To You who hold the Key
#1
Hello!

I've not written poetry in a very long time and have not studied it in a professional capacity, my background is in character roleplay in which I have over a decade's worth of experience. I understand already this poem does not have a clear consistent meter length nor bias (already I am rewriting it with a consistent scheme)  - and that archaisms being overdone notwithstanding, this is intended as a pastiche. That said, I'm sick of friends just saying "wow this is great" and would appreciate some feedback that will actually help me improve.

Thanks.
 — — — — —

To You who hold the Key

This night dreams speak — so tender and maudlin
Speak of time where shrewd eyes ne'er held me,
Alone in this reverie and quiet births memory
As beast bound in venery — yearning to be free,
To a cold, breathing door I peer — clawing to be free;
How sweet it might be, for you who hold the key.

Days of yore hark, deceived in the mirror,
Hesitating no longer, I set from the quay,
From lone perch on eyrie, my eyes espy a faery,
Who chimes sinless arie — O let me see,
Fettered and mad — O let me thus see,
How still it might be, with you who hold the key.

Then this forgiving voice — so twisting my wonder,
By its delusory hollowness I could foresee,
Burning blood twists, heartbeat then rifts,
My voice shreds, resists — O how could it be?
Void of compassion, just what must I be?
How dread I might be, sans you who hold the key.

Sunk in this labyrinth, heaven grows livid,
Quagmire closes, can not pull free,
Chorus hushes, my voice fills with ashes,
Ere it all passes — dismissing my plea,
Fetal, twisted — smothering plea;
How blest I might be, through you who hold the key.

Peering just past the mirror the daybreak soon dawns,
Challenging shadows of moonlight o'er all I can see,
The horizon holds naught, neither person nor thought,
That this soul woe-fouled wrought, who else could it be?
No verity less lorn nor reverie truer, it could only well be—
Only you, you who have ever held the key.
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#2
This is beautiful and painful and suspenseful and hopeful all at the same time. Your word choices and pacing stir up so much emotion. Great use of line breaks and the hyphens mid line........perfect. The only thing I would touch up on is the use, and sometimes over use, of olde English, or Victorian, language. It does add to the piece, but I think you're talented enough to find words to convey the same emotions without relying on something so cliche. Other than that, this is well written and very well expressed. I will be reading this one over a few more times, for sure. Thanks for sharing
Move within,
but don’t move the way fear makes you move.

-Rumi

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#3
(11-08-2025, 09:57 PM)whisperer Wrote:  -snip-

Thank you for the kind reply, I'm glad the piece has at the very least stirred some kind of emotion. When it comes to archaisms, I felt like I had done it tastefully when I had completed the draft an odd week ago, but I do agree on revision that I can make substitutions without hindering the poetry's message or vibe.

Once again, many thanks for the kind words.
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