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		<title><![CDATA[Poetry Forum - All Forums]]></title>
		<link>https://www.pigpenpoetry.com/</link>
		<description><![CDATA[Poetry Forum - https://www.pigpenpoetry.com]]></description>
		<pubDate>Sat, 27 Jun 2026 03:35:54 +0000</pubDate>
		<generator>MyBB</generator>
		<item>
			<title><![CDATA[Gloaming Dunes]]></title>
			<link>https://www.pigpenpoetry.com/thread-27454.html</link>
			<pubDate>Fri, 26 Jun 2026 22:12:02 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10851">Sean Puckett</a>]]></dc:creator>
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			<description><![CDATA[I kept company with the moon. <br />
Watching its pearl rain shimmer over the dunes. <br />
My legs crossed and limp. <br />
Counterfeit sage in unkempt robe. <br />
I listen, yet the moon is silent.<br />
The stone beneath me, silent. <br />
<br />
The sand speaks to me <br />
in a language I cannot understand. <br />
<br />
Leaning my head back against this rocky seat. <br />
My grand meditation — popping in my back. <br />
<br />
I gaze at the waves of earth. <br />
Murmuring grains crawling over themselves. <br />
The breeze grips through my fabric. <br />
Striking, my grand revelation. <br />
<br />
I’m cold. <br />
<br />
I groan to my feet and stumble from my perch. <br />
My preaching but a sigh with begging hands<br />
tossed briefly skyward <br />
before they clap<br />
harsh against the sand-dusted cotton<br />
of this mystic’s costume. <br />
<br />
The moon has left me to my pacing. <br />
Hush of my boots sinking in the ground,<br />
trudging in my circle. Waiting. <br />
Shuffling <br />
— waiting. <br />
<br />
Daybreak comes as an ambush. A march of bronze spears<br />
held over the horizon. <br />
The air wars above the sand. <br />
I watch between the fingers of my outstretched hand. <br />
My eyes wince. Palm burns. <br />
It’s a song. <br />
<br />
Fool. It’s a song.]]></description>
			<content:encoded><![CDATA[I kept company with the moon. <br />
Watching its pearl rain shimmer over the dunes. <br />
My legs crossed and limp. <br />
Counterfeit sage in unkempt robe. <br />
I listen, yet the moon is silent.<br />
The stone beneath me, silent. <br />
<br />
The sand speaks to me <br />
in a language I cannot understand. <br />
<br />
Leaning my head back against this rocky seat. <br />
My grand meditation — popping in my back. <br />
<br />
I gaze at the waves of earth. <br />
Murmuring grains crawling over themselves. <br />
The breeze grips through my fabric. <br />
Striking, my grand revelation. <br />
<br />
I’m cold. <br />
<br />
I groan to my feet and stumble from my perch. <br />
My preaching but a sigh with begging hands<br />
tossed briefly skyward <br />
before they clap<br />
harsh against the sand-dusted cotton<br />
of this mystic’s costume. <br />
<br />
The moon has left me to my pacing. <br />
Hush of my boots sinking in the ground,<br />
trudging in my circle. Waiting. <br />
Shuffling <br />
— waiting. <br />
<br />
Daybreak comes as an ambush. A march of bronze spears<br />
held over the horizon. <br />
The air wars above the sand. <br />
I watch between the fingers of my outstretched hand. <br />
My eyes wince. Palm burns. <br />
It’s a song. <br />
<br />
Fool. It’s a song.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Olmstead Opinion]]></title>
			<link>https://www.pigpenpoetry.com/thread-27453.html</link>
			<pubDate>Fri, 26 Jun 2026 16:16:20 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=2431">Bunx</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">Olmstead Opinion </span><br />
<br />
Hide them from you<br />
for you might find the truth.<br />
Disabilities often have no cure <br />
we'll lock them up to feel secured. <br />
<br />
Put them away for their delusions.<br />
Fine their families, put them in institutions.<br />
How dare they dream of something more<br />
then the help they can't afford. <br />
<br />
Turn them into problems with a price tag.<br />
Paint them as parasites, take their hope away. <br />
Invest in their suffering then get paid.<br />
America works in a predatory haze.<br />
<br />
Though the truth is,<br />
<br />
those who can't feel their legs<br />
will climb the capital if it takes a day.<br />
They can be treated, and be stable<br />
for decades to life if society is able.<br />
<br />
Those who tell you to fear<br />
have the most to lose when you choose love.]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">Olmstead Opinion </span><br />
<br />
Hide them from you<br />
for you might find the truth.<br />
Disabilities often have no cure <br />
we'll lock them up to feel secured. <br />
<br />
Put them away for their delusions.<br />
Fine their families, put them in institutions.<br />
How dare they dream of something more<br />
then the help they can't afford. <br />
<br />
Turn them into problems with a price tag.<br />
Paint them as parasites, take their hope away. <br />
Invest in their suffering then get paid.<br />
America works in a predatory haze.<br />
<br />
Though the truth is,<br />
<br />
those who can't feel their legs<br />
will climb the capital if it takes a day.<br />
They can be treated, and be stable<br />
for decades to life if society is able.<br />
<br />
Those who tell you to fear<br />
have the most to lose when you choose love.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Claims of Omniscience]]></title>
			<link>https://www.pigpenpoetry.com/thread-27452.html</link>
			<pubDate>Wed, 24 Jun 2026 00:41:59 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=6042">dukealien</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27452.html</guid>
			<description><![CDATA[Claims of Omniscience<br />
<br />
<br />
Darling automóbile will not<br />
let me lift my hands from her wheel<br />
even though she steers, insisting<br />
she knows where this road is bending.<br />
<br />
She has LIDAR, which can suss out<br />
lane-marks, obstacles and other<br />
cars at frequencies I cannot,<br />
being merely human-sighted.<br />
<br />
So, through waterfalls of blinding<br />
rain we race at sixty miles per<br />
hour, confident that brakes and<br />
LIDAR will suffice to save us.<br />
<br />
Madness, really, to reside one’s<br />
trust in mechanisms merely<br />
meant to help.  Yet airline pilots<br />
do, I did, and now I’m writing.<br />
<br />
<div style="margin:20px; margin-top:5px"><div class="quotetitle"><input class="button2 btnlite" type="button" value="View P.S." style="text-align:center;width:115px;margin:0px;padding:0px;" onclick="if (this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display != '') { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = '';      this.innerText = ''; this.value = 'Hide P.S.'; } else { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = 'none'; this.innerText = ''; this.value = 'View P.S.'; }" /></div><div class="quotecontent"><div style="display: none;">Back from driving solo 2200 miles in 7 days.  This happened, the only counterfactual being that I actually think of my car as male (he has a male pet name) but the story seems to work better this way.  To the extent that it's a story...<br />
<br />
Alternate title:  Second Sight</div></div></div>]]></description>
			<content:encoded><![CDATA[Claims of Omniscience<br />
<br />
<br />
Darling automóbile will not<br />
let me lift my hands from her wheel<br />
even though she steers, insisting<br />
she knows where this road is bending.<br />
<br />
She has LIDAR, which can suss out<br />
lane-marks, obstacles and other<br />
cars at frequencies I cannot,<br />
being merely human-sighted.<br />
<br />
So, through waterfalls of blinding<br />
rain we race at sixty miles per<br />
hour, confident that brakes and<br />
LIDAR will suffice to save us.<br />
<br />
Madness, really, to reside one’s<br />
trust in mechanisms merely<br />
meant to help.  Yet airline pilots<br />
do, I did, and now I’m writing.<br />
<br />
<div style="margin:20px; margin-top:5px"><div class="quotetitle"><input class="button2 btnlite" type="button" value="View P.S." style="text-align:center;width:115px;margin:0px;padding:0px;" onclick="if (this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display != '') { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = '';      this.innerText = ''; this.value = 'Hide P.S.'; } else { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = 'none'; this.innerText = ''; this.value = 'View P.S.'; }" /></div><div class="quotecontent"><div style="display: none;">Back from driving solo 2200 miles in 7 days.  This happened, the only counterfactual being that I actually think of my car as male (he has a male pet name) but the story seems to work better this way.  To the extent that it's a story...<br />
<br />
Alternate title:  Second Sight</div></div></div>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[We’re sick of all of you]]></title>
			<link>https://www.pigpenpoetry.com/thread-27451.html</link>
			<pubDate>Wed, 24 Jun 2026 00:21:50 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=8661">busker</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">We’re sick of you</span><br />
<br />
The English ruled the seas -<br />
or the British, if you please -<br />
and spread the game of cricket <br />
and taught their ABCs<br />
and how to buy a bus ticket<br />
in the East and West Indies -<br />
that was when they’d work, not picket,<br />
nor hide behind invented disease.<br />
<br />
Now ADHD is grounds for <br />
leave, the sort you get pounds for,<br />
and no one’s to blame for their fuck ups,<br />
but the smart and wealthy, who are stuck ups,<br />
or Moslems and migrants, not the dole bludging white,<br />
says the Anglo-Australian-American right,<br />
as they perform their Sturmabteilung stunts.<br />
<br />
We’re sick of all you c***s.]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">We’re sick of you</span><br />
<br />
The English ruled the seas -<br />
or the British, if you please -<br />
and spread the game of cricket <br />
and taught their ABCs<br />
and how to buy a bus ticket<br />
in the East and West Indies -<br />
that was when they’d work, not picket,<br />
nor hide behind invented disease.<br />
<br />
Now ADHD is grounds for <br />
leave, the sort you get pounds for,<br />
and no one’s to blame for their fuck ups,<br />
but the smart and wealthy, who are stuck ups,<br />
or Moslems and migrants, not the dole bludging white,<br />
says the Anglo-Australian-American right,<br />
as they perform their Sturmabteilung stunts.<br />
<br />
We’re sick of all you c***s.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Words]]></title>
			<link>https://www.pigpenpoetry.com/thread-27449.html</link>
			<pubDate>Tue, 23 Jun 2026 20:58:38 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=8661">busker</a>]]></dc:creator>
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			<description><![CDATA[I’m not the first person saying this, but we could be more efficient with words<br />
I’m not first person say this more efficient with words could be<br />
I unfirst person say more efficient we with words be]]></description>
			<content:encoded><![CDATA[I’m not the first person saying this, but we could be more efficient with words<br />
I’m not first person say this more efficient with words could be<br />
I unfirst person say more efficient we with words be]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[All the same]]></title>
			<link>https://www.pigpenpoetry.com/thread-27448.html</link>
			<pubDate>Tue, 23 Jun 2026 10:40:19 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10680">sad_bunny</a>]]></dc:creator>
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			<description><![CDATA[Misunderstood, lonely<br />
barely even heard <br />
Does it always remain all the same? <br />
<br />
Every day, every week, <br />
Every month, every year, <br />
Up until we aren’t here<br />
The sun will set and <br />
The moon will rise. <br />
<br />
Does it always remain all the same <br />
Or does it change sometime? <br />
<br />
Understood, belonging, <br />
More heard than ever<br />
Does this make it better<br />
Or does it remain all the same<br />
As the sun sets and <br />
The moon rises?]]></description>
			<content:encoded><![CDATA[Misunderstood, lonely<br />
barely even heard <br />
Does it always remain all the same? <br />
<br />
Every day, every week, <br />
Every month, every year, <br />
Up until we aren’t here<br />
The sun will set and <br />
The moon will rise. <br />
<br />
Does it always remain all the same <br />
Or does it change sometime? <br />
<br />
Understood, belonging, <br />
More heard than ever<br />
Does this make it better<br />
Or does it remain all the same<br />
As the sun sets and <br />
The moon rises?]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Should poets have a union and pay union dues?]]></title>
			<link>https://www.pigpenpoetry.com/thread-27446.html</link>
			<pubDate>Sun, 21 Jun 2026 00:01:32 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=8661">busker</a>]]></dc:creator>
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			<description><![CDATA[Nothing works that is not forced<br />
I can’t hire a Vietnamese construction crew to build a house in Central Park because for that I’d need to own the land, get permits, and get visas for the crew<br />
So why should it be any different for poetry?<br />
<br />
You should be a member of a poetry guild to write. Or pay a fine.<br />
The guild could accept or reject you. <br />
A number of these guilds would form a master guild with a full time administrative layer.<br />
<br />
Small business owners should be taxed to fund this. They’re philistines anyway (no offence to the actual philistines and sea peoples in the Bronze Age who resisted the savage invading Israelites)]]></description>
			<content:encoded><![CDATA[Nothing works that is not forced<br />
I can’t hire a Vietnamese construction crew to build a house in Central Park because for that I’d need to own the land, get permits, and get visas for the crew<br />
So why should it be any different for poetry?<br />
<br />
You should be a member of a poetry guild to write. Or pay a fine.<br />
The guild could accept or reject you. <br />
A number of these guilds would form a master guild with a full time administrative layer.<br />
<br />
Small business owners should be taxed to fund this. They’re philistines anyway (no offence to the actual philistines and sea peoples in the Bronze Age who resisted the savage invading Israelites)]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Merlin and the Dragon Queen - chapter 10]]></title>
			<link>https://www.pigpenpoetry.com/thread-27445.html</link>
			<pubDate>Sat, 20 Jun 2026 21:34:26 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=7315">milo</a>]]></dc:creator>
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			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">Chapter 10</span><br />
<br />
They landed in a field of long grass east of the city walls as the last light left the sky completely.  Yggdrasil settled with surprising delicacy for something her size, her great claws finding purchase in the Italian soil without the ground shaking as Merlin had expected.  He slid down her flank and landed in the grass and stood for a moment letting his legs remember what standing felt like.  Two days bareback on a dragon had left him with a gait that he suspected looked less like a wizard and more like a sailor who had been at sea for a month.  He took several experimental steps and decided that dignity was something he could reclaim later.<br />
