Intention and Critique

[rowens]

That's how you write, with nothing but intention. The reader reads with intention. There are only two intentions, the writer's and the reader's. For every reader there's another writer. That's rich. That's how written things get rich, each reader enchants the written and multiples the writer. You don't make the writer's head bigger, or his so-called ego, you make his book wider, bigger.

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And to make it clear: The writer doesn't have to change a word, or even be alive, for that to happen.