02-21-2016, 02:25 PM
(02-21-2016, 12:21 PM)Casey Renee Wrote: I always felt a nervous flutterI liked the opening strophe. After that, there's too much gnashing of teeth and moaning without giving the reader any reason to be emotionally invested in the narrator's plight. I caught my finger in a car door the other day, so why should I care about you slashing yourself? If it's childhood sexual abuse, rape, or a cheating lover, then you have my sympathy and attention. But you never tell me or hint at it.
buying razor blades and peroxide
at the local pharmacy
but nobody ever batted an eye.
I carved, slashed, crosshatched--
watched as rivulets ran down,
admired them, the wounds
sometimes dripping into paint,
leaving DNA in my creations.
My best work I left in a graveyard.
Had I known about scarification
I might have made designs instead of
chaotic and haphazard gashes, the scars
a reminder of ugliness so loud
my ears still ring now.
They say you can't remember pain.
True, you don't, just that there was,
but it is there like a shadow that remains.
Maybe one day there will be enough light
from all directions to make it go away.
The scars won't matter and I won't be so tired
from being an ox in a yoke.
EDIT: let me clarify what I meant by the above - the 'you' should be read as 'narrator', who may or may not be the author. I am not suggesting that the author is speaking in her own voice - she may or may not be, that is none of my concern. But whether narrated in her own voice or the voice of an imagined third person, a background to the suffering is necessary for the poem to work.
~ I think I just quoted myself - Achebe