<div style="text-align: justify;" class="mycode_align">The night air of the Roman countryside was warm and smelled of dry grass and rosemary and the distant cookfires of the city.  Above them the stars were bright and Rome glowed against the horizon — not a single light but a general luminescence, the accumulated glow of a city of a million souls going about the business of their evening.  Even from here Merlin could hear it, a low continuous murmur that never quite resolved into individual sounds.  He had forgotten how alive Rome was, even at night.  Especially at night.</div>
<div style="text-align: justify;" class="mycode_align">He reached into his pocket.  The mouse looked up at him from his palm with the alert and slightly accusatory expression of a creature that has spent two days in a wizard's pocket crossing the channel and most of the continent and has opinions about this.</div>
<div style="text-align: justify;" class="mycode_align">"Yes," Merlin agreed, "I know.  I am sorry about that."  He set the mouse carefully in the long grass and crouched down.  He whispered to it for a moment, his long fingers cupped gently around it.  The mouse sat very still, listening with the focused attention it had learned was generally worth applying to whatever this particular human said to it.  When Merlin finished speaking he lifted his hand and the mouse sat a moment longer, then turned and disappeared into the grass with a businesslike rustle.  There was good Italian clover not far off.  It would find its way.</div>
<div style="text-align: justify;" class="mycode_align">Merlin stood and turned to Yggdrasil who had been watching this exchange with her gold eyes half lidded. "The mouse," she said, in the tone of someone filing away a piece of information they find simultaneously baffling and faintly illuminating.</div>
<div style="text-align: justify;" class="mycode_align">"He was a long way from home," Merlin said simply and turned to look at the city.</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil lowered her great head beside him so that they were both regarding Rome from roughly the same vantage point, though what she saw with those ancient gold eyes and what Merlin saw with his were almost certainly very different things.  "The inlet is there," she said, indicating with the faintest tilt of her head toward the dark eastern wall where the aqueduct entered the city in its great arched channel.  "I can smell the water."</div>
<div style="text-align: justify;" class="mycode_align">"You'll need to wait until the third hour of the night," Merlin said.  "The streets need to be quieter before you approach.  The inlet is outside the walls but there are sentries on the eastern gate and I don't want them raising an alarm before the sleep breath has reached them."</div>
<div style="text-align: justify;" class="mycode_align">"And how will I know when it is the third hour?" she asked.</div>
<div style="text-align: justify;" class="mycode_align">"Rome rings her bells," Merlin said.  "You'll hear them."</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil regarded him.  "And you?  You are going in now?"</div>
<div style="text-align: justify;" class="mycode_align">"I need time to get into position before you begin."  Merlin pulled his hood up over his head and checked within his robes — the small stone-encased sword sat in his pocket, the herbs for his visions, his pipe, the small pewter dish.  Everything present.  "Once the sleep breath starts moving through the aqueducts it will spread through the city faster than a man can walk.  I need to already be where I need to be when that happens."</div>
<div style="text-align: justify;" class="mycode_align">"Where Mab is," said Yggdrasil.</div>
<div style="text-align: justify;" class="mycode_align">"Where Mab is," Merlin confirmed.</div>
<div style="text-align: justify;" class="mycode_align">A pause settled between them.  An owl called somewhere in the field behind them.  Yggdrasil's breath moved the grass in slow warm waves.  "When I begin," she said, "I will not be able to stop until it is done.  If you need more time than I can give you, I cannot help that.  If the city wakes before you are finished — "</div>
<div style="text-align: justify;" class="mycode_align">"It won't come to that," Merlin said.</div>
<div style="text-align: justify;" class="mycode_align">Another pause, longer.  "The mouse," Yggdrasil said again, and this time the word sat differently in her mouth, as if she were turning something over that she hadn't expected to find there.  She said nothing further.  She simply settled into the grass like a hillside deciding to become permanent and closed her gold eyes and Merlin understood he had been dismissed.</div>
<div style="text-align: justify;" class="mycode_align">He turned toward Rome and walked.</div>
<div style="text-align: center;" class="mycode_align"><span style="color: #888888;" class="mycode_color">✵</span></div>
<div style="text-align: justify;" class="mycode_align">The eastern gate of Rome was manned by four soldiers of the Palatine guard, their armor catching the torchlight in the lazy manner of men who had stood this post a thousand nights without incident and expected tonight to be the thousand and first.  Merlin approached along the road without hurrying, his hood up, his staff making its regular knock against the paving stones.  One of the guards stepped forward with a hand up.</div>
<div style="text-align: justify;" class="mycode_align">Merlin lowered his hood slightly and let the power rise just enough to glow faintly amber in his eyes.  The guard's hand stayed up but the rest of him took a step back.  "State your business," the man said, with the admirable commitment to duty of someone whose body clearly wanted to be somewhere else entirely.</div>
<div style="text-align: justify;" class="mycode_align">"I am a physician," Merlin said in Latin, which he spoke as fluently as he spoke everything else, "called for the Bishop Epiphanius who has taken unwell."  He pulled from within his robe a document — beautifully rendered on fresh vellum in an ecclesiastical hand, sealed with a wax impression that bore the mark of the bishop's office — and presented it to the guard with the bored efficiency of a man who has done this before.</div>
<div style="text-align: justify;" class="mycode_align">The guard took the document, looked at it, held it at a slight angle to catch the torchlight better, and handed it back.  He had almost certainly not read it.  The seal had done its work.  "Pass," he said and stepped aside.</div>
<div style="text-align: justify;" class="mycode_align">Merlin pulled his hood back up and walked through the gate into Rome.</div>
<div style="text-align: justify;" class="mycode_align">He had prepared the document two nights ago on the rocky outcropping while Yggdrasil slept, conjuring the vellum and the ink and the seal from the materials he carried, working by the light of a small and carefully contained flame while the channel moved dark around him.  He had also prepared three further documents of varying authority for varying situations.  A wizard, he had long believed, should be able to fight his way out of most situations but should prefer to talk his way out where possible and should always have the paperwork.</div>
<div style="text-align: justify;" class="mycode_align">Inside the walls Rome was everything he remembered and nothing like he remembered simultaneously.  The bones of the city were the same — the great arterial roads running straight and wide between the densely packed insulae, the smell of bread and garum and sewage and incense that was Rome's singular perfume, the way sound behaved differently here than anywhere else, bouncing off stone and marble and coming back changed.  But the city was older now, layered with the additions of generations, the old buildings patched and built over and built over again until the Rome of Caesar was somewhere underneath the Rome of Glycerius like a palimpsest.  Torches burned at intervals along the main roads.  The side streets were dark.</div>
<div style="text-align: justify;" class="mycode_align">Merlin moved through the city with the purposeful unhurried pace of a man who belongs exactly where he is.  He had learned long ago that the most effective form of concealment in a city was not invisibility but certainty — a man who moves as if he knows where he is going and has every right to go there is almost entirely invisible to casual observation.  He kept to the main roads where the torchlight gave him clear vision and the foot traffic, still considerable at this hour, gave him cover.</div>
<div style="text-align: justify;" class="mycode_align">The bishop's residence was in the shadow of the Palatine Hill, a substantial building of white stone set back from a colonnaded street.  Merlin had seen it in his visions and found it without difficulty.  He did not go to the front entrance.  He walked the perimeter of the building once, reading it — the placement of guards, the lit and unlit windows, the side entrance used by servants, the small garden at the rear with its fig tree and its well and its convenient shadows.  He counted nine guards in total, stationed with the regular spacing of a security arrangement that had been designed to look serious without being particularly serious.  Epiphanius — or rather, Mab wearing Epiphanius — clearly did not expect a direct assault.  Why would she?  She was a bishop in the most powerful city in the world surrounded by the soldiers of an empire.</div>
<div style="text-align: justify;" class="mycode_align">What she was expecting was Merlin.  He had no doubt about that.  The wink from inside his vision had been an invitation as much as a taunt.  She had set the table and she was waiting for him to sit down.</div>
<div style="text-align: justify;" class="mycode_align">Merlin settled into the shadows of the garden beneath the fig tree, folded himself crosslegged onto the ground and waited.  Above him Rome murmured and flickered.  Somewhere in the city a man was singing, something low and repetitive, the kind of song that exists only to fill silence.  Merlin listened to it and found himself thinking of his mother, which surprised him.  He rarely allowed himself that.  He put the thought away carefully and listened to Rome instead and watched the windows of the bishop's residence for the movement of a shadow that moved differently than the others.</div>
<div style="text-align: justify;" class="mycode_align">The bells rang the third hour.</div>
<div style="text-align: justify;" class="mycode_align">Merlin rose, brushed the Italian dust from his robes and moved to a position beside the garden wall where he had a clear line of sight to both the main entrance of the residence and the street beyond.  He settled his breathing.  He pressed the flat of his palm against the paving stone beneath him and sent his awareness down through it, down through the stone and the soil beneath the stone, reaching for the water.</div>
<div style="text-align: justify;" class="mycode_align">He found it almost immediately — the vast cool network of the aqueduct running beneath the city like a second circulatory system, patient and constant, carrying its cargo through the stone arteries under every road and building.  He held his awareness there and waited.</div>
<div style="text-align: justify;" class="mycode_align">It began as the faintest change in the quality of the water.  Not a smell exactly, not through stone, but a difference — something moving through the channel that was not water.  Then another.  Then it was everywhere at once, spreading through the network the way dye spreads through cloth, following every channel and branch and tributary simultaneously, rising through every vent and grate and outlet in the city in thin pale wisps of vapor that meant nothing to a man hurrying home and everything to a man paying attention.</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil had begun.</div>
<div style="text-align: justify;" class="mycode_align">Merlin watched a torch-bearer on the street beyond the garden wall slow his pace.  Then slow it further.  Then sit down quite deliberately on the kerb as if he had just remembered somewhere very comfortable he needed to be.  The torch listed sideways in his relaxing grip.  A woman crossing the street stopped walking, looked around her with a pleasantly confused expression and then simply sat down where she was.  A soldier at the corner of the bishop's residence leaned his spear against the wall, put his back to the stone and slid gently to a sitting position, his chin dropping to his chest.  Then the second soldier.  Then the third.</div>
<div style="text-align: justify;" class="mycode_align">Rome was going to sleep.</div>
<div style="text-align: justify;" class="mycode_align">Not all at once — it was more like a tide going out, the energy of the city ebbing gradually from the edges inward, the sounds of it softening, the lights of it stilling as the hands tending them relaxed.  The singing man somewhere in the city sang two more phrases and then stopped mid-word.  The great murmur of Rome that never fully ceased even at the deepest hour of the night diminished and dimmed and then was simply gone, replaced by a silence so complete and so unlikely that Merlin felt the hair on his arms rise at it.</div>
<div style="text-align: justify;" class="mycode_align">A city of a million people, asleep.</div>
<div style="text-align: justify;" class="mycode_align">He gave it another few minutes, watching the residence.  The last of the visible guards had gone down.  The windows were still.  He straightened his robes, tucked his beard into his collar with the care of a man who had learned certain lessons about beards and open flames, and walked toward the entrance of the bishop's residence.</div>
<div style="text-align: justify;" class="mycode_align">The door was unlocked.  He hadn't expected anything else.  He pushed it open and stepped inside.</div>
<div style="text-align: justify;" class="mycode_align">The entrance hall was grand in the Roman fashion — marble floors, frescoed walls, oil lamps burning in their niches casting a warm amber light over a floor scattered with the sleeping forms of servants and attendants, draped where they had fallen like figures in a tapestry depicting the aftermath of something.  Merlin stepped between them carefully, moving deeper into the residence.  He passed through two further rooms, both similarly occupied by the sleeping, until he reached the large receiving room at the heart of the building.</div>
<div style="text-align: justify;" class="mycode_align">She was sitting in the bishop's chair at the far end of the room.</div>
<div style="text-align: justify;" class="mycode_align">Not Epiphanius.  She had shed that face entirely.  Mab sat in the bishop's chair in her own form — pale as winter, raven haired, her eyes the color of deep ice, dressed in robes of black and silver that moved slightly as if stirred by a wind that wasn't present in the room.  Her hands were folded in her lap.  She looked entirely unsurprised.</div>
<div style="text-align: justify;" class="mycode_align">She looked, in fact, as if she had been waiting quite some time and found the wait only mildly tedious.</div>
<div style="text-align: justify;" class="mycode_align">She looked at Merlin standing in the doorway of her sleeping city and allowed a small and very old smile to cross her face.</div>
<div style="text-align: justify;" class="mycode_align">"Myyrrddryn," she said, and his name in her mouth was nothing like it was in Aelphaba's mouth or Yggdrasil's.  It was something else entirely.  Something that knew him from before he knew himself.  "You are late," she said.  "I expected you a fortnight ago."</div>
