10-27-2015, 04:50 PM
(10-19-2015, 11:16 PM)BW BRINE Wrote: Hey everyone,
This poem isn't intended to be complete, as I wanted to add several more verses to fully describe the story (hopefully the main points will be obvious from what I post so far).
THAT SOMBROUS SONG
He whispers softly of his loves
which, long-lost, languish on, --this is the strongest line in the first stanza because it creates a rhythm with the alliteration used "long-lost, languish on"
the highest notes too faint to hear and starts you off with a solid opening to the rest of your poem. I would like to see the second line of each stanza have
within that sombrous song. some form of alliteration included. Doing so would offer up a very strong piece both in terms of visual and sonic
interpretation. I would either try to incorporate into each stanza or remove it from the first.
The ringing tones of Christmas bells -- the inclusion of christmas seems arbitrary. care to explain?
will cheer the victors on,
in hopes that they can finally --Maybe i'm strange, but i think "finally" is really pushing a thin line to reach your syllable count and rhythm
repel that sombrous song. while in actuality it is a 3 syllable word, most will read it as 2. I know i did the first few times reading this and it
greatly distracted me.
He swings the hammer with his arm
to keep the ringing on, --i'm wondering if there is another way to continue the rhyming scheme without using "on, and song in each
but with the force he broke the bell stanza as your rhyming device. I'm all for repetition but this begins to be a bit too repetitive and really sticks out.
and stopped the vict'ry song.
The world, he knows, will never sleep,
but always carries on,
and seems it always finds the time --this is a bit choppy maybe change to "and almost always finds the time"
to sing that sombrous song.
-- i'm curious, what is the sombrous song, and what are you referring to. Maybe i'm missing something.
-BW BRINE

