04-10-2015, 11:08 PM
For the most part, this poem doesn't really work for me. It is overly modified by forced flowery description of what is essentially a pretty dull narrative. Pound is famous for saying " . . Don’t be descriptive; remember that the painter can describe a landscape much better than you can, and that he has to know a deal more about it. " and I am inclined to agree with him here.
The narrative - as far as I can tell: There is sunlight (mysteriously all over the world at the same time so perhaps this is the apocalypse?). Our narrator coughs. The end. As close as I could come to a central metaphor was the "trite nature is wonderful, man's constructions are ugly."
Here, our narrator continues to describe sunlight for another 4 whole lines but I can see no relevance to the descriptions. Descriptions in poetry should /reveal/ something more than "this is what dusk looks like to me". Once again, there is the continuation of overmodification - soft, syrupy, carefully, heavy, chilly, evening.
Watch what happens if we just trim away all of the flowery excess and faux-poeticisms:
Sunlight falls
like water dripping
It mingles with
the dew
of the evening .
I cough into the
horizon broken by the city
silhouette, greedy stone
hands
mingling smoke-spewing tips
with dusk .
It is immediately better (though still not good).
Good luck.
Thanks for posting.
The narrative - as far as I can tell: There is sunlight (mysteriously all over the world at the same time so perhaps this is the apocalypse?). Our narrator coughs. The end. As close as I could come to a central metaphor was the "trite nature is wonderful, man's constructions are ugly."
(04-10-2015, 10:24 PM)RiverNotch Wrote: Sunlight falls all over the worldso, I have a couple problems here. First, sunlight should never fall all over the world at the same time. Unfortunately, Pythagoras over-rode my theory of a flat earth several thousand years ago. Second, everything is overly modified and described. There are a lot of words here to say the rather simple phrase - there is sun. For me, I would like to see poetry say more with fewer words. Thirdly, I have no idea what a jar of "delight" is. What would your intention be with this "jar of delight"?
like the honey-water dripping
from the skin of a ripened peach
preserved in a jar of delight.
Quote:It mingles with the soft meringue
of syrupy dew carefully
folded into the heavy cream
of the chilly evening souffle.
Here, our narrator continues to describe sunlight for another 4 whole lines but I can see no relevance to the descriptions. Descriptions in poetry should /reveal/ something more than "this is what dusk looks like to me". Once again, there is the continuation of overmodification - soft, syrupy, carefully, heavy, chilly, evening.
Quote:I cough into the syrup-drenched
horizon broken by the city
silhouette, a mass of greedy stone
hands with fingers and tumors of steel
mingling their dirty, smoke-spewing tips
with the dusk's perfect confection.
Watch what happens if we just trim away all of the flowery excess and faux-poeticisms:
Sunlight falls
like water dripping
It mingles with
the dew
of the evening .
I cough into the
horizon broken by the city
silhouette, greedy stone
hands
mingling smoke-spewing tips
with dusk .
It is immediately better (though still not good).
Good luck.
Thanks for posting.