<div style="text-align: justify;" class="mycode_align">Merlin stepped into the room.  "I was delayed," he said.</div>
<div style="text-align: justify;" class="mycode_align">"Yes," said Mab, and the smile didn't change, "you were."  And in the way she said it Merlin understood that she knew exactly what had delayed him and that Nimue's role in that delay had not been accidental at all.</div>
<div style="text-align: justify;" class="mycode_align">The door swung shut behind him of its own accord.</div>
<div style="text-align: justify;" class="mycode_align">Merlin stood in the lamplit room in the center of a sleeping city with Mab watching him from the bishop's chair and felt the full weight of however many centuries of patience and planning had led to this precise moment settle into the room around them like a third presence.</div>
"Well then," he said, pulling his pipe from his robes and tapping it against his palm with a composure he had earned through considerable effort, "shall we talk?"]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">Chapter 10</span><br />
<br />
They landed in a field of long grass east of the city walls as the last light left the sky completely.  Yggdrasil settled with surprising delicacy for something her size, her great claws finding purchase in the Italian soil without the ground shaking as Merlin had expected.  He slid down her flank and landed in the grass and stood for a moment letting his legs remember what standing felt like.  Two days bareback on a dragon had left him with a gait that he suspected looked less like a wizard and more like a sailor who had been at sea for a month.  He took several experimental steps and decided that dignity was something he could reclaim later.<br />
<div style="text-align: justify;" class="mycode_align">The night air of the Roman countryside was warm and smelled of dry grass and rosemary and the distant cookfires of the city.  Above them the stars were bright and Rome glowed against the horizon — not a single light but a general luminescence, the accumulated glow of a city of a million souls going about the business of their evening.  Even from here Merlin could hear it, a low continuous murmur that never quite resolved into individual sounds.  He had forgotten how alive Rome was, even at night.  Especially at night.</div>
<div style="text-align: justify;" class="mycode_align">He reached into his pocket.  The mouse looked up at him from his palm with the alert and slightly accusatory expression of a creature that has spent two days in a wizard's pocket crossing the channel and most of the continent and has opinions about this.</div>
<div style="text-align: justify;" class="mycode_align">"Yes," Merlin agreed, "I know.  I am sorry about that."  He set the mouse carefully in the long grass and crouched down.  He whispered to it for a moment, his long fingers cupped gently around it.  The mouse sat very still, listening with the focused attention it had learned was generally worth applying to whatever this particular human said to it.  When Merlin finished speaking he lifted his hand and the mouse sat a moment longer, then turned and disappeared into the grass with a businesslike rustle.  There was good Italian clover not far off.  It would find its way.</div>
<div style="text-align: justify;" class="mycode_align">Merlin stood and turned to Yggdrasil who had been watching this exchange with her gold eyes half lidded. "The mouse," she said, in the tone of someone filing away a piece of information they find simultaneously baffling and faintly illuminating.</div>
<div style="text-align: justify;" class="mycode_align">"He was a long way from home," Merlin said simply and turned to look at the city.</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil lowered her great head beside him so that they were both regarding Rome from roughly the same vantage point, though what she saw with those ancient gold eyes and what Merlin saw with his were almost certainly very different things.  "The inlet is there," she said, indicating with the faintest tilt of her head toward the dark eastern wall where the aqueduct entered the city in its great arched channel.  "I can smell the water."</div>
<div style="text-align: justify;" class="mycode_align">"You'll need to wait until the third hour of the night," Merlin said.  "The streets need to be quieter before you approach.  The inlet is outside the walls but there are sentries on the eastern gate and I don't want them raising an alarm before the sleep breath has reached them."</div>
<div style="text-align: justify;" class="mycode_align">"And how will I know when it is the third hour?" she asked.</div>
<div style="text-align: justify;" class="mycode_align">"Rome rings her bells," Merlin said.  "You'll hear them."</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil regarded him.  "And you?  You are going in now?"</div>
<div style="text-align: justify;" class="mycode_align">"I need time to get into position before you begin."  Merlin pulled his hood up over his head and checked within his robes — the small stone-encased sword sat in his pocket, the herbs for his visions, his pipe, the small pewter dish.  Everything present.  "Once the sleep breath starts moving through the aqueducts it will spread through the city faster than a man can walk.  I need to already be where I need to be when that happens."</div>
<div style="text-align: justify;" class="mycode_align">"Where Mab is," said Yggdrasil.</div>
<div style="text-align: justify;" class="mycode_align">"Where Mab is," Merlin confirmed.</div>
<div style="text-align: justify;" class="mycode_align">A pause settled between them.  An owl called somewhere in the field behind them.  Yggdrasil's breath moved the grass in slow warm waves.  "When I begin," she said, "I will not be able to stop until it is done.  If you need more time than I can give you, I cannot help that.  If the city wakes before you are finished — "</div>
<div style="text-align: justify;" class="mycode_align">"It won't come to that," Merlin said.</div>
<div style="text-align: justify;" class="mycode_align">Another pause, longer.  "The mouse," Yggdrasil said again, and this time the word sat differently in her mouth, as if she were turning something over that she hadn't expected to find there.  She said nothing further.  She simply settled into the grass like a hillside deciding to become permanent and closed her gold eyes and Merlin understood he had been dismissed.</div>
<div style="text-align: justify;" class="mycode_align">He turned toward Rome and walked.</div>
<div style="text-align: center;" class="mycode_align"><span style="color: #888888;" class="mycode_color">✵</span></div>
<div style="text-align: justify;" class="mycode_align">The eastern gate of Rome was manned by four soldiers of the Palatine guard, their armor catching the torchlight in the lazy manner of men who had stood this post a thousand nights without incident and expected tonight to be the thousand and first.  Merlin approached along the road without hurrying, his hood up, his staff making its regular knock against the paving stones.  One of the guards stepped forward with a hand up.</div>
<div style="text-align: justify;" class="mycode_align">Merlin lowered his hood slightly and let the power rise just enough to glow faintly amber in his eyes.  The guard's hand stayed up but the rest of him took a step back.  "State your business," the man said, with the admirable commitment to duty of someone whose body clearly wanted to be somewhere else entirely.</div>
<div style="text-align: justify;" class="mycode_align">"I am a physician," Merlin said in Latin, which he spoke as fluently as he spoke everything else, "called for the Bishop Epiphanius who has taken unwell."  He pulled from within his robe a document — beautifully rendered on fresh vellum in an ecclesiastical hand, sealed with a wax impression that bore the mark of the bishop's office — and presented it to the guard with the bored efficiency of a man who has done this before.</div>
<div style="text-align: justify;" class="mycode_align">The guard took the document, looked at it, held it at a slight angle to catch the torchlight better, and handed it back.  He had almost certainly not read it.  The seal had done its work.  "Pass," he said and stepped aside.</div>
<div style="text-align: justify;" class="mycode_align">Merlin pulled his hood back up and walked through the gate into Rome.</div>
<div style="text-align: justify;" class="mycode_align">He had prepared the document two nights ago on the rocky outcropping while Yggdrasil slept, conjuring the vellum and the ink and the seal from the materials he carried, working by the light of a small and carefully contained flame while the channel moved dark around him.  He had also prepared three further documents of varying authority for varying situations.  A wizard, he had long believed, should be able to fight his way out of most situations but should prefer to talk his way out where possible and should always have the paperwork.</div>
<div style="text-align: justify;" class="mycode_align">Inside the walls Rome was everything he remembered and nothing like he remembered simultaneously.  The bones of the city were the same — the great arterial roads running straight and wide between the densely packed insulae, the smell of bread and garum and sewage and incense that was Rome's singular perfume, the way sound behaved differently here than anywhere else, bouncing off stone and marble and coming back changed.  But the city was older now, layered with the additions of generations, the old buildings patched and built over and built over again until the Rome of Caesar was somewhere underneath the Rome of Glycerius like a palimpsest.  Torches burned at intervals along the main roads.  The side streets were dark.</div>
<div style="text-align: justify;" class="mycode_align">Merlin moved through the city with the purposeful unhurried pace of a man who belongs exactly where he is.  He had learned long ago that the most effective form of concealment in a city was not invisibility but certainty — a man who moves as if he knows where he is going and has every right to go there is almost entirely invisible to casual observation.  He kept to the main roads where the torchlight gave him clear vision and the foot traffic, still considerable at this hour, gave him cover.</div>
<div style="text-align: justify;" class="mycode_align">The bishop's residence was in the shadow of the Palatine Hill, a substantial building of white stone set back from a colonnaded street.  Merlin had seen it in his visions and found it without difficulty.  He did not go to the front entrance.  He walked the perimeter of the building once, reading it — the placement of guards, the lit and unlit windows, the side entrance used by servants, the small garden at the rear with its fig tree and its well and its convenient shadows.  He counted nine guards in total, stationed with the regular spacing of a security arrangement that had been designed to look serious without being particularly serious.  Epiphanius — or rather, Mab wearing Epiphanius — clearly did not expect a direct assault.  Why would she?  She was a bishop in the most powerful city in the world surrounded by the soldiers of an empire.</div>
<div style="text-align: justify;" class="mycode_align">What she was expecting was Merlin.  He had no doubt about that.  The wink from inside his vision had been an invitation as much as a taunt.  She had set the table and she was waiting for him to sit down.</div>
<div style="text-align: justify;" class="mycode_align">Merlin settled into the shadows of the garden beneath the fig tree, folded himself crosslegged onto the ground and waited.  Above him Rome murmured and flickered.  Somewhere in the city a man was singing, something low and repetitive, the kind of song that exists only to fill silence.  Merlin listened to it and found himself thinking of his mother, which surprised him.  He rarely allowed himself that.  He put the thought away carefully and listened to Rome instead and watched the windows of the bishop's residence for the movement of a shadow that moved differently than the others.</div>
<div style="text-align: justify;" class="mycode_align">The bells rang the third hour.</div>
<div style="text-align: justify;" class="mycode_align">Merlin rose, brushed the Italian dust from his robes and moved to a position beside the garden wall where he had a clear line of sight to both the main entrance of the residence and the street beyond.  He settled his breathing.  He pressed the flat of his palm against the paving stone beneath him and sent his awareness down through it, down through the stone and the soil beneath the stone, reaching for the water.</div>
<div style="text-align: justify;" class="mycode_align">He found it almost immediately — the vast cool network of the aqueduct running beneath the city like a second circulatory system, patient and constant, carrying its cargo through the stone arteries under every road and building.  He held his awareness there and waited.</div>
<div style="text-align: justify;" class="mycode_align">It began as the faintest change in the quality of the water.  Not a smell exactly, not through stone, but a difference — something moving through the channel that was not water.  Then another.  Then it was everywhere at once, spreading through the network the way dye spreads through cloth, following every channel and branch and tributary simultaneously, rising through every vent and grate and outlet in the city in thin pale wisps of vapor that meant nothing to a man hurrying home and everything to a man paying attention.</div>
<div style="text-align: justify;" class="mycode_align">Yggdrasil had begun.</div>
<div style="text-align: justify;" class="mycode_align">Merlin watched a torch-bearer on the street beyond the garden wall slow his pace.  Then slow it further.  Then sit down quite deliberately on the kerb as if he had just remembered somewhere very comfortable he needed to be.  The torch listed sideways in his relaxing grip.  A woman crossing the street stopped walking, looked around her with a pleasantly confused expression and then simply sat down where she was.  A soldier at the corner of the bishop's residence leaned his spear against the wall, put his back to the stone and slid gently to a sitting position, his chin dropping to his chest.  Then the second soldier.  Then the third.</div>
<div style="text-align: justify;" class="mycode_align">Rome was going to sleep.</div>
<div style="text-align: justify;" class="mycode_align">Not all at once — it was more like a tide going out, the energy of the city ebbing gradually from the edges inward, the sounds of it softening, the lights of it stilling as the hands tending them relaxed.  The singing man somewhere in the city sang two more phrases and then stopped mid-word.  The great murmur of Rome that never fully ceased even at the deepest hour of the night diminished and dimmed and then was simply gone, replaced by a silence so complete and so unlikely that Merlin felt the hair on his arms rise at it.</div>
<div style="text-align: justify;" class="mycode_align">A city of a million people, asleep.</div>
<div style="text-align: justify;" class="mycode_align">He gave it another few minutes, watching the residence.  The last of the visible guards had gone down.  The windows were still.  He straightened his robes, tucked his beard into his collar with the care of a man who had learned certain lessons about beards and open flames, and walked toward the entrance of the bishop's residence.</div>
