01-09-2013, 10:44 AM
(I'm have the feeling that a good deal of this poem is a little unnecessary/redundant, so any tips on how to trim it(if you feel that it needs to be) are appreciated)
This pillow
is not a body.
Something I
realize in
analphabet ramblings.
I should have been
asleep an hour ago.
.
I’m fighting a bout
of self-indulgence,
of mindless, of
specious whines
as if I’d want
someone to listen.
.
I’ve been trying
not to eat my
liver, I’ve been
thinking about
what you taste
like.
.
I’ve been thinking
of putting my tongue
on your body. I
always pretend like I
I do it to make my
way to a destination,
as if teasing a cunt.
.
But I want to put
this fallacy on you
when I occasionally
put reason to rest.
Each hair I’m reminded
that I can’t breathe
freely, because I can
see each follicle.
.
And with every hair
on you(and seeing
every other pretense
of pollutants), I let
myself forget about
vice, because I can
see each hair and I
let myself think that
you have none.
.
I let myself believe
this just long enough
to put my tongue on
you, or long enough
to want to. I let myself
believe this just long
enough for you to tell
me that I’m beautiful,
and I remember this
long enough to want
it.
.
I diverge my position,
I can’t sleep like this.
I accompany uncomfortable
desires with sharing my
realizings with a friend.
He wishes me the
best. It’s too late in
the midweek to talk
of such things.
.
These incoherences
leave me wanting to
come, I can feel it,
but know I should be
sleeping. I think of
putting my tongue
on your cunt, and tense
harder to remind
myself that this pillow
is not a body.
.
I think back to the
first time I did, and
the music I played.
I try not to associate
music to experiences
because I’m scared
of what people can do.
.
That time I brushed it
off, because I wanted
sense deprivation, and
I wanted to hear this
and taste that. I played
the same song three
times and I can’t
remember that this
song isn’t your name.
.
After you left I let
myself worry of such
consequences, I
feared what it implied,
but brushed it off
as a helpless
possibility.
.
I still remember it
and get scared of
the clock, and of
what things will
attach itself
to each new
position of each
hand.
.
But I remember
it a lot less, less
than of others,
because I remember
that you called me
beautiful once.
.
I know you’re asleep,
an inevitable peace
to compliment hours
of frustration. I think
of you sleeping.
I relax.
.
I know I should
be sleeping too. But
this pillow is not your
body.
This pillow
is not a body.
Something I
realize in
analphabet ramblings.
I should have been
asleep an hour ago.
.
I’m fighting a bout
of self-indulgence,
of mindless, of
specious whines
as if I’d want
someone to listen.
.
I’ve been trying
not to eat my
liver, I’ve been
thinking about
what you taste
like.
.
I’ve been thinking
of putting my tongue
on your body. I
always pretend like I
I do it to make my
way to a destination,
as if teasing a cunt.
.
But I want to put
this fallacy on you
when I occasionally
put reason to rest.
Each hair I’m reminded
that I can’t breathe
freely, because I can
see each follicle.
.
And with every hair
on you(and seeing
every other pretense
of pollutants), I let
myself forget about
vice, because I can
see each hair and I
let myself think that
you have none.
.
I let myself believe
this just long enough
to put my tongue on
you, or long enough
to want to. I let myself
believe this just long
enough for you to tell
me that I’m beautiful,
and I remember this
long enough to want
it.
.
I diverge my position,
I can’t sleep like this.
I accompany uncomfortable
desires with sharing my
realizings with a friend.
He wishes me the
best. It’s too late in
the midweek to talk
of such things.
.
These incoherences
leave me wanting to
come, I can feel it,
but know I should be
sleeping. I think of
putting my tongue
on your cunt, and tense
harder to remind
myself that this pillow
is not a body.
.
I think back to the
first time I did, and
the music I played.
I try not to associate
music to experiences
because I’m scared
of what people can do.
.
That time I brushed it
off, because I wanted
sense deprivation, and
I wanted to hear this
and taste that. I played
the same song three
times and I can’t
remember that this
song isn’t your name.
.
After you left I let
myself worry of such
consequences, I
feared what it implied,
but brushed it off
as a helpless
possibility.
.
I still remember it
and get scared of
the clock, and of
what things will
attach itself
to each new
position of each
hand.
.
But I remember
it a lot less, less
than of others,
because I remember
that you called me
beautiful once.
.
I know you’re asleep,
an inevitable peace
to compliment hours
of frustration. I think
of you sleeping.
I relax.
.
I know I should
be sleeping too. But
this pillow is not your
body.


it if so a line by line may be better suited to point any such phenom out. one thing that;s off putting is the double line spacing, it stretches this particular poem too much. i think some of the enjambment makes the piece stutter unduly, it can be one of the problem of using such sort lines
there is one part that had me thinking this was written by a woman (and that's not an assertion 