06-12-2016, 10:33 PM
(06-12-2016, 12:50 AM)kolemath Wrote: This poem is great! colloquial, philosophical, nostalgic, I really enjoyed this snapshot of time which has implications far beyond the day the poem captures. minor suggestions and complements follow:Thanks for reading and your observations Kolemath. I will be doing an edit very soon and everything will be taken into consideration. Much appreciated.
(06-09-2016, 04:06 PM)ambrosial revelation Wrote: A Ship Launch
When I was seven my Granda took me to see a ship launch.
Hundreds of folk with union jacks and nautical smiles
flooded the streets of Wallsend and floated buoyantly
two by two down into Swan Hunter's shipyard. great use of water-related terms in this stanza
The Queen Mother was there in a posh frock
and some said she looked bonny in her frilly hat, ha! "bonny.." I just saw this work in "As You Like It" describing a 'sturdy prize fighter' ..today the dictionary says bonny=beautiful, but i love the irony of a something both sturdy and frilly (ah, semantic shift..)
but Granda said, "Cannit see it meesel son
and anyways the days bonny enuff for us." great contrast of characters here
We hadn't come to see the fashions of a royal OK maybe my reading is polluted by shakespeare but this flip of syntax reminds me of Touchstone from the same play (intentional?) -- Accidental
but royalty fashioned in the building of a ship
on the banks of the Tyne in a yard of wonder
the place where I stood with senses alive. might this setting and exposition of place and character be introduced earlier? it works well for me as S2? -- I see what you mean -- I'll give it some thought
A faint salt breeze beneath the river's stench,
colliding steel clatters the seagulls screech.
Acetylene flames spit sparks into the sun
as an oil drum thunders down a metal ramp. should 'thunders' be in past tense?
A rhythm, a pulse, alive. I'm a fan of repetition, but I'm not sure how to interpret this line. is a pulse too a rhythm? what's alive? -- I'm trying to say that the whole shipyard is like a living creature and I suppose it has more effect when contrasted with the end of the poem where it is dead. It was also supposed to have the rhythm of a heart beat but I've noticed that 'A rhythm' has 3 beats as opposed to the others that have 2 beats -- A medical checkup will be in order
Cacophonous klaxons scream a pathway clear,
huge sentinel cranes swivel, pivot and rise.
Synchronised forklifts pirouette on an axis great diction
as dismantled scaffolding is thrown onto a heap,
A rhythm, a pulse, alive.
Electricity crackles, sparks and arcs to fuse,
the white hot welders flame rumbles as it fires.
Syncopated hammers beat a ragtime groove
as a distant pneumatic drill trembles the ground. I second the comment on rhythm; smart work, turning shipyard noise into music -- Thanks for noticing this, I'm delighted that it works. I've worked in the dockyards and at some point without realising it the brain takes all the sounds and turns them into music of some sort. Although I would choose nature all the time I can still find a type of [b]beauty in industry somehow.[/b]
A rhythm, a pulse, alive.
Everywhere beaming smiles
beneath hard hats on hard heads. again, exposition of setting and characters earlier in the poem? let the event move straight through these stanzas?
Everywhere pride.
And at the centre around which everything else orbited
the Ark Royal stood silently slumbering on the slipway
an anaesthetised behemoth soon to be awoken
and set free from the hammer and the anvil. great diction
Enormous serpents of rust lay coiled in her shade
poised to pounce should she still need a final shackling do snakes pounce or strike? -- Excellent point -- I'll rethink it
before a river baptism and the seas confirmation more great diction and metaphor
opened all points on her compass to endless horizons.
I don't remember waiting,
or the passage of time.
No countdown crescendo.
No flag fluttering fanfare.
No building of anticipation and precipice
drop.
No bottle swinging concussed,
helpless at the end of a rope. I like this stanza in and of itself, but it seems to contradict the 'building of anticipation' and 'crescendo' which (to me) are the function of previous stanzas. -- Yeah, I need to ask what purpose this stanza serves. I intended it as an aid to the time frame. It couldn't go from everyone working and busy straight to the ship launch without a period of quieting down -- I'm not sure that it serves that purpose well enough -- but as an aside I also like the stanza in and of itself - Perhaps a short poem may eventually be born from it
I remember the skyline slowly moving
as the giant grey beast woke up moaning.
Gathering an unstoppable momentum.
Down and down shaking the ground.
How she howled as her metal shuddered
and how she screamed the rest of the way
until she met the river with an almighty thunderous
boom that sent a tumultuous wave surging towards the far bank. this stanza does smart work at capturing the enormous action of a ship launch, but is 'tumultuous' too latin and formal for the work of a shipyard? (seconding the previous comment on this line) -- Agreed - tumultuous is too much
Then, without warning
there came a furious rasping hiss
and in an impetuous rage
the serpents gave chase.
Violently jolting and shedding their skin way to carry the metaphor across stanzas
as they uncoiled and hurtled to the water,
leaving behind a thick cloud of rust
that obscured everything from view.
Gradually
the haze cleared to reveal
emptiness. also a fan of line breaks, (don't tell uselessblueprint).-- Don't worry your secret is safe
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A decayed wasteland, half a decades dilapidation.
Workers, wizards, well wishers all vanished
and in their place half dismantled cranes lay strewn
across the storm battered yard, roofless fabrication sheds collapsed
onto seaweed carpeted slipways, scaffolding poles and pylons
toppled, power cables ripped from concrete, concrete ripped from earth
the whole damn forest completely upended.
No saplings, no roots, no life except rats—bigger than ever
—and the stray cats that refuse to leave the home they've known for years. this stanza is smart to offer critical commentary on the environmental (and human) impact of such large-scale endeavors (while also establishing strong contrast, a calm after the storm sort of effect, to mix metaphors)
"Wu used to build ships here ye knaa",
Granda reminds the cats as he hands
out the last of the food we brought for them.
Mark
wae aye man ye radgie