<div style="text-align: justify;" class="mycode_align">The door was unlocked.  He hadn't expected anything else.  He pushed it open and stepped inside.</div>
<div style="text-align: justify;" class="mycode_align">The entrance hall was grand in the Roman fashion — marble floors, frescoed walls, oil lamps burning in their niches casting a warm amber light over a floor scattered with the sleeping forms of servants and attendants, draped where they had fallen like figures in a tapestry depicting the aftermath of something.  Merlin stepped between them carefully, moving deeper into the residence.  He passed through two further rooms, both similarly occupied by the sleeping, until he reached the large receiving room at the heart of the building.</div>
<div style="text-align: justify;" class="mycode_align">She was sitting in the bishop's chair at the far end of the room.</div>
<div style="text-align: justify;" class="mycode_align">Not Epiphanius.  She had shed that face entirely.  Mab sat in the bishop's chair in her own form — pale as winter, raven haired, her eyes the color of deep ice, dressed in robes of black and silver that moved slightly as if stirred by a wind that wasn't present in the room.  Her hands were folded in her lap.  She looked entirely unsurprised.</div>
<div style="text-align: justify;" class="mycode_align">She looked, in fact, as if she had been waiting quite some time and found the wait only mildly tedious.</div>
<div style="text-align: justify;" class="mycode_align">She looked at Merlin standing in the doorway of her sleeping city and allowed a small and very old smile to cross her face.</div>
<div style="text-align: justify;" class="mycode_align">"Myyrrddryn," she said, and his name in her mouth was nothing like it was in Aelphaba's mouth or Yggdrasil's.  It was something else entirely.  Something that knew him from before he knew himself.  "You are late," she said.  "I expected you a fortnight ago."</div>
<div style="text-align: justify;" class="mycode_align">Merlin stepped into the room.  "I was delayed," he said.</div>
<div style="text-align: justify;" class="mycode_align">"Yes," said Mab, and the smile didn't change, "you were."  And in the way she said it Merlin understood that she knew exactly what had delayed him and that Nimue's role in that delay had not been accidental at all.</div>
<div style="text-align: justify;" class="mycode_align">The door swung shut behind him of its own accord.</div>
<div style="text-align: justify;" class="mycode_align">Merlin stood in the lamplit room in the center of a sleeping city with Mab watching him from the bishop's chair and felt the full weight of however many centuries of patience and planning had led to this precise moment settle into the room around them like a third presence.</div>
"Well then," he said, pulling his pipe from his robes and tapping it against his palm with a composure he had earned through considerable effort, "shall we talk?"]]></content:encoded>
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			<title><![CDATA[Humanity is worthless]]></title>
			<link>https://www.pigpenpoetry.com/thread-27444.html</link>
			<pubDate>Sat, 20 Jun 2026 05:48:09 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=8661">busker</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27444.html</guid>
			<description><![CDATA[Humans are inefficient machines that spend 90% of their time on wasteful activities like sleep and gastronomy<br />
Why do they need taste buds? Edible and not being poison should be enough. That’s also why the Germans are successful. They fucked around with music in the 1700s and that was it. Off to the mines and the camps after that.<br />
<br />
Think of all of the nonsensical time wasting baggage.<br />
Family fun day Sunday excursions. The whole dating game. Funerals. Christmas dinner. Slaughtering goats on Eid. Wood carving. Cleaning. Sleeping pills and people making them.<br />
<br />
If instead all of this energy was channeled towards space exploration we’d have been setting up heated bungalows on Titan by now. Reading Shakespeare.]]></description>
			<content:encoded><![CDATA[Humans are inefficient machines that spend 90% of their time on wasteful activities like sleep and gastronomy<br />
Why do they need taste buds? Edible and not being poison should be enough. That’s also why the Germans are successful. They fucked around with music in the 1700s and that was it. Off to the mines and the camps after that.<br />
<br />
Think of all of the nonsensical time wasting baggage.<br />
Family fun day Sunday excursions. The whole dating game. Funerals. Christmas dinner. Slaughtering goats on Eid. Wood carving. Cleaning. Sleeping pills and people making them.<br />
<br />
If instead all of this energy was channeled towards space exploration we’d have been setting up heated bungalows on Titan by now. Reading Shakespeare.]]></content:encoded>
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		<item>
			<title><![CDATA[The Aegis chapter 2]]></title>
			<link>https://www.pigpenpoetry.com/thread-27443.html</link>
			<pubDate>Sat, 20 Jun 2026 02:26:24 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=7315">milo</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27443.html</guid>
			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">Aegis and the Ghost</span><br />
<br />
<br />
     The loading dock security camera at the Amazon fulfillment center on Kedzie captured four minutes and eleven seconds of footage before someone who knew exactly where the camera was and exactly how to reach it removed it from its mounting without breaking it.<br />
This was the detail that stayed with people. Not the pallets moved, not the side door left open, not the three security guards zip-tied in the break room with their phones on the table in front of them so they could call for help the moment whoever it was had enough of a head start. The detail that stayed was the camera. Lifted clean off its bracket and set on the ground with the lens facing the wall, the way you'd set down something that belonged to someone else.<br />
Marcus heard about it the way he heard about most things — third, fourth hand, the story already warm from passing through other people's mouths by the time it reached him. He was at the counter eating toast when his phone started going. The crew chat first, then news alerts, then a voice message from a number he didn't recognize that turned out to be Dre calling from someone else's phone because his was dead, which was always Dre's phone.<br />
He ate his toast and read through it.<br />
On the wall of his room, visible through the open door, was the poster he'd had since he was seven. Aegis in three-quarter profile, the city skyline behind him, the logo across the bottom in the blocky font they used for everything official. The colors had faded some at the top where the sunlight hit it in the afternoons. He'd never taken it down. It had never occurred to him to take it down, which was different from deciding to keep it, though he couldn't have explained the difference if someone asked.<br />
Elena was already gone. On the counter a twenty dollar bill under a folded piece of paper, and on the paper in her handwriting:<br />
<span style="font-style: italic;" class="mycode_i">People who take care of others don't wait to be asked. They just see the need and move.</span><br />
He read it twice. Left the twenty where it was.<br />
<hr class="mycode_hr" />
Every screen in every barbershop and bodega and laundromat on the block was running the same footage — the loading dock, the break room, the three guards seated and zip-tied and apparently in the middle of a conversation with each other when the camera found them. One of the guards was smiling in the still frame. People kept pointing at that.<br />
Curtis's barbershop had two chairs going and four people waiting and the television in the corner doing the same news cycle it had been doing since six that morning. Marcus came in and found a spot along the wall and listened.<br />
"That's Damon's cousin," the man in the near chair said. "Third shift, been there eight months."<br />
"He all right?"<br />
"He's fine. Little shook up. Said they were polite about it."<br />
"<span style="font-style: italic;" class="mycode_i">Polite.</span>" The man waiting across from Marcus turned the word over.<br />
"Said they didn't touch anybody, didn't take anybody's wallet, said <span style="font-style: italic;" class="mycode_i">excuse me</span> before they zip-tied them." A pause while Curtis worked. "<span style="font-style: italic;" class="mycode_i">Excuse me.</span> Like they were getting past you on the bus."<br />
The television cycled back to the still frames. The shape in the loading dock, blurred with speed.<br />
"Those are jobs though," said the man by the window. He had the quality of someone who waited until he had something different to say. "Security jobs. Somebody's cousin, somebody's brother. You hit a facility, you're hitting the people working it, not the people owning it."<br />
"Didn't hit anybody," the man in the chair said.<br />
"Sending a message, then. And the people receiving the message are the ones can least afford it."<br />
The room held that for a moment. Curtis kept cutting. The television kept cycling.<br />
Then the older man in the far corner leaned forward. "Whoever did that," he said, "knew exactly what they were taking and exactly what they were leaving behind." He settled back. "That's not robbery. That's a statement."<br />
Marcus looked at the still frame on the television. The blurred shape moving through the loading dock with a certainty about where it was going that even the bad resolution couldn't hide.<br />
He thought about what it would take to know a place well enough to know exactly what to leave behind. Then he thought about the guards. Damon's cousin, eight months on the job, sitting zip-tied in the break room. The smile in the still frame that people kept pointing at.<br />
He wasn't sure what he thought about the smile.<br />
<hr class="mycode_hr" />
By midday Aegis was on every screen.<br />
Marcus watched the press conference from his phone while he walked, the volume low. The mayor was there. The police commissioner. Two men in suits in the back of the frame whose names never appeared in the chyron and who stood with the particular stillness of people who already knew how this was going to go.<br />
A reporter asked the question straight. "What are you doing about the Ghost, who's been spreading fear throughout the city?"<br />
Aegis paused. Just a half-second. Then:<br />
"The Ghost represents exactly the kind of extralegal activity that makes our community less safe for everyone. When individuals decide to operate outside the law — regardless of their intentions, and I want to be clear, the intentions don't matter — they destabilize the framework that protects all of us. We will continue to work with law enforcement and our community partners to address this threat comprehensively."<br />
Marcus watched him field the next question. The quality of attention he brought to it — unhurried, certain, the weight forward and the head tilted right. The posture that had been on Marcus's wall since he was seven, rendered live and actual on a three inch screen.<br />
He put the phone in his pocket and kept walking. Something in his chest that he wouldn't have called pride but that lived in the same neighborhood as pride.<br />
<hr class="mycode_hr" />
He found the crew in the afternoon, in the back room of the place they used. Dre had the press conference on his phone — a different segment, earlier in the day, Aegis shaking the mayor's hand outside the bank that had been protected from the Ghost-affiliated crew.<br />
"There he is," Dre said when Marcus came in. He said it the specific way that meant he was saying it for Marcus's benefit. "Your boy."<br />
"He's not my boy."<br />
"Got a poster of him though."<br />
"I've had that since I was seven."<br />
"Uh huh." Dre set the phone down. "Seven year old Marcus knew what was up."<br />
Bea was counting — the medication in one pile, the packaged food in another. She didn't look up. "The poster's faded," she said. "Top left corner. You can barely see the logo."<br />
Marcus looked at her. "You've been in my room?"<br />
"Elena let me wait in there one time. Two years ago." She moved a bottle from one pile to the other. "You've had it since you were seven and you haven't taken it down. That's all I'm saying."<br />
"Nobody's saying anything," Marcus said.<br />
"Nobody said anything," Dre agreed, in a way that meant the opposite.<br />
Marcus sat down and looked at the two piles. "What's the count?"<br />
Bea told him. He ran the numbers and they were right, which they always were when Bea counted. He took his share — smaller than his cut, same as always — and Bea noted it without commenting, same as always.<br />
Tiny was quiet in the corner. He'd been quiet since yesterday. Marcus looked at him once and Tiny looked back with the expression he wore when something was working itself out in him that he wasn't ready to name yet.<br />
Dre picked up his phone again. Not the press conference this time — the loading dock footage. He watched the blurred shape move through the frame with the sound off.<br />
"You see this this morning?" he asked. Generally, to the room.<br />
"Everybody saw it," Bea said.<br />
"What do you think?" He was asking Marcus. He had a way of asking Marcus things that sounded casual and weren't.<br />
Marcus looked at the phone. The shape moving. The certainty of it. "I think somebody's going to get hurt eventually," he said. "Doing it that way."<br />
"Doing what what way."<br />
"Operating like that. No — " he looked for the word. "No framework. No accountability. You just decide what's right and do it and there's nobody checking you."<br />
Dre looked at him. Then he thought about  the poster on the wall of Marcus's room, visible through the door. Then back at Marcus. He didn't say anything. He didn't need to.<br />
"That's different," Marcus said.<br />
"How."<br />
"Because Aegis works with the city. There's — " He stopped. Started again. "There's a structure. Somebody's accountable."<br />
"Accountable to who?" Bea said. She said it mildly, the way she said things that weren't mild.<br />
Marcus didn't answer. The two men in suits at the back of the press conference frame moved through his mind briefly. He let them pass.<br />
"The Ghost gets results though," Tiny said from the corner. It was the first thing he'd said in an hour. He said it quietly, not as an argument, just as a fact he was putting on the table to see what it did there.<br />
The room was quiet for a moment.<br />
"So does a flood," Marcus said.<br />
<hr class="mycode_hr" />
That afternoon the Ghost's work arrived in the neighborhood the way weather arrives — not announced, just present.<br />
A box outside the door of 3B in Marcus's building. No label. The family there had four kids and a budget Elena had described once as <span style="font-style: italic;" class="mycode_i">not enough</span> in the specific tone she reserved for facts that made her angry. Marcus passed it going up and passed it again going down and by the second time he understood what it was.<br />
He stood in the stairwell and looked at it.<br />
He thought about the guards in the break room. Damon's cousin, eight months on the job. The smile in the still frame. He thought about what Tiny had said. <span style="font-style: italic;" class="mycode_i">The Ghost gets results.</span> He thought about Dre not saying anything, which was its own kind of saying something.<br />
He thought about the poster, faded at the top left corner where the afternoon light hit it.<br />
He went outside.<br />
