With the moon in spotlight, I moonlight the night.
Quit my day job for a pun that could shadow the sun.
Illuminated through moonshine, I’m enlightened with blood-wine.
Intoxicating every cell. 
My mother taught me well, so I rebel.
A pupil of the Earth, I die late at my birth.
As night falls to intoxicate my eyes, morning comes with the sun between her thighs.
Mother Earth, Goddess, Gaia; no need to ask “Mother Maya.”
It’s mine for the taking, pull the grape from the vine as my blood becomes wine.
Eat the flesh of this fruit; I’m a vessel, I transmute.
Body becomes bread, blood becomes wine; the goblet my head.
This is a degree up from your first poem here. It makes a nice progression. Like Innocence and Experience, you're building on something. I see everything happening at once, so are you making these poems one by one or intentionally giving installments?, either way, and both ways, the silly rhyming works so far, so long as you continue to carry your theme. Whether through other better poems or by making this one richer and stronger. As it is, though, I don't see anything wrong with it, other than, like your other one, it isn't so strong as a stand by itself poem.
It definitely sounds good, the rhyme scheme gives off a very sophisticated elegance that I really enjoy, some may say that is to much rhyme but If you do it well, it could be great. Moreover, you wrote some very powerful lines that I really liked like "I moonlight the night", good imagery that of yourself transforming into the moon and lighting the night. Also interesting points that of "quit my day job for a pun" and "my mother taught me well, so I rebel", it seems an original way to say it. I have to say that I like almost every line of the poem, so good job, I am not at all an expert critic, but I honestly have to say that I usually don´t like most poems I read and I really liked this one.
Thanks for the comments.

@rowens: There’s no particular scheme regarding what I post and when. Would you mind elaborating on what you mean by “silly rhymes?” Is it the words I’m rhyming with, the choice to rhyme itself, etc.?

@MrPlus: Glad you enjoyed it. I have to admit though that the line “My mother taught me well...” is actually from a Saul Williams song, so the originality isn’t mine.
I mean rhymes sound silly to some people when they come off as simplistic. But silly and simplistic aren't only negative adjectives. I guess the point is the lack of originality and simplistic use of rhyme will leave some people uninterested despite the finer aspects of the poem. If it were a book, and the poems got progressively more complex and original, these two poems would be good starting points to the themes you're expressing. So it's the originality and the complexity that would make these poems stand out. I guess it's a difference of being passing decent and being very good.

I don't have any advice. Only general criticism of the poem as it is.
Overall, yeah, what others said. On grittier stuff, two notes.

There's emphasis missed by having all the rhymes be internal, than breaking by most of the rhymes (ie, "With the moon in spotlight, / I moonlight the night.") The positives of this poem would be less easily missed if its ideas had a little more punch.

Some lines feel thoroughly dispensable. Most obvious one for me is "Mother Earth, Goddess, Gaia....". The mythic or esoteric it introduces just doesn't seem to have any bearing to the rest of the poem. And sometimes the 'punny' nature of the piece becomes overbearing, like in "My mother taught me well so I rebel / A pupil of the Earth, I die late at my birth" but that's more up to you. Lovely work.

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