04-30-2014, 11:55 PM
Conceptual art is not necessarily logical. The logic of a piece or series of pieces is a device that is used at times, only to be ruined. Logic may be used to camouflage the real intent of the artist, to lull the viewer into the belief that he understands the work, or to infer a paradoxical situation (such as logic vs. illogic). Some ideas are logical in conception and illogical perceptually. The ideas need not be complex. Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of ideas the artist is free even to surprise himself. Ideas are discovered by intuition. What the work of art looks like isn’t too important. It has to look like something if it has physical form. No matter what form it may finally have it must begin with an idea. It is the process of conception and realization with which the artist is concerned. Once given physical reality by the artist the work is open to the perception of al, including the artist. (I use the word perception to mean the apprehension of the sense data, the objective understanding of the idea, and simultaneously a subjective interpretation of both). The work of art can be perceived only after it is completed.
From Paragraphs on Conceptual Art
By Sol Lewitt
The poem "Ode To An Oak Tree" is a twist on conceptual art as I understand it, and for that reason I thought it was fantastic. JG
From Paragraphs on Conceptual Art
By Sol Lewitt
The poem "Ode To An Oak Tree" is a twist on conceptual art as I understand it, and for that reason I thought it was fantastic. JG