<hr class="mycode_hr" />
Elena came home while he was at the kitchen table with his homework open and his pen not moving.<br />
She looked at the homework. Looked at the pen. Sat down across from him with her thermos and the specific quality of someone who has been on her feet for eleven hours and has chosen to spend the next twenty minutes at a table rather than anywhere else.<br />
"Ghost got the fulfillment center last night," Marcus said.<br />
"I heard." She wrapped both hands around the thermos. "People at work couldn't stop talking about it."<br />
"What did they say?"<br />
"Depends who you asked." She looked at the homework. "That's not going to finish itself."<br />
"I know."<br />
She looked at him instead of the homework. The reading look. "What did <span style="font-style: italic;" class="mycode_i">you</span> think about it?"<br />
Marcus turned his pen over. "I think Aegis is going to have to do something about it now. Publicly. The mayor was already — "<br />
Elena made a sound. Not quite a laugh. The sound she made when something struck her as both true and insufficient.<br />
"What?" Marcus said.<br />
"Nothing." She unscrewed the thermos. "You and that man."<br />
"What does that mean."<br />
"It means — " she paused, choosing. "It means you have had his picture on your wall since you were in second grade and you still talk about him like he's something separate from the people standing next to him at those press conferences."<br />
"He is separate. He doesn't — "<br />
"Marcus." She said it gently. "Those men in the suits. You know who they are?"<br />
He didn't answer.<br />
"The same people who own the fulfillment center the Ghost hit last night," she said. "Among other things." She screwed the thermos back on. "I'm not saying he's bad. I'm saying nothing is as clean as a poster."<br />
She got up. Moved to the stove. Marcus looked at his homework and thought about the two men in suits and the way they'd shifted when Aegis said <span style="font-style: italic;" class="mycode_i">community partners</span> and the way he'd chosen not to think about it at the time.<br />
"Sometimes," Elena said, her back to him, "the system needs someone willing to work inside it and outside it at the same time."<br />
She said it like she was thinking out loud. Marcus wrote something in his notebook that wasn't related to the homework. Then crossed it out.<br />
<hr class="mycode_hr" />
He couldn't sleep.<br />
The ceiling above him. The water stain in the upper left corner. The poster on the wall that he could see in the dark because he knew exactly where it was.<br />
He picked up his phone. Started to pull up the Aegis footage — the saved clips, the press conference moments, the rooftop video that had seventeen seconds of Aegis moving in a way that still made something in Marcus's chest do something he didn't examine too closely.<br />
He hovered over it.<br />
Then he searched the Ghost instead. Not because he wanted to. Because Tiny's voice was still in the room. <span style="font-style: italic;" class="mycode_i">The Ghost gets results.</span> And Dre's face when Marcus said <span style="font-style: italic;" class="mycode_i">framework</span> and <span style="font-style: italic;" class="mycode_i">accountability.</span> And Elena at the stove. <span style="font-style: italic;" class="mycode_i">Nothing is as clean as a poster.</span><br />
The clips were sparse and poor quality. Cell phone video, surveillance stills. The blurred shape moving through frames with the certainty of something that had already decided.<br />
Marcus watched them with the part of his mind that counted minutes and noticed camera angles. The operational part. He watched the Ghost move through the loading dock and thought about the camera set down gently with the lens to the wall and thought about the box outside 3B and thought about the guards — polite, they said. <span style="font-style: italic;" class="mycode_i">Excuse me.</span><br />
He didn't know what to do with any of it.<br />
He put the phone down. Looked at the poster in the dark. The faded top left corner he couldn't see but knew was there.<br />
He had been seven when he put it up. He had believed, at seven, in the clean version of things — that there were people who protected and people who threatened and that you could tell them apart because one of them had the city's name on their side. He had believed this the way you believe things at seven, before the believing becomes something you have to actively maintain.<br />
He was fourteen now. The poster was still on the wall.<br />
He lay in the dark and listened to the block outside and did not reach for his phone again.<br />
But he didn't sleep for a long time either.]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">Aegis and the Ghost</span><br />
<br />
<br />
     The loading dock security camera at the Amazon fulfillment center on Kedzie captured four minutes and eleven seconds of footage before someone who knew exactly where the camera was and exactly how to reach it removed it from its mounting without breaking it.<br />
This was the detail that stayed with people. Not the pallets moved, not the side door left open, not the three security guards zip-tied in the break room with their phones on the table in front of them so they could call for help the moment whoever it was had enough of a head start. The detail that stayed was the camera. Lifted clean off its bracket and set on the ground with the lens facing the wall, the way you'd set down something that belonged to someone else.<br />
Marcus heard about it the way he heard about most things — third, fourth hand, the story already warm from passing through other people's mouths by the time it reached him. He was at the counter eating toast when his phone started going. The crew chat first, then news alerts, then a voice message from a number he didn't recognize that turned out to be Dre calling from someone else's phone because his was dead, which was always Dre's phone.<br />
He ate his toast and read through it.<br />
On the wall of his room, visible through the open door, was the poster he'd had since he was seven. Aegis in three-quarter profile, the city skyline behind him, the logo across the bottom in the blocky font they used for everything official. The colors had faded some at the top where the sunlight hit it in the afternoons. He'd never taken it down. It had never occurred to him to take it down, which was different from deciding to keep it, though he couldn't have explained the difference if someone asked.<br />
Elena was already gone. On the counter a twenty dollar bill under a folded piece of paper, and on the paper in her handwriting:<br />
<span style="font-style: italic;" class="mycode_i">People who take care of others don't wait to be asked. They just see the need and move.</span><br />
He read it twice. Left the twenty where it was.<br />
<hr class="mycode_hr" />
Every screen in every barbershop and bodega and laundromat on the block was running the same footage — the loading dock, the break room, the three guards seated and zip-tied and apparently in the middle of a conversation with each other when the camera found them. One of the guards was smiling in the still frame. People kept pointing at that.<br />
Curtis's barbershop had two chairs going and four people waiting and the television in the corner doing the same news cycle it had been doing since six that morning. Marcus came in and found a spot along the wall and listened.<br />
"That's Damon's cousin," the man in the near chair said. "Third shift, been there eight months."<br />
"He all right?"<br />
"He's fine. Little shook up. Said they were polite about it."<br />
"<span style="font-style: italic;" class="mycode_i">Polite.</span>" The man waiting across from Marcus turned the word over.<br />
"Said they didn't touch anybody, didn't take anybody's wallet, said <span style="font-style: italic;" class="mycode_i">excuse me</span> before they zip-tied them." A pause while Curtis worked. "<span style="font-style: italic;" class="mycode_i">Excuse me.</span> Like they were getting past you on the bus."<br />
The television cycled back to the still frames. The shape in the loading dock, blurred with speed.<br />
"Those are jobs though," said the man by the window. He had the quality of someone who waited until he had something different to say. "Security jobs. Somebody's cousin, somebody's brother. You hit a facility, you're hitting the people working it, not the people owning it."<br />
"Didn't hit anybody," the man in the chair said.<br />
"Sending a message, then. And the people receiving the message are the ones can least afford it."<br />
The room held that for a moment. Curtis kept cutting. The television kept cycling.<br />
Then the older man in the far corner leaned forward. "Whoever did that," he said, "knew exactly what they were taking and exactly what they were leaving behind." He settled back. "That's not robbery. That's a statement."<br />
Marcus looked at the still frame on the television. The blurred shape moving through the loading dock with a certainty about where it was going that even the bad resolution couldn't hide.<br />
He thought about what it would take to know a place well enough to know exactly what to leave behind. Then he thought about the guards. Damon's cousin, eight months on the job, sitting zip-tied in the break room. The smile in the still frame that people kept pointing at.<br />
He wasn't sure what he thought about the smile.<br />
<hr class="mycode_hr" />
By midday Aegis was on every screen.<br />
Marcus watched the press conference from his phone while he walked, the volume low. The mayor was there. The police commissioner. Two men in suits in the back of the frame whose names never appeared in the chyron and who stood with the particular stillness of people who already knew how this was going to go.<br />
A reporter asked the question straight. "What are you doing about the Ghost, who's been spreading fear throughout the city?"<br />
Aegis paused. Just a half-second. Then:<br />
"The Ghost represents exactly the kind of extralegal activity that makes our community less safe for everyone. When individuals decide to operate outside the law — regardless of their intentions, and I want to be clear, the intentions don't matter — they destabilize the framework that protects all of us. We will continue to work with law enforcement and our community partners to address this threat comprehensively."<br />
Marcus watched him field the next question. The quality of attention he brought to it — unhurried, certain, the weight forward and the head tilted right. The posture that had been on Marcus's wall since he was seven, rendered live and actual on a three inch screen.<br />
He put the phone in his pocket and kept walking. Something in his chest that he wouldn't have called pride but that lived in the same neighborhood as pride.<br />
<hr class="mycode_hr" />
He found the crew in the afternoon, in the back room of the place they used. Dre had the press conference on his phone — a different segment, earlier in the day, Aegis shaking the mayor's hand outside the bank that had been protected from the Ghost-affiliated crew.<br />
"There he is," Dre said when Marcus came in. He said it the specific way that meant he was saying it for Marcus's benefit. "Your boy."<br />
"He's not my boy."<br />
"Got a poster of him though."<br />
"I've had that since I was seven."<br />
"Uh huh." Dre set the phone down. "Seven year old Marcus knew what was up."<br />
Bea was counting — the medication in one pile, the packaged food in another. She didn't look up. "The poster's faded," she said. "Top left corner. You can barely see the logo."<br />
Marcus looked at her. "You've been in my room?"<br />
"Elena let me wait in there one time. Two years ago." She moved a bottle from one pile to the other. "You've had it since you were seven and you haven't taken it down. That's all I'm saying."<br />
"Nobody's saying anything," Marcus said.<br />
"Nobody said anything," Dre agreed, in a way that meant the opposite.<br />
Marcus sat down and looked at the two piles. "What's the count?"<br />
Bea told him. He ran the numbers and they were right, which they always were when Bea counted. He took his share — smaller than his cut, same as always — and Bea noted it without commenting, same as always.<br />
Tiny was quiet in the corner. He'd been quiet since yesterday. Marcus looked at him once and Tiny looked back with the expression he wore when something was working itself out in him that he wasn't ready to name yet.<br />
Dre picked up his phone again. Not the press conference this time — the loading dock footage. He watched the blurred shape move through the frame with the sound off.<br />
"You see this this morning?" he asked. Generally, to the room.<br />
"Everybody saw it," Bea said.<br />
"What do you think?" He was asking Marcus. He had a way of asking Marcus things that sounded casual and weren't.<br />
Marcus looked at the phone. The shape moving. The certainty of it. "I think somebody's going to get hurt eventually," he said. "Doing it that way."<br />
"Doing what what way."<br />
"Operating like that. No — " he looked for the word. "No framework. No accountability. You just decide what's right and do it and there's nobody checking you."<br />
Dre looked at him. Then he thought about  the poster on the wall of Marcus's room, visible through the door. Then back at Marcus. He didn't say anything. He didn't need to.<br />
"That's different," Marcus said.<br />
"How."<br />
"Because Aegis works with the city. There's — " He stopped. Started again. "There's a structure. Somebody's accountable."<br />
"Accountable to who?" Bea said. She said it mildly, the way she said things that weren't mild.<br />
Marcus didn't answer. The two men in suits at the back of the press conference frame moved through his mind briefly. He let them pass.<br />
"The Ghost gets results though," Tiny said from the corner. It was the first thing he'd said in an hour. He said it quietly, not as an argument, just as a fact he was putting on the table to see what it did there.<br />
The room was quiet for a moment.<br />
"So does a flood," Marcus said.<br />
<hr class="mycode_hr" />
That afternoon the Ghost's work arrived in the neighborhood the way weather arrives — not announced, just present.<br />
A box outside the door of 3B in Marcus's building. No label. The family there had four kids and a budget Elena had described once as <span style="font-style: italic;" class="mycode_i">not enough</span> in the specific tone she reserved for facts that made her angry. Marcus passed it going up and passed it again going down and by the second time he understood what it was.<br />
He stood in the stairwell and looked at it.<br />
He thought about the guards in the break room. Damon's cousin, eight months on the job. The smile in the still frame. He thought about what Tiny had said. <span style="font-style: italic;" class="mycode_i">The Ghost gets results.</span> He thought about Dre not saying anything, which was its own kind of saying something.<br />
He thought about the poster, faded at the top left corner where the afternoon light hit it.<br />
He went outside.<br />
<hr class="mycode_hr" />
Elena came home while he was at the kitchen table with his homework open and his pen not moving.<br />
She looked at the homework. Looked at the pen. Sat down across from him with her thermos and the specific quality of someone who has been on her feet for eleven hours and has chosen to spend the next twenty minutes at a table rather than anywhere else.<br />
"Ghost got the fulfillment center last night," Marcus said.<br />
