me know if that's incorrect. I will laugh whole-heartedly.
Yet the poem takes this for granted, and places her on the back shelves of literary history, as a has been, a useless and empty prophet of a brave new world that never came to be. It accomplishes this extraordinary rating and judgment by revealing the essential superficiality of Rand's incomplete and convenient political fiction.
That's how I understand the poem. Let me know if that's incorrect. I will laugh whole-heartedly.
(02-15-2019, 11:57 PM)dukealien Wrote: Contra Ayn Rand
Origami teaches more
than skillful fingers, memory, I don't like the comma after 'memory' and don't see that it is grammatically correct
and seeing possibilities Elaborate perhaps on possibilities,
implicit in unformed material;
one also learns–
having folded labor, time, The accomplishment of these lines translates the method that you are describing as the discovery of the verse:
and vision intricately
through mute matter, owning it–
to loose it freely An incredible conclusion; which you developed through carefully and precisely placed folds of gentle verse.
into river, wind or fire
without regret.
plutocratic polyphonous pandering

