01-05-2026, 07:15 AM
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By a Meadow Gate
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01-05-2026, 07:15 AM
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01-05-2026, 10:37 AM
(01-05-2026, 07:15 AM)gruff Wrote: By a Meadow Gate In basic critique, this accomplishes a lot with simple, somewhat disconnected descriptions: it definitely shows without telling (a compliment derived from the admonition "show, don't tell"). The title is not necessary, but does provide an initial image; it doesn't directly connect with the body of the poem, but does contrast in its stationary nature with the "Already" motion that follows. I like this. The phrases mostly describe sounds; perhaps (visual) images could be added to clarify gleam of copper, dewy wire meadow fence, shaggy texture of donkeys. As a tone picture, it's effective but could use at least the hint of a story connecting its sonic episodes or environments. Or you could add more sounds to build a story (crackle of straw under mill-worker's brogans, creak as the meadow gate closes). Non-practicing atheist
01-05-2026, 12:32 PM
Hello
Honestly, I am not great with short forms, but I did want to leave some comments, if they are of no use to you feel free to discard (01-05-2026, 07:15 AM)gruff Wrote: By a Meadow Gate hum, drums - it is interesting because of course it summons "hum drums", initially I would say add separation to prevent the metaphor but I am not so sure, you may be gaining some efficiency by indirectly summoning them. If not, consider, "already, the hum, the drums" of course, it does bring to light that "out" on the second line is serving no purpose (unless I am missing it) S2 interests me mostly because of "tolled' - once again, it immediately brings to mind "toiled" so there is an efficiency because you get the benefit of both. "Tolled" in this case - exacted a tax on . . . I considered many direct objects here - a laborer's body, I am not sure. Of course if you initially had "tolled at" and decided to trim it, suddenly it would take on a different meaning. I don't have much to add, the end it lost on me Thanks for posting
01-07-2026, 12:02 AM
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