"I heard." She wrapped both hands around the thermos. "People at work couldn't stop talking about it."<br />
"What did they say?"<br />
"Depends who you asked." She looked at the homework. "That's not going to finish itself."<br />
"I know."<br />
She looked at him instead of the homework. The reading look. "What did <span style="font-style: italic;" class="mycode_i">you</span> think about it?"<br />
Marcus turned his pen over. "I think Aegis is going to have to do something about it now. Publicly. The mayor was already — "<br />
Elena made a sound. Not quite a laugh. The sound she made when something struck her as both true and insufficient.<br />
"What?" Marcus said.<br />
"Nothing." She unscrewed the thermos. "You and that man."<br />
"What does that mean."<br />
"It means — " she paused, choosing. "It means you have had his picture on your wall since you were in second grade and you still talk about him like he's something separate from the people standing next to him at those press conferences."<br />
"He is separate. He doesn't — "<br />
"Marcus." She said it gently. "Those men in the suits. You know who they are?"<br />
He didn't answer.<br />
"The same people who own the fulfillment center the Ghost hit last night," she said. "Among other things." She screwed the thermos back on. "I'm not saying he's bad. I'm saying nothing is as clean as a poster."<br />
She got up. Moved to the stove. Marcus looked at his homework and thought about the two men in suits and the way they'd shifted when Aegis said <span style="font-style: italic;" class="mycode_i">community partners</span> and the way he'd chosen not to think about it at the time.<br />
"Sometimes," Elena said, her back to him, "the system needs someone willing to work inside it and outside it at the same time."<br />
She said it like she was thinking out loud. Marcus wrote something in his notebook that wasn't related to the homework. Then crossed it out.<br />
<hr class="mycode_hr" />
He couldn't sleep.<br />
The ceiling above him. The water stain in the upper left corner. The poster on the wall that he could see in the dark because he knew exactly where it was.<br />
He picked up his phone. Started to pull up the Aegis footage — the saved clips, the press conference moments, the rooftop video that had seventeen seconds of Aegis moving in a way that still made something in Marcus's chest do something he didn't examine too closely.<br />
He hovered over it.<br />
Then he searched the Ghost instead. Not because he wanted to. Because Tiny's voice was still in the room. <span style="font-style: italic;" class="mycode_i">The Ghost gets results.</span> And Dre's face when Marcus said <span style="font-style: italic;" class="mycode_i">framework</span> and <span style="font-style: italic;" class="mycode_i">accountability.</span> And Elena at the stove. <span style="font-style: italic;" class="mycode_i">Nothing is as clean as a poster.</span><br />
The clips were sparse and poor quality. Cell phone video, surveillance stills. The blurred shape moving through frames with the certainty of something that had already decided.<br />
Marcus watched them with the part of his mind that counted minutes and noticed camera angles. The operational part. He watched the Ghost move through the loading dock and thought about the camera set down gently with the lens to the wall and thought about the box outside 3B and thought about the guards — polite, they said. <span style="font-style: italic;" class="mycode_i">Excuse me.</span><br />
He didn't know what to do with any of it.<br />
He put the phone down. Looked at the poster in the dark. The faded top left corner he couldn't see but knew was there.<br />
He had been seven when he put it up. He had believed, at seven, in the clean version of things — that there were people who protected and people who threatened and that you could tell them apart because one of them had the city's name on their side. He had believed this the way you believe things at seven, before the believing becomes something you have to actively maintain.<br />
He was fourteen now. The poster was still on the wall.<br />
He lay in the dark and listened to the block outside and did not reach for his phone again.<br />
But he didn't sleep for a long time either.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[data]]></title>
			<link>https://www.pigpenpoetry.com/thread-27442.html</link>
			<pubDate>Fri, 19 Jun 2026 16:05:04 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10102">thewilderhen</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27442.html</guid>
			<description><![CDATA[I have a bad habit of editing while the paint is still wet:<br />
<br />
I have married<br />
a whole neighborhood<br />
in subsidy. A good wife<br />
has been married<br />
like that before, whole<br />
blocks given over<br />
to the veil.<br />
<br />
If I go the city blocks,<br />
their moods cause me<br />
such grief <br />
<br />
they do not<br />
drink of the marriage<br />
glass they do not<br />
eat my gift<br />
<br />
I painted after<br />
them a still-life<br />
of pheasants / unworked<br />
on the table<br />
a gift to witness it<br />
wooden like trees before<br />
they came to me in marriage.<br />
———————————<br />
Original, old version:<br />
<br />
<br />
I have married<br />
a whole neighborhood<br />
in subsidy. A good wife<br />
has been married<br />
like that before, whole<br />
blocks given over<br />
to the veil.<br />
<br />
If I go the city blocks,<br />
their moods cause me<br />
such grief <br />
<br />
they do<br />
not drink of the marriage<br />
glass they do not<br />
eat my gift<br />
<br />
I painted after<br />
them a still-life<br />
pheasants / unworked<br />
on the table<br />
to witness it<br />
wooden like trees before<br />
we built our house.]]></description>
			<content:encoded><![CDATA[I have a bad habit of editing while the paint is still wet:<br />
<br />
I have married<br />
a whole neighborhood<br />
in subsidy. A good wife<br />
has been married<br />
like that before, whole<br />
blocks given over<br />
to the veil.<br />
<br />
If I go the city blocks,<br />
their moods cause me<br />
such grief <br />
<br />
they do not<br />
drink of the marriage<br />
glass they do not<br />
eat my gift<br />
<br />
I painted after<br />
them a still-life<br />
of pheasants / unworked<br />
on the table<br />
a gift to witness it<br />
wooden like trees before<br />
they came to me in marriage.<br />
———————————<br />
Original, old version:<br />
<br />
<br />
I have married<br />
a whole neighborhood<br />
in subsidy. A good wife<br />
has been married<br />
like that before, whole<br />
blocks given over<br />
to the veil.<br />
<br />
If I go the city blocks,<br />
their moods cause me<br />
such grief <br />
<br />
they do<br />
not drink of the marriage<br />
glass they do not<br />
eat my gift<br />
<br />
I painted after<br />
them a still-life<br />
pheasants / unworked<br />
on the table<br />
to witness it<br />
wooden like trees before<br />
we built our house.]]></content:encoded>
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			<title><![CDATA[On Counting With Your Toes]]></title>
			<link>https://www.pigpenpoetry.com/thread-27441.html</link>
			<pubDate>Fri, 19 Jun 2026 06:36:43 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10845">matsunosuperfan</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27441.html</guid>
			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">On Counting With Your Toes</span><br />
<br />
Quentin Tarantino is a famous ghoul for feet. He cast Uma Thurman <br />
just to have her <span style="font-style: italic;" class="mycode_i">get those piggies wiggling.</span> When he sleeps, it is of pink <br />
arches and pummeled soles, their velvet leather supple under the tongue, <br />
that Quentin dreams. This of course is common lore, the stale kind <br />
good old boys can still take home in plastic bags like festival corn, in which <br />
we’re all complicit—we love that we can watch Pulp Fiction or Kill Bill, <br />
see the grumpy Negro bug his eyes out and deliver lines like <span style="font-style: italic;" class="mycode_i">And you will know </span><br />
<span style="font-style: italic;" class="mycode_i">that I am the Lord!</span> which is funny because, yes, everyone does know and what they know<br />
is God is dead and white. This is what I’d planned to tell you on the date<br />
we didn’t have the night you died. Your scalp flew through the air, came down<br />
soft like snow drops on parked cars. Even Sonny Chiba couldn’t laugh.<br />
At the morgue, the corpse face painter doesn’t look a lick like Pam Grier, but does seem <br />
to have her thighs, I think to my most turgid self, feeling naughty in the shadow of grief, as is<br />
my established habit. Wiggle your toes if you can hear me up there, would you<br />
love? Today it makes a little cold precipitation and I catch the first flake on my tongue, <br />
which hardly even bleeds. I guess that really was a Hattori Hanzo sword. <br />
<br />
<div style="margin:20px; margin-top:5px"><div class="quotetitle"><input class="button2 btnlite" type="button" value="View Spoiler" style="text-align:center;width:115px;margin:0px;padding:0px;" onclick="if (this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display != '') { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = '';      this.innerText = ''; this.value = 'Hide Spoiler'; } else { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = 'none'; this.innerText = ''; this.value = 'View Spoiler'; }" /></div><div class="quotecontent"><div style="display: none;"> I have no idea what I am doing here. </div></div></div>
`]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">On Counting With Your Toes</span><br />
<br />
Quentin Tarantino is a famous ghoul for feet. He cast Uma Thurman <br />
just to have her <span style="font-style: italic;" class="mycode_i">get those piggies wiggling.</span> When he sleeps, it is of pink <br />
arches and pummeled soles, their velvet leather supple under the tongue, <br />
that Quentin dreams. This of course is common lore, the stale kind <br />
good old boys can still take home in plastic bags like festival corn, in which <br />
we’re all complicit—we love that we can watch Pulp Fiction or Kill Bill, <br />
see the grumpy Negro bug his eyes out and deliver lines like <span style="font-style: italic;" class="mycode_i">And you will know </span><br />
<span style="font-style: italic;" class="mycode_i">that I am the Lord!</span> which is funny because, yes, everyone does know and what they know<br />
is God is dead and white. This is what I’d planned to tell you on the date<br />
we didn’t have the night you died. Your scalp flew through the air, came down<br />
soft like snow drops on parked cars. Even Sonny Chiba couldn’t laugh.<br />
At the morgue, the corpse face painter doesn’t look a lick like Pam Grier, but does seem <br />
to have her thighs, I think to my most turgid self, feeling naughty in the shadow of grief, as is<br />
my established habit. Wiggle your toes if you can hear me up there, would you<br />
love? Today it makes a little cold precipitation and I catch the first flake on my tongue, <br />
which hardly even bleeds. I guess that really was a Hattori Hanzo sword. <br />
<br />
<div style="margin:20px; margin-top:5px"><div class="quotetitle"><input class="button2 btnlite" type="button" value="View Spoiler" style="text-align:center;width:115px;margin:0px;padding:0px;" onclick="if (this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display != '') { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = '';      this.innerText = ''; this.value = 'Hide Spoiler'; } else { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = 'none'; this.innerText = ''; this.value = 'View Spoiler'; }" /></div><div class="quotecontent"><div style="display: none;"> I have no idea what I am doing here. </div></div></div>
`]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Word Of The Tree]]></title>
			<link>https://www.pigpenpoetry.com/thread-27440.html</link>
			<pubDate>Thu, 18 Jun 2026 01:58:15 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10867">mark1tc</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27440.html</guid>
			<description><![CDATA[Word Of The Tree<br />
<br />
The merchants came<br />
with the sudden breath of dawn,<br />
hauling the stench of oils<br />
and the bawl of chainsaw engines,<br />
and the limbs of the tree<br />
fell in heavy pieces<br />
onto the red and stoney ground.<br />
<br />
In the sigh of its burning,<br />
the tree renders<br />
a dry and gentle song.<br />
<br />
The trash man weeps.<br />
<br />
At the smoke of its roosts,<br />
at the heaps of its ashes,<br />
at the great trunk standing<br />
naked and black<br />
on a bright morning.<br />
<br />
He weeps for his daughter,<br />
who sings and thrives<br />
on every fruit of the tree,<br />
knowing she will die <br />
without words.<br />
<br />
(Here, too, the leaves<br />
will be first to go,<br />
brittle and pale,<br />
with dark veins.)<br />
<br />
  *****<br />
<br />
The trash man possesses <br />
but a single magic.<br />
<br />
The twelfth moon bursts<br />
whole on a Sunday.<br />
He whispers <br />
the scripture of Eve <br />
as he nails<br />
to the gnarls of the tree<br />
all he has ever held <br />
to be beautiful, <br />
that he might keep <br />
all he has ever loved.<br />
<br />
  *****<br />
<br />
December sweeps its hot bristles<br />
across the Greater Antilles.<br />
<br />
Jamaica swelters;<br />
from the shacks of Riverton<br />
to the yards of Cherry Garden,<br />
Kingston town breathes ras.<br />
<br />
Here, at the corner<br />
where Hope meets Old Hope,<br />
the trash man labors<br />
in the arms of the tree.<br />
<br />
(-my God thats mango<br />
smeared across the hairs<br />
of his chest see he me<br />
we tree three be the<br />
madman Lion Perhaps<br />
Judah skin dust to dark<br />
earth damn hot-)<br />
<br />
His art rasps with color,<br />
chimes metal hollows,<br />
bribes jerky shapes into <br />
wings and tails:<br />
<br />
Chromium-coated<br />
hubcaps and bumpers<br />
turn in the sun, <br />
brightly painted boxes <br />
and dull plastic sheets <br />
flail in the wind,<br />
kitchen utensils dangle<br />
on long wires, a window <br />
frame rests crooked.<br />
<br />
  *****<br />
<br />
The trash man measures <br />
the change of seasons <br />
as the craft drizzles<br />
free from his treasures.<br />
<br />
  *****<br />
<br />
Roots black as Jesus<br />
reach to God's Own Heart.<br />
<br />
  *****<br />
<br />
One night,<br />
the trash man’s daughter<br />
awakens to hear weeping. <br />
She wades a dew <br />
to find<br />
the fifth moon<br />
embraces <br />
the tree.<br />
<br />
The tree is sad with fruit.<br />
<br />
Her fingers <br />
tremble <br />
as she plucks <br />
and unfolds<br />
from the tree<br />
<br />
this poem.<br />
<br />
mtc26]]></description>
			<content:encoded><![CDATA[Word Of The Tree<br />
<br />
The merchants came<br />
with the sudden breath of dawn,<br />
hauling the stench of oils<br />
and the bawl of chainsaw engines,<br />
and the limbs of the tree<br />
fell in heavy pieces<br />
onto the red and stoney ground.<br />
<br />
In the sigh of its burning,<br />
the tree renders<br />
a dry and gentle song.<br />
<br />
The trash man weeps.<br />
<br />
At the smoke of its roosts,<br />
at the heaps of its ashes,<br />
at the great trunk standing<br />
naked and black<br />
on a bright morning.<br />
<br />
He weeps for his daughter,<br />
who sings and thrives<br />
on every fruit of the tree,<br />
knowing she will die <br />
without words.<br />
<br />
(Here, too, the leaves<br />
will be first to go,<br />
brittle and pale,<br />
with dark veins.)<br />
<br />
  *****<br />
<br />
The trash man possesses <br />
but a single magic.<br />
<br />
The twelfth moon bursts<br />
whole on a Sunday.<br />
He whispers <br />
the scripture of Eve <br />
as he nails<br />
to the gnarls of the tree<br />
all he has ever held <br />
to be beautiful, <br />
that he might keep <br />
all he has ever loved.<br />
<br />
  *****<br />
<br />
December sweeps its hot bristles<br />
across the Greater Antilles.<br />
<br />
Jamaica swelters;<br />
from the shacks of Riverton<br />
to the yards of Cherry Garden,<br />
Kingston town breathes ras.<br />
<br />
Here, at the corner<br />
where Hope meets Old Hope,<br />
the trash man labors<br />
in the arms of the tree.<br />
<br />
(-my God thats mango<br />
smeared across the hairs<br />
of his chest see he me<br />
we tree three be the<br />
madman Lion Perhaps<br />
Judah skin dust to dark<br />
earth damn hot-)<br />
<br />
His art rasps with color,<br />
chimes metal hollows,<br />
bribes jerky shapes into <br />
wings and tails:<br />
<br />
Chromium-coated<br />
hubcaps and bumpers<br />
turn in the sun, <br />
brightly painted boxes <br />
and dull plastic sheets <br />
flail in the wind,<br />
kitchen utensils dangle<br />
on long wires, a window <br />
frame rests crooked.<br />
<br />
  *****<br />
<br />
The trash man measures <br />
the change of seasons <br />
as the craft drizzles<br />
free from his treasures.<br />
<br />
  *****<br />
<br />
Roots black as Jesus<br />
reach to God's Own Heart.<br />
<br />
  *****<br />
<br />
One night,<br />
the trash man’s daughter<br />
awakens to hear weeping. <br />
She wades a dew <br />
to find<br />
the fifth moon<br />
embraces <br />
the tree.<br />
<br />
The tree is sad with fruit.<br />
<br />
Her fingers <br />
tremble <br />
as she plucks <br />
and unfolds<br />
from the tree<br />
<br />
this poem.<br />
<br />
mtc26]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Just keep sailing...]]></title>
			<link>https://www.pigpenpoetry.com/thread-27439.html</link>
			<pubDate>Thu, 18 Jun 2026 01:53:44 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=10958">N.A.</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27439.html</guid>
			<description><![CDATA[Just keep sailing...<br />
<br />
I’ve never liked smiling,<br />
always thought I looked odd,<br />
like a rippled reflection of myself. <br />
<br />
But recently,<br />
the skin around my eyes crinkle<br />
into origami boats.<br />
<br />
My lips are sails,<br />
unfurled to the corners of my face,<br />
and my teeth slip out in every wave of smiles. <br />
<br />
It’s involuntary—<br />
the joy that sparks inside me<br />
scuds through my nerves<br />
until it erupts into laughter.<br />
<br />
Perhaps we are already sailing into something better. <br />
<br />
(I've honestly never written a poem before so I'm still very bad at this. I love reading poetry so I'm hoping to better my writing skills. Please give me any and every criticism you have <3)]]></description>
			<content:encoded><![CDATA[Just keep sailing...<br />
<br />
I’ve never liked smiling,<br />
always thought I looked odd,<br />
like a rippled reflection of myself. <br />
<br />
But recently,<br />
the skin around my eyes crinkle<br />
into origami boats.<br />
<br />
My lips are sails,<br />
unfurled to the corners of my face,<br />
and my teeth slip out in every wave of smiles. <br />
<br />
It’s involuntary—<br />
the joy that sparks inside me<br />
scuds through my nerves<br />
until it erupts into laughter.<br />
<br />
Perhaps we are already sailing into something better. <br />
<br />
(I've honestly never written a poem before so I'm still very bad at this. I love reading poetry so I'm hoping to better my writing skills. Please give me any and every criticism you have <3)]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Merlin and the Dragon Queen chapter 9]]></title>
			<link>https://www.pigpenpoetry.com/thread-27438.html</link>
			<pubDate>Tue, 16 Jun 2026 21:40:39 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://www.pigpenpoetry.com/member.php?action=profile&uid=7315">milo</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.pigpenpoetry.com/thread-27438.html</guid>
			<description><![CDATA[I took a small break from this but have decided to continue the story.  If you need a refresher, the first 8 chapters are all <a href="https://www.pigpenpoetry.com/search.php?action=results&amp;sid=8b1ed7fa67bfa317b7fcbc25f785ac41&amp;sortby=&amp;order=desc" target="_blank" rel="noopener" class="mycode_url">here</a><br />
<br />
<span style="font-weight: bold;" class="mycode_b">Merlin and the Dragon Queen - Chapter 9</span><br />
<br />
Yggdrasil regarded him from her great height with the patient, unhurried attention of something that had watched mountains form.  Her scales were a deep arterial red, almost black in the volcanic light, and each one was the size of a shield.  Her eyes were gold — not the warm gold of jewelry or harvest wheat but the cold, hard gold of old coins that had passed through too many hands to remember any of them.  She did not move after she spoke.  She simply watched him with those coins eyes and waited.<br />
<br />
Merlin brushed volcanic dust from his robes and got to his feet.  "You've been waiting," he started, "then you know why I've come."<br />
<br />
"I know many things," Yggdrasil replied. Her voice was not loud but it filled the chamber the way heat fills a room — gradually and from every direction at once. She spoke the common tongue with an accent that suggested she had learned it from someone who had learned it from someone else entirely, flattening certain sounds and elongating others in ways that were not unpleasant but were certainly not human. "I know Aelphaba sent you.  I know what you want.  I know considerably more about Rome than you do and I have been asleep since before your grandfather's grandfather drew his first breath." She lowered her great head until one gold eye was level with Merlin, close enough that he could feel the warmth radiating from it. "What I do not know," she said, "is why I should find you interesting."<br />
<br />
Merlin's horse, which had been standing near the entrance to the chamber with the philosophical resignation of an animal that had long since given up trying to understand its life, chose this moment to let out a long and deeply felt snort and begin backing slowly out of the cave.  Merlin couldn't blame him.  <br />
<br />
"I don't need to be interesting," Merlin answered, "I need to get to Rome."<br />
<br />
Yggdrasil pulled her head back and regarded him from full height again. "And Aelphaba has agreed to this.  Very well.  I will take you to Rome, little man.  I will do what you need done in Rome.  When it is finished, I will return here and sleep again and you will not bother me further."  She turned her great body in the chamber with a grinding of stone that sent cracks racing up the walls.  "Come then.  I will not wait."<br />
<br />
Merlin looked behind him.  His horse had completed its retreat and was no longer visible.  He looked back at Yggdrasil, then at the expanse of her back, then up at the ridged spine that ran from her neck to the base of her tail, each ridge standing as tall as his waist.  She had not offered to lower herself to make mounting easier.  She was not going to.  Merlin planted his staff, got a running start and scrambled up her flank using the edges of her scales as handholds, hauling himself hand over hand until he arrived, breathless and considerably less dignified than he would have preferred, astride her neck just forward of her great shoulders.  He settled himself between two ridges of her spine, tucked his staff under his arm and gripped the ridge in front of him with both hands.<br />
<br />
"Ready?" Yggdrasil asked, with what Merlin strongly suspected was the draconic equivalent of a smile.<br />
<br />
"Quite," said Merlin.<br />
<br />
She launched.<br />
<br />
The first thing Merlin discovered was that dragon flight and falcon flight were entirely different propositions.  As a falcon, flight was his.  He felt every current, every shift, every drop and rise of the air as an extension of himself.  Riding a dragon was something altogether different.  The first downstroke of Yggdrasil's wings hit him like a fist and very nearly took him clean off her back.  He flattened himself against her neck, locking both arms around the spine ridge in front of him with a grip that would have impressed a blacksmith.  She burst through the mouth of the volcano at speed and banked hard left immediately and the world became a vertical rush of black basalt and volcanic cloud and the cold spray of the sea.  Merlin's beard, braided lilies long since gone, whipped directly into his face.  He pressed it flat with one hand while keeping the other clamped to the ridge.<br />
<br />
"You might warn a person!" he shouted into the wind.  The wind took his words before they reached her ears or she simply didn't feel compelled to respond.  He suspected the latter.<br />
<br />
She levelled out and found her rhythm over the open sea and Merlin cautiously raised himself back upright.  The sea below was a churning dark green.  Avalon had already faded behind them.  Ahead was open water.  Merlin adjusted his grip and attempted to find a position that did not feel like it was slowly removing his inner thighs.  There was no comfortable position.  He experimented with bracing his legs outward against the curve of her shoulders, which helped somewhat and only required him to maintain the kind of grip on the spine ridge that would leave marks.  <br />
<br />
"How long to Rome?" he asked.<br />
<br />
A pause.  "Two days," she replied.  "Perhaps less.  The air is good."<br />
<br />
Two days.  Merlin looked down at his hands.  His knuckles had already gone pale.  He tried to imagine two days of this and arrived quickly at the conclusion that he would simply have to stop imagining things for a while.  He pulled his cloak tight and watched the water pass beneath them.<br />
<br />
---<br />
<br />
On the first night they stopped on a rocky outcropping in the middle of the channel, barely large enough for Yggdrasil to land on.  She folded her wings with an air of someone who finds the available accommodation beneath them but accepts it without comment.  Merlin slid down her flank without waiting for help this time, dropped the last few feet and sat heavily on a flat rock at the water's edge.  His legs ached in ways that suggested muscles he had not previously known he possessed.  He pulled his robe up and inspected his inner thighs which were chafed raw and spectacular in their redness.<br />
<br />
"You ride like a sack of grain," Yggdrasil observed.<br />
<br />
"Thank you," said Merlin, "that is rather how I feel."  He pulled some dried meat and a hard biscuit from within his robe and ate without enthusiasm, staring out at the black channel water.  The moon was just past half, which meant Arthur had been fighting for over two weeks.  He thought of Arthur in the swamplands, pushing into the Romans with that furious controlled precision that was all his own.  He thought of Tristram at Cascura, drawing the enemy back and laughing at them.  He thought of Lot, whose loyalty was a question that could only be answered in the doing.  He thought of Nimue, which he hadn't meant to do, and quickly stopped thinking of Nimue.<br />
<br />
"Tell me of Rome," he said to Yggdrasil.<br />
<br />
She settled her chin on the rock at the water's edge. The sea around the outcropping was displaced by her presence.  "Rome is old," she said, "but not so old as me.  When I last saw it, it was still burning its dead.  The aqueducts you speak of were not yet built.  But I have felt them described."<br />
<br />
"Agrippa's aqueducts feed fresh water throughout the city," Merlin said, leaning forward.  "They run in channels beneath the roads and vent upward through grates and openings into the streets and into the buildings they serve.  The Aqua Claudia enters the city on the eastern edge.  It has a main passage, large enough at the inlet for you to enter.  From there — "<br />
<br />
"I will be in stone tunnels," Yggdrasil interrupted.  "Not pleasant."<br />
<br />
"No," Merlin agreed.  "You won't be in there long.  The inlet chamber before the city proper is large enough that you won't be pressed."<br />
<br />
"What is large enough for a man is not large enough for me," she said.<br />
<br />
"The inlet chamber is not sized for a man.  It is sized for the volume of water Rome requires.  It is the size of this rock."  Merlin slapped the flat stone beneath him for emphasis.<br />
<br />
Yggdrasil was quiet for a moment.  "And the sleep breath," she said finally, and there was something different in her voice — not reluctance exactly, more the tone of a craftsman being asked about a difficult technique.  "You understand what you are asking."<br />
<br />
"Tell me," Merlin said.<br />
<br />
"Fire wants to be fire.  That is its nature.  When I breathe I am giving it permission to be what it is.  Sleep breath is the opposite.  It is the fire before the fire. The spark held back.  The smoke without the flame."  She turned one gold eye toward him.  "I must hold the heat in my chest and release only the vapor.  Too much and Rome burns.  Too little and your city sleeps for an hour and wakes irritable.  The entire city.  The aqueducts branch throughout.  The effort to breathe continuously through all of them —" she paused "— it will take everything I have."<br />
<br />
Merlin nodded.  "How long can you sustain it?"<br />
<br />
"Long enough," she said, which did not answer his question but which he understood was all the answer he was going to receive.<br />
<br />
"I need four hours," Merlin said.  "That's all.  Four hours in a sleeping Rome and I can do what needs to be done."<br />
<br />
Yggdrasil was quiet again.  The sea moved around them.  "You are going to face Mab," she said.  It was not a question.<br />
<br />
Merlin looked at her.  "You know about Mab."<br />
<br />
"I told you.  I know many things."  She settled her great head more fully onto the rock.  "Mab is old and not to be treated carelessly.  Even by wizards."  The last word carried nothing contemptuous in it, which Merlin found, oddly, more unsettling than contempt would have been.<br />
<br />
"No," he agreed.  "Not carelessly."<br />
<br />
She closed her gold eyes and the outcropping was suddenly very dark.  "Sleep, little man," she said.  "You will need it tomorrow more than tonight."<br />
<br />
Merlin lay back on the flat rock and looked up at the sky.  The stars over the open channel were extraordinary — unwashed by the light of any city, simply present in their full cold abundance.  He thought about Mab in her bishop's robes winking at him from inside his vision.  He thought about Rome, asleep in its streets.  He thought about Arthur.<br />
<br />
He slept.<br />
<br />
---<br />
<br />
They made landfall on the Italian peninsula as the sun was declining on the second day, coming in low over the coast from the west to avoid the shipping lanes.  Yggdrasil was a dark shape against a darkening sky and Merlin had grown, if not comfortable, then at least functional in his position on her back.  He had worked out that if he leaned slightly forward and kept his weight on his knees rather than sitting flat, the worst of the chafing was manageable.  His hands were so thoroughly locked to the spine ridge that he had stopped noticing them.<br />
<br />
Rome grew in the distance as they flew inland.  Even from the air in the failing light it was unmistakable — the sprawl of it, the density, the smoke from a thousand cooking fires rising in the evening air, the great dome of the Pantheon catching the last of the sun and throwing it back.  Merlin had been to Rome once before, in a different life, in circumstances he didn't often think about.  It was still the most extraordinary thing man had built.  He felt a complicated admiration for it.<br />
<br />
"There," he said, leaning forward and pointing.  "You can see the aqueduct coming in from the east.  The Aqua Claudia.  Do you see the inlet?"<br />
<br />
"I see it," said Yggdrasil.<br />
<br />
"We need to land east of the city.  Outside the walls.  I'll go in on foot and you wait until dark before you approach the inlet.  The water level in the channel will be low enough at night that you can enter without displacing it into the city.  Once you are in the antechamber — "<br />
<br />
"I know what to do from there," Yggdrasil said.<br />
<br />
"Of course," Merlin said.<br />
<br />
"And you?" she asked. "What will you do while I am in the tunnels?"<br />
<br />
Merlin was quiet for a moment.  He looked out at Rome growing larger beneath them, the lights of it beginning to glow as the evening came on.  Somewhere in that city Mab was wearing a bishop's face and pulling the strings of an empire like a puppeteer who had got bored with the usual plays.<br />
<br />
"I am going to have a conversation," Merlin said.<br />
<br />
Yggdrasil made a sound deep in her chest that Merlin had not heard from her before.  After a moment he realized it was a laugh.  Not a warm laugh.  Not an unkind one either.  The laugh of something very old watching something much younger walk toward something very dangerous with tremendous confidence and very little idea of what was coming.<br />
<br />
"A conversation," she repeated, and said nothing more.<br />
<br />
They descended toward the dark fields east of the city walls and the fires of Rome burned below them and all around the great city the aqueducts ran their ancient patient courses through the stone, waiting.]]></description>
			<content:encoded><![CDATA[I took a small break from this but have decided to continue the story.  If you need a refresher, the first 8 chapters are all <a href="https://www.pigpenpoetry.com/search.php?action=results&amp;sid=8b1ed7fa67bfa317b7fcbc25f785ac41&amp;sortby=&amp;order=desc" target="_blank" rel="noopener" class="mycode_url">here</a><br />
<br />
<span style="font-weight: bold;" class="mycode_b">Merlin and the Dragon Queen - Chapter 9</span><br />
<br />
Yggdrasil regarded him from her great height with the patient, unhurried attention of something that had watched mountains form.  Her scales were a deep arterial red, almost black in the volcanic light, and each one was the size of a shield.  Her eyes were gold — not the warm gold of jewelry or harvest wheat but the cold, hard gold of old coins that had passed through too many hands to remember any of them.  She did not move after she spoke.  She simply watched him with those coins eyes and waited.<br />
<br />
Merlin brushed volcanic dust from his robes and got to his feet.  "You've been waiting," he started, "then you know why I've come."<br />
<br />
"I know many things," Yggdrasil replied. Her voice was not loud but it filled the chamber the way heat fills a room — gradually and from every direction at once. She spoke the common tongue with an accent that suggested she had learned it from someone who had learned it from someone else entirely, flattening certain sounds and elongating others in ways that were not unpleasant but were certainly not human. "I know Aelphaba sent you.  I know what you want.  I know considerably more about Rome than you do and I have been asleep since before your grandfather's grandfather drew his first breath." She lowered her great head until one gold eye was level with Merlin, close enough that he could feel the warmth radiating from it. "What I do not know," she said, "is why I should find you interesting."<br />
<br />
Merlin's horse, which had been standing near the entrance to the chamber with the philosophical resignation of an animal that had long since given up trying to understand its life, chose this moment to let out a long and deeply felt snort and begin backing slowly out of the cave.  Merlin couldn't blame him.  <br />
<br />
"I don't need to be interesting," Merlin answered, "I need to get to Rome."<br />
<br />
Yggdrasil pulled her head back and regarded him from full height again. "And Aelphaba has agreed to this.  Very well.  I will take you to Rome, little man.  I will do what you need done in Rome.  When it is finished, I will return here and sleep again and you will not bother me further."  She turned her great body in the chamber with a grinding of stone that sent cracks racing up the walls.  "Come then.  I will not wait."<br />
<br />
Merlin looked behind him.  His horse had completed its retreat and was no longer visible.  He looked back at Yggdrasil, then at the expanse of her back, then up at the ridged spine that ran from her neck to the base of her tail, each ridge standing as tall as his waist.  She had not offered to lower herself to make mounting easier.  She was not going to.  Merlin planted his staff, got a running start and scrambled up her flank using the edges of her scales as handholds, hauling himself hand over hand until he arrived, breathless and considerably less dignified than he would have preferred, astride her neck just forward of her great shoulders.  He settled himself between two ridges of her spine, tucked his staff under his arm and gripped the ridge in front of him with both hands.<br />
<br />
"Ready?" Yggdrasil asked, with what Merlin strongly suspected was the draconic equivalent of a smile.<br />
<br />
"Quite," said Merlin.<br />
<br />
She launched.<br />
<br />
The first thing Merlin discovered was that dragon flight and falcon flight were entirely different propositions.  As a falcon, flight was his.  He felt every current, every shift, every drop and rise of the air as an extension of himself.  Riding a dragon was something altogether different.  The first downstroke of Yggdrasil's wings hit him like a fist and very nearly took him clean off her back.  He flattened himself against her neck, locking both arms around the spine ridge in front of him with a grip that would have impressed a blacksmith.  She burst through the mouth of the volcano at speed and banked hard left immediately and the world became a vertical rush of black basalt and volcanic cloud and the cold spray of the sea.  Merlin's beard, braided lilies long since gone, whipped directly into his face.  He pressed it flat with one hand while keeping the other clamped to the ridge.<br />
<br />
"You might warn a person!" he shouted into the wind.  The wind took his words before they reached her ears or she simply didn't feel compelled to respond.  He suspected the latter.<br />
<br />
She levelled out and found her rhythm over the open sea and Merlin cautiously raised himself back upright.  The sea below was a churning dark green.  Avalon had already faded behind them.  Ahead was open water.  Merlin adjusted his grip and attempted to find a position that did not feel like it was slowly removing his inner thighs.  There was no comfortable position.  He experimented with bracing his legs outward against the curve of her shoulders, which helped somewhat and only required him to maintain the kind of grip on the spine ridge that would leave marks.  <br />
<br />
"How long to Rome?" he asked.<br />
<br />
A pause.  "Two days," she replied.  "Perhaps less.  The air is good."<br />
<br />
Two days.  Merlin looked down at his hands.  His knuckles had already gone pale.  He tried to imagine two days of this and arrived quickly at the conclusion that he would simply have to stop imagining things for a while.  He pulled his cloak tight and watched the water pass beneath them.<br />
<br />
---<br />
<br />
On the first night they stopped on a rocky outcropping in the middle of the channel, barely large enough for Yggdrasil to land on.  She folded her wings with an air of someone who finds the available accommodation beneath them but accepts it without comment.  Merlin slid down her flank without waiting for help this time, dropped the last few feet and sat heavily on a flat rock at the water's edge.  His legs ached in ways that suggested muscles he had not previously known he possessed.  He pulled his robe up and inspected his inner thighs which were chafed raw and spectacular in their redness.<br />
<br />
"You ride like a sack of grain," Yggdrasil observed.<br />
<br />
"Thank you," said Merlin, "that is rather how I feel."  He pulled some dried meat and a hard biscuit from within his robe and ate without enthusiasm, staring out at the black channel water.  The moon was just past half, which meant Arthur had been fighting for over two weeks.  He thought of Arthur in the swamplands, pushing into the Romans with that furious controlled precision that was all his own.  He thought of Tristram at Cascura, drawing the enemy back and laughing at them.  He thought of Lot, whose loyalty was a question that could only be answered in the doing.  He thought of Nimue, which he hadn't meant to do, and quickly stopped thinking of Nimue.<br />
<br />
"Tell me of Rome," he said to Yggdrasil.<br />
<br />
She settled her chin on the rock at the water's edge. The sea around the outcropping was displaced by her presence.  "Rome is old," she said, "but not so old as me.  When I last saw it, it was still burning its dead.  The aqueducts you speak of were not yet built.  But I have felt them described."<br />
<br />
"Agrippa's aqueducts feed fresh water throughout the city," Merlin said, leaning forward.  "They run in channels beneath the roads and vent upward through grates and openings into the streets and into the buildings they serve.  The Aqua Claudia enters the city on the eastern edge.  It has a main passage, large enough at the inlet for you to enter.  From there — "<br />
<br />
"I will be in stone tunnels," Yggdrasil interrupted.  "Not pleasant."<br />
<br />
"No," Merlin agreed.  "You won't be in there long.  The inlet chamber before the city proper is large enough that you won't be pressed."<br />
<br />
"What is large enough for a man is not large enough for me," she said.<br />
<br />
"The inlet chamber is not sized for a man.  It is sized for the volume of water Rome requires.  It is the size of this rock."  Merlin slapped the flat stone beneath him for emphasis.<br />
<br />
Yggdrasil was quiet for a moment.  "And the sleep breath," she said finally, and there was something different in her voice — not reluctance exactly, more the tone of a craftsman being asked about a difficult technique.  "You understand what you are asking."<br />
<br />
"Tell me," Merlin said.<br />
<br />
"Fire wants to be fire.  That is its nature.  When I breathe I am giving it permission to be what it is.  Sleep breath is the opposite.  It is the fire before the fire. The spark held back.  The smoke without the flame."  She turned one gold eye toward him.  "I must hold the heat in my chest and release only the vapor.  Too much and Rome burns.  Too little and your city sleeps for an hour and wakes irritable.  The entire city.  The aqueducts branch throughout.  The effort to breathe continuously through all of them —" she paused "— it will take everything I have."<br />
<br />
Merlin nodded.  "How long can you sustain it?"<br />
<br />
"Long enough," she said, which did not answer his question but which he understood was all the answer he was going to receive.<br />
<br />
"I need four hours," Merlin said.  "That's all.  Four hours in a sleeping Rome and I can do what needs to be done."<br />
<br />
Yggdrasil was quiet again.  The sea moved around them.  "You are going to face Mab," she said.  It was not a question.<br />
<br />
Merlin looked at her.  "You know about Mab."<br />
<br />
"I told you.  I know many things."  She settled her great head more fully onto the rock.  "Mab is old and not to be treated carelessly.  Even by wizards."  The last word carried nothing contemptuous in it, which Merlin found, oddly, more unsettling than contempt would have been.<br />
<br />
"No," he agreed.  "Not carelessly."<br />
<br />
She closed her gold eyes and the outcropping was suddenly very dark.  "Sleep, little man," she said.  "You will need it tomorrow more than tonight."<br />
<br />
Merlin lay back on the flat rock and looked up at the sky.  The stars over the open channel were extraordinary — unwashed by the light of any city, simply present in their full cold abundance.  He thought about Mab in her bishop's robes winking at him from inside his vision.  He thought about Rome, asleep in its streets.  He thought about Arthur.<br />
<br />
He slept.<br />
<br />
---<br />
<br />
They made landfall on the Italian peninsula as the sun was declining on the second day, coming in low over the coast from the west to avoid the shipping lanes.  Yggdrasil was a dark shape against a darkening sky and Merlin had grown, if not comfortable, then at least functional in his position on her back.  He had worked out that if he leaned slightly forward and kept his weight on his knees rather than sitting flat, the worst of the chafing was manageable.  His hands were so thoroughly locked to the spine ridge that he had stopped noticing them.<br />
<br />
Rome grew in the distance as they flew inland.  Even from the air in the failing light it was unmistakable — the sprawl of it, the density, the smoke from a thousand cooking fires rising in the evening air, the great dome of the Pantheon catching the last of the sun and throwing it back.  Merlin had been to Rome once before, in a different life, in circumstances he didn't often think about.  It was still the most extraordinary thing man had built.  He felt a complicated admiration for it.<br />
<br />
"There," he said, leaning forward and pointing.  "You can see the aqueduct coming in from the east.  The Aqua Claudia.  Do you see the inlet?"<br />
<br />
"I see it," said Yggdrasil.<br />
<br />
"We need to land east of the city.  Outside the walls.  I'll go in on foot and you wait until dark before you approach the inlet.  The water level in the channel will be low enough at night that you can enter without displacing it into the city.  Once you are in the antechamber — "<br />
<br />
"I know what to do from there," Yggdrasil said.<br />
<br />
"Of course," Merlin said.<br />
<br />
"And you?" she asked. "What will you do while I am in the tunnels?"<br />
<br />
Merlin was quiet for a moment.  He looked out at Rome growing larger beneath them, the lights of it beginning to glow as the evening came on.  Somewhere in that city Mab was wearing a bishop's face and pulling the strings of an empire like a puppeteer who had got bored with the usual plays.<br />
<br />
"I am going to have a conversation," Merlin said.<br />
<br />
Yggdrasil made a sound deep in her chest that Merlin had not heard from her before.  After a moment he realized it was a laugh.  Not a warm laugh.  Not an unkind one either.  The laugh of something very old watching something much younger walk toward something very dangerous with tremendous confidence and very little idea of what was coming.<br />
<br />
"A conversation," she repeated, and said nothing more.<br />
<br />
They descended toward the dark fields east of the city walls and the fires of Rome burned below them and all around the great city the aqueducts ran their ancient patient courses through the stone, waiting.]]></content:encoded>
